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  • £127.30

    Summer Play Samba - Øystein Olsen Vadsten

    "Summer Play Samba" is, as the title suggests, a light summer samba, which flows like a fresh summer breeze into the ear canals and stays there.The piece was written in connection with an assignment the composer was to have as a guest conductor at a so-called Summer Play in the Eastern Norway area. Hence the title Summer Play Samba. Here, musicians from far and near meet and participate in a kind of prima vista bonanza, where the main point is to be able to practice music during the summer break. Due to the lack of a piece in the entertainment genre, "Summer Play Samba" was written for this specific evening.After a bit of cleanup and polishing, this great samba is now ready for release."Summer Play Samba" should be a welcome contribution to any entertainment repertoire and is guaranteed to please the ears of many musicians and concertgoers.

    Estimated dispatch 5-14 working days

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  • £67.50

    Rhythm Studies for Band - James Curnow

    Eight carefully crafted mini-compositions that begin with simple time signatures and rhythms and work up to mixed meters and complex rhythms. The exercises are musically rewarding and fun to play, and will give your students the practice they need to develop rhythmic accuracy.

    Estimated dispatch 5-14 working days
  • £76.99

    10 Pictures for Youth Band - Jerry B. Bensman

    Work and enjoyment go hand in hand in these ten fabulous compositions which provide educational and varied material for youth bands. The ten practice pieces together in one book, (with comic illustrations) incorporate widely diverse tunes such as Ceremonial Prelude and The Verger's Favourite Song. The book also includes numbers that require singing, stamping and shouting out (Chirpy Cha Cha and Ramble Bamble Rock). Pull out all the stops!

    Estimated dispatch 5-14 working days

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  • £74.99

    Olympus - Philip Harper

    Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop withthundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffereddefeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win drawing parallels with some of the issues still facing modern-day athletics. A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. Themusic depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone. The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The musicbursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster). The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends asit began with a blaze of colour and a real sense of optimism and global celebration. "Citius, Altius, Fortius" (Faster, Higher, Stonger)NOTES ON PERFORMANCEPercussion requirements: 1 to 3 players (3 Timpani, Snare Drum, Tenor Drum, Cymbals, Glockenspiel, Triangle)

    Estimated dispatch 5-14 working days
  • £59.99

    Welcome to the Jungle - Paul Murtha

    Named the greatest hard rock song of all time by VH1, Guns N' Roses' signature hit was introduced back in 1987 and remains as popular and recognizable today as ever. Featuring plenty of musical variety and excitement, this version will challenge young players but is guaranteed to inspire them to practice!

    Estimated dispatch 5-14 working days

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  • £127.30

    The Jazz Police - Gordon Goodwin - Reid Gilje

    This is really a powerhouse of a piece! Hard-driving rock'n roll at a high tempo with the Jazz Police at the heels... Please note the dynamics. Tempo and good articulation is a very big part of the energy of this piece. Fortissimo first appears at bar 113. A useful tip: It's possible to practice this one also at lower dynamic levels.

    Estimated dispatch 5-14 working days

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  • £32.50

    Olympus (Brass Band - Score only) - Harper, Philip

    Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop with thundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffered defeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win - drawing parallels with some of the issues still facing modern-day athletics.A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. The music depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone.The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The music bursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster).The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends as it began - with a blaze of colour and a real sense of optimism and global celebration.Citius, Altius, Fortius (Faster, Higher, Stonger)Duration: 11:30

    Estimated dispatch 7-14 working days
  • £74.99

    Olympus (Brass Band - Score and Parts) - Harper, Philip

    Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop with thundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffered defeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win - drawing parallels with some of the issues still facing modern-day athletics.A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. The music depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone.The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The music bursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster).The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends as it began - with a blaze of colour and a real sense of optimism and global celebration.Citius, Altius, Fortius (Faster, Higher, Stonger)Duration: 11:30

    Estimated dispatch 7-14 working days
  • £44.95

    Golden Slippers (Cornet Solo with Brass Band - Score and Parts) - Bearcroft, Norman - Mortlock, David

    Written originally in the early 1970's for Deryck Diffey, of the Canadian Staff Band, this solo has now become 'the property' of the incomparable David Daws. Full of examples of the virtuosity one associates with David's playing, and requiring a real flexibility of style. Warning! - Before tackling this solo, practice your lip trills!

    Estimated dispatch 7-14 working days
  • £22.50

    Golden Slippers (Cornet Solo with Brass Band - Score only) - Bearcroft, Norman - Mortlock, David

    Written originally in the early 1970's for Deryck Diffey, of the Canadian Staff Band, this solo has now become 'the property' of the incomparable David Daws. Full of examples of the virtuosity one associates with David's playing, and requiring a real flexibility of style. Warning! - Before tackling this solo, practice your lip trills!

    Estimated dispatch 7-14 working days