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  • £35.00

    SYMPHONY No.1, Finale from (Brass Band) - Rachmaninov - Littlemore, Phillip

    Rachmaninov composed his First Symphony in 1895, at the age of just 22 years. It received its first performance on March 27, 1897, at a Russian Symphony Society concert in St. Petersburg with Alexander Glazunov conducting. The premiere was not well-received, and Rachmaninov himself blamed Glazunov for a lacklustre approach for beating time rather than finding the music. Some contemporary reports even suggested that Glazunov was inebriated when he took to the stage! Despite the disappointment of the premiere performance, Rachmaninov never destroyed the score but left it behind when he left Russia to settle in the West, eventually it was given up for lost. After the composer's death, a two-piano transcription of the symphony surfaced in Moscow, followed by a set of orchestral parts at the conservatory in Saint Petersburg. In March 1945, the symphony was performed in Moscow for the first time since its 1897 premiere. It was a grand success, and this led to a new and more enthusiastic evaluation of the symphony. In March 1948 it received a similarly successful American premiere and the work proceeded to establish itself in the general repertory. The final movement (Allegro con fuoco) is colourful and grand but not without its darkly contrasting, menacing episodes that intensifies its malevolence. It is a work overflowing with ideas demonstrating a strong, highly individual, and self-assured young talent. Duration: 5:40

    Estimated delivery 12-14 days

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  • £35.00

    Finale from 'Symphony No.1' - Sergei Rachmaninov - Phillip Littlemore

    Rachmaninov composed his First Symphony in 1895, at the age of just 22 years. It received its first performance on March 27, 1897, at a Russian Symphony Society concert in St. Petersburg with Alexander Glazunov conducting. The premiere was not well-received, and Rachmaninov himself blamed Glazunov for a lacklustre approach for beating time rather than finding the music. Some contemporary reports even suggested that Glazunov was inebriated when he took to the stage! Despite the disappointment of the premiere performance, Rachmaninov never destroyed the score but left it behind when he left Russia to settle in the West, eventually it was given up for lost. After the composer’s death, a two-piano transcription of the symphony surfaced in Moscow, followed by a set of orchestral parts at the conservatory in Saint Petersburg. In March 1945, the symphony was performed in Moscow for the first time since its 1897 premiere. It was a grand success, and this led to a new and more enthusiastic evaluation of the symphony. In March 1948 it received a similarly successful American premiere and the work proceeded to establish itself in the general repertory. The final movement (Allegro con fuoco) is colourful and grand but not without its darkly contrasting, menacing episodes that intensifies its?malevolence. It is a work overflowing with ideas demonstrating a strong, highly individual, and self-assured?young talent. Iten Code: TPBB-027 Duration: 5'40"

  • £25.00

    SYMPHONIC DANCE No.3 (Brass Band) - Rachmaninov - Littlemore, Phillip

    Completed in 1940, the set ofSymphonic Danceswas Sergei Rachmaninov's last composition. The work is fully representative of the composer's late style with its curious, shifting harmonies, the almost Prokofiev-like grotesquerie of the outer movements and the focus on individual instrumental tone colours throughout.Rachmaninov composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman Estate, 'Orchard Point', in Centerport, New York, overlooking Long Island Sound. The three-movement work's original name was Fantastic Dances, with movement titles of 'Noon', 'Twilight' and 'Midnight'. When the composer wrote to the conductor Eugene Ormandy in late August, he said that the piece was finished and needed only to be orchestrated, but the manuscript for the full score actually bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on 3rd January, 1941. This arrangement is of the last dance and is a kind of struggle between theDies Iraetheme, representing Death, and a quotation from Rachmaninov's ownVespers(also known as the All-night Vigil, 1915), representing Resurrection. The Resurrection theme proves victorious in the end as the composer actually wrote the word 'Hallelujah' at the relevant place the score (one bar after Fig. 16 in this arrangement).Duration: 3:45

    Estimated delivery 12-14 days

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  • £72.90

    Bogoroditse Devo - Sergei Rachmaninov - John Philip Hannevik

    The All Night Vigil is an a-cappella composition that Sergei Rachmaninov composed in January/ February 1915. It was one of Rachmaninoff's favorite among his own compositions, and it has also been called "the greatest musical achievement of the Russian Orthodox Church"."Bogoroditse Devo" is movement number 6, and the lyrics are:Hail Mary, full of grace,the Lord is with thee,blessed art thou amongst women,and blessed is the fruit of thy womb, Jesus.Performance suggestion:Solo Clarinet, 1st Altosax, 1st Horn amd Solo Euphonium stand, preferably some distance away from the band. The remaining players of the band can sing from the "choir" sheet. At letter A, 1st Horn and Solo Euphonium return to their seats while Solo Clarinet and 1st Altosax remains standing until letter C

    Estimated delivery 10-12 days

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  • £72.00

    Bogoroditse Devo (From All-Night Vigil) - Sergei Rachmaninov - John Philip Hannevik

    The All Night Vigil is an a-cappella composition that Sergei Rachmaninov composed in January/ February 1915. It was one of Rachmaninoff's favorite among his own compositions, and it has also been called "the greatest musical achievement of the Russian Orthodox Church"."Bogoroditse Devo" is movement number 6, and the lyrics are: Hail Mary, full of grace,the Lord is with thee;blessed art thou amongst women,and blessed is the fruit of thy womb, Jesus.Performance suggestion:Solo Clarinet, 1st Altosax, 1st Horn amd Solo Euphonium stand, preferably some distance away from the band. The remaining players of the band can sing from the "choir" sheet. At letter A, 1st Horn and Solo Euphonium return to their seats while Solo Clarinet and 1st Altosax remains standing until letter C

  • £27.50

    Eighteenth (18th) Variation, The - Rachmaninov, S.

    A melancholy Rachmaninov melody (from the Paganini Variations for Piano & Orchestra) to melt any romantic's soul. Anyone who doesn't find this melody gorgeous in the extreme needs prolonged medical treatment !

    Estimated delivery 10-14 days
  • £27.50

    Russian Rhapsody - Rachmaninov, S.

    An early Rachmaninov piece in a very free arrangement best describes this miscellany of melody and dance.

    Estimated delivery 10-14 days
  • £27.50

    Russian Rhapsody - S. Rachmaninov

    An early Rachmaninov piece in a very free arrangement best describes this miscellany of melody and dance.

    Estimated delivery 12-14 days
  • £27.50

    The Eighteenth Variation - S. Rachmaninov

    A melancholy Rachmaninov melody (from the Paganini Variations for Piano & Orchestra) to melt any romantic's soul. Anyone who doesn't find this melody gorgeous in the extreme needs prolonged medical treatment !

    Estimated delivery 12-14 days
  • £25.00

    Symphonic Dance No.3

    Completed in 1940, the set of? Symphonic Dances was Sergei Rachmaninov's last composition. The work is fully representative of the composer’s late style with its curious, shifting harmonies, the almost Prokofiev-like grotesquerie of the outer movements and the focus on individual instrumental tone colours throughout.? Rachmaninov composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman Estate, ‘Orchard Point’, in Centerport, New York, overlooking Long Island Sound. The three-movement work’s original name was Fantastic Dances, with movement titles of ‘Noon’, ‘Twilight’ and ‘Midnight’. When the composer wrote to the conductor Eugene Ormandy in late August, he said that the piece was finished and needed only to be orchestrated, but the manuscript for the full score actually bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on 3rd January, 1941. This arrangement is of the last dance and is a kind of struggle between the Dies Irae theme, representing Death, and a quotation from Rachmaninov’s own Vespers (also known as the All-night Vigil, 1915), representing Resurrection. The Resurrection theme proves victorious in the end as the composer actually wrote the word ‘Hallelujah’ at the relevant place the score (one bar after Fig. 16 in this arrangement).? This arrangement can be seen being played by East London Brass, conducted by Jayne Murrill,? here .? Item Code: TPBB-040 Duration: 3'45"