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  • £34.95

    Gymnopedie No.1 (Brass Band - Score and Parts) - Satie, Erik - Bowen, Brian

    This is a transcription for brass band of the first, and most well-known, of Erik Satie's three Gymnopedies for piano which were composed in 1888. All three are similar melodically and pianistically. However, the first and last are more well-known, partly due to the later orchestrations by Debussy.Some mystery surrounds the Greek-rooted title, yet explicitness is immaterial to an appreciation of the music. This brass version should not mask the naivete of the original score, though that may be easier said than done.Tenor Horn and Eb Bass mutes are requested by the arranger and will enhance the transcription if available.

    Estimated dispatch 7-14 working days

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  • £17.50

    Gymnopedie No.1 (Brass Band - Score only) - Satie, Erik - Bowen, Brian

    This is a transcription for brass band of the first, and most well-known, of Erik Satie's three Gymnopedies for piano which were composed in 1888. All three are similar melodically and pianistically. However, the first and last are more well-known, partly due to the later orchestrations by Debussy.Some mystery surrounds the Greek-rooted title, yet explicitness is immaterial to an appreciation of the music. This brass version should not mask the naivete of the original score, though that may be easier said than done.Tenor Horn and Eb Bass mutes are requested by the arranger and will enhance the transcription if available.

    Estimated dispatch 7-14 working days

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  • £53.99

    Chopin's Dream (Brass Band - Score and Parts) - Chopin, Frederic - Cortland, Steve

    Based on piano study No.3, "In Mir Klingt Ein Lied". Duration: 04:00

    Estimated dispatch 7-14 working days

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  • £54.99

    Matrimony (Brass Band - Score and Parts) - O'Sullivan, Gilbert - Kernen, Roland

    Gilbert O'Sullivan rose to fame in the 1970s. Dressed in his cap and golfing trousers he sat at the piano and sang charming and cheerful songs. Roland Kernen has produced this arrangement of Matrimony - one of Gilbert O'Sullivan's most popular hits.Duration: 3:15

    Estimated dispatch 7-14 working days

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  • £54.99

    Goodnight Saigon (Brass Band - Score and Parts)

    Billy Joel began piano lessons when he was only 4 years old. At the age of 13 he discovered rock n roll and went on to produce countless hits in both rock and gentler styles. With this arrangement by Larry Foster De Haske has added on of Joel's most beautiful ballads to the brass band repertoire.Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £59.99

    A Salzburg Impression (Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Stratford, Dizzy

    In this composition, Dizzy Stratford gives a musical impression of Wolfgang Amadeus Mozart's beautiful hometown. The theme of the work has been derived from the middle movement of one of Mozart's piano sonatas and provides the band with a glimpse into the creative genius of this great composer.Duration: 3:30

    Estimated dispatch 7-14 working days
  • £82.95

    The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £44.95

    The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £37.95

    Schneewalzer (The Snow-Waltz) (Brass Band with optional choir) - Richards, Goff

    Brass Band Set - With optional Choir. Chorus parts (SATB or TTBB with Piano) are available separately.

    Estimated dispatch 7-14 working days
  • £34.95

    A Little Wish (Bb Cornet Solo with Brass Band - Score and Parts) - Graham, Peter

    Also available as an Eb Solo with Brass Band, this lyrical solo is also available with piano accompaniment

    Estimated dispatch 7-14 working days

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