Results
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£14.95Abide With Me (Trombone and Piano)
The very evocative tune to this hymn is called 'Eventide' and was written by William Henry Monk. He was an important figure in 19th century English church music and became organist and choirmaster at a variety of London churches in the course of his lifetime. In 1857, he was appointed the first editor of Hymns, Ancient and Modern, a publication that would eventually sell sixty million copies! It was for this hymnbook that he wrote the tune 'Eventide' to the words, 'Abide with Me' by Henry Francis Lyte. This version, for trombone solo and brass band, was commissioned by Brett Baker.
Estimated dispatch 7-14 working days
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£14.95Bel Canto (Tenor Horn and Piano)
Bel Canto, a solo for Eb Tenor Horn and band, was written for Sheona White. As the title suggests the music is very song-like and features soaring melodic lines which exploit the middle and upper registers of the tenor horn.
Estimated dispatch 7-14 working days
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£14.95Crugybar (Cornet and Piano)
The traditional Welsh tune of Crugybar is most commonly associated with words by Howell Elvet Lewis which appear in the Baptist Hymn Book of 1962; 'The light of the morning is breaking, the shadows are passing away'. The Salvation Army Song Book of 1986 lists two further hymns that can be sung to the tune; 'I stand all bewildered with wonder and gaze on the ocean of love' ( W F Crafts) and 'When Jesus from Calvary called me, unfolding its meaning to me' (Will J Brand). This arrangement was made for Martyn Bryant, the long-serving principal cornetist of Bristol Easton Band of The Salvation Army.
Estimated dispatch 7-14 working days
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£14.95Isle of Mull (Soprano Cornet and Piano)
This lovely, delicate solo was one of Kenneth Downies first projects as Composer in Residence of Yorkshire Building Society Band and was written especially for Peter Roberts
Estimated dispatch 7-14 working days
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£14.95My Love is Like a Red, Red Rose (Euphonium and Piano)
An arrangement for Euphonium solo with brass band accompaniment of surely one of the world's greatest melodies. Its wide-ranging intervals and exquisitely shaped climax near the end give it a natural line that is truly memorable.
Estimated dispatch 7-14 working days
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£37.95Benvenuto Cellini (Brass Band - Score only)
Berliozs opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes " the Cardinals aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresas aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo " without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£82.95Benvenuto Cellini (Brass Band - Score and Parts)
Berliozs opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes " the Cardinals aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresas aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo " without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£46.20Maple Leaf Rag (Brass Band - Score and Parts)
The Maple Leaf Rag is an early ragtime musical originally composed for piano by Scott Joplin. It was one of Joplin's early works, and became the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. As a result Joplin was called the "King of Ragtime" and the work gave Joplin a steady, if unspectacular, income for the rest of his life.
Estimated dispatch 7-14 working days
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£36.46Novus Vitae (Euphonium Solo with Brass Band) Darren Bartlett
Written for the dedication (Christening) of the composer's two young nephews (Jake and Oliver) to celebrate their birth, this beautiful euphonium solo gives thanks for their safe arrival. Darren Bartlett writes: 'A beautiful melody transpired out of the love we all feel for our families and those who have a faith in God... At the key change the listener needs to feel the excitement and anticipation of new life and long to be a part of the celebration.' To view a video of Anthony Smith performing the version with piano accompaniment version please visit www.youtube.com/watch?v=kM9bUys27OM Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: Third Section + Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 2nd Euphonium Bb Bass Eb Bass Bb Timpani Drum Kit Tuned Percussion
In stock: Estimated dispatch 1-3 days
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£32.41Skidaddle (Brass Band) Barrie Gott
Skidaddle will be the perfect item to provide a lighter moment in your band's programme. The composer Barrie Gott writes: ''Skidaddle' literally means to move in a hurry. This piece means exactly that - to get moving. I was experimenting at the piano at school one morning waiting for my first students and this little ditty came to mind. Four hours later I had the first draft done! It is supposed to be a bit of fun with a few technical demands for cornet and euphonium in particular. The semi-quaver (sixteenth) work needs to be precise. Try and get the audience involved and they'll be yours for the larger works on the programme.' Difficulty Level: 1st Section + Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Drum Set Xylophone
In stock: Estimated dispatch 1-3 days
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