Results
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£59.95
My Strength, My Tower - Rhapsodic Variations (Brass Band - Score and Parts) - Goffin, Dean
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
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£29.95
My Strength, My Tower - Rhapsodic Variations (Brass Band - Score only) - Goffin, Dean
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
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£24.95
Now Is The Hour (Cornet Solo with Brass Band - Score and Parts)
This romantic Maori song of farewell was arranged as a cornet solo for David Daws. Within The Salvation Army, the words 'Search me, O God, and know my heart today' are now associated with this beautiful tune.
Estimated dispatch 7-14 working days
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£12.50
Now Is The Hour (Cornet Solo with Brass Band - Score only)
This romantic Maori song of farewell was arranged as a cornet solo for David Daws. Within The Salvation Army, the words 'Search me, O God, and know my heart today' are now associated with this beautiful tune.
Estimated dispatch 7-14 working days
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£59.95
Quintessence (Brass Band - Score and Parts) - Redhead, Robert
Originally written for the Melbourne Staff Band's tour of the UK in 1978 and, more specifically, their participation in The Salvation Army International Congress in London, the music expresses the quintessence of Australian Salvationism. The five sections are; 1. An original theme expressing the immensity of the Australian continent. 2. Australia's sons, let us rejoice representing the character of the people. 3. Glory, glory, glory hallelijah from the song The Christian Mission. 4. A meditative setting of At Thy feet I bow adoring, written by two Australian Salvationists. 5. A development of the previous themes bringing the work to its climactic conclusion.
Estimated dispatch 7-14 working days
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£29.95
Quintessence (Brass Band - Score only) - Redhead, Robert
Originally written for the Melbourne Staff Band's tour of the UK in 1978 and, more specifically, their participation in The Salvation Army International Congress in London, the music expresses the quintessence of Australian Salvationism. The five sections are; 1. An original theme expressing the immensity of the Australian continent. 2. Australia's sons, let us rejoice representing the character of the people. 3. Glory, glory, glory hallelijah from the song The Christian Mission. 4. A meditative setting of At Thy feet I bow adoring, written by two Australian Salvationists. 5. A development of the previous themes bringing the work to its climactic conclusion.
Estimated dispatch 7-14 working days
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£29.95
Spirit Of Praise (Brass Band - Score and Parts) - Marshall, George
The trio section of this march closely follows the vocal score of a setting of the hymn Praise my soul, the king of heaven by A. P. Berggren of Denmark. This hymn-like style, especially in the trio section, was not uncommon in Salvation Army marches of the period, intentionally devotional and a contrast to the lively nature which surrounded it.
Estimated dispatch 7-14 working days
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£14.95
Spirit Of Praise (Brass Band - Score only) - Marshall, George
The trio section of this march closely follows the vocal score of a setting of the hymn Praise my soul, the king of heaven by A. P. Berggren of Denmark. This hymn-like style, especially in the trio section, was not uncommon in Salvation Army marches of the period, intentionally devotional and a contrast to the lively nature which surrounded it.
Estimated dispatch 7-14 working days
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£59.95
The Holy War (Brass Band - Score and Parts) - Steadman-Allen, Ray
Inspired by John Bunyan's allegory of the same name, the composer paints a sound picture of spiritual warfare between the forces of good and evil. Martin Luther's Reformation chorale Ein feste Burg (A Mighty Fortress is our God) serves as the rallying point for 'good' forces led by Mansoul. This brilliant score, A Salvation Army epic, serves as an example of marvellous invention, colourful scoring and compact formal symmetry.
Estimated dispatch 7-14 working days
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£29.95
The Holy War (Brass Band - Score only) - Steadman-Allen, Ray
Inspired by John Bunyan's allegory of the same name, the composer paints a sound picture of spiritual warfare between the forces of good and evil. Martin Luther's Reformation chorale Ein feste Burg (A Mighty Fortress is our God) serves as the rallying point for 'good' forces led by Mansoul. This brilliant score, A Salvation Army epic, serves as an example of marvellous invention, colourful scoring and compact formal symmetry.
Estimated dispatch 7-14 working days