Scoring Brass Band, page 6

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£8.50

FIRST SUITE FOR JUNIOR BRASS (score) - Frederick, Mike

The score shows brass band scoring & percussion.Contents / Comments:
In Stock: Estimated dispatch 1-3 working days
£27.50

FIRST SUITE FOR JUNIOR BRASS (score & parts) - Frederick, Mike

The score shows brass band scoring & percussion.Contents / Comments:
In Stock: Estimated dispatch 1-3 working days
£8.50

FOUR CLASSICAL PIECES FOR BRASS (score) - Frederick, Mike

The score shows brass band scoring & percussion.Contents / Comments:
In Stock: Estimated dispatch 1-3 working days
£27.50

FOUR CLASSICAL PIECES FOR BRASS (score & parts) - Frederick, Mike

The score shows brass band scoring & percussion.Contents / Comments:
In Stock: Estimated dispatch 1-3 working days
£37.50

Cinderella (Overture) - Rossini - Julian M Blakestone

Rossini's Overtures are very distinct in their style, fanfares, heavy scoring and more memorably, the themes which he creates. For years, the Brass Band movement has enjoyed his well known "William Tell" & "Barber Of Seville" Overtures, yet the Overture to Cinderella has seemingly gone unnoticed. Now comes an arrangement by Julian Blakeston of this work, which has all the magic and excitement of his more "famous" overtures, although sadly until now has not been at the forefront of the Brass Band program.
In Stock: Estimated dispatch 1-3 working days
£8.50

BRASS ON THE RUN (score) - McKenzie, Jock

Grade 4-5 standard, with parts also included for Orchestral Brass and Flute. Full band scoring apart from 2 Horn parts & 2 Trombone/Baritone parts.
In Stock: Estimated dispatch 1-3 working days
£27.50

BRASS ON THE RUN (score & parts) - McKenzie, Jock

Grade 4-5 standard, with parts also included for Orchestral Brass and Flute. Full band scoring apart from 2 Horn parts & 2 Trombone/Baritone parts.
In Stock: Estimated dispatch 1-3 working days
£29.95

Salvation Army Classics 25-28 for Small Ensemble

Salvation Army Classics arranged for Flexible Brass Band Numbers 25-28Bognor Regis - Leslie CondonGoldcrest - James AndersonHe found me - Howard DaviesSt Peter - Keith Griffin This series features pieces that have been rescored for Unity Series (five-part) scoring.PART I 1st Cornet BbPART II 2nd Cornet Bb and 1st Horn EbPART III 2nd Horn Eb and Baritone or Trombone BbPART IV Euphonium BbPART V Bass Eb and Bass BbThese transcriptions have been carried out in such a way to facilitate the addition of any original parts that may be available.Where relevant, suggestions are made for a variation in tone colour (i.e. 2nd Cornet, Flugel, Baritone, Trombone) as well asthe occasional opportunity for rest.
Estimated dispatch 7-14 working days
£78.40

Hollywood! (Score and Parts)

Hollywood was originally composed for the Regional Championships in 1996 and is indicative of music from 'tinsel town' with more than a passing reference to all types of film genre. This is Goff Richards at his best producing music that will be both challenging and enjoyable to play. In this piece the composer demonstrated his superb knowledge of brass band scoring in the lighter idiom.
Estimated dispatch 7-14 working days
£228.70

Fanfare and Chorale - Egil Hovland - Ray Farr

This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr
Estimated dispatch 5-14 working days