Results
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£19.95Sanctus (From German Mass D.872) (Brass Band - Score and Parts)
Franz Schubert's so-called German Mass, D. 872 is one of his last works of sacred music and was written in 1827. The work was commissioned by Professor J P Neumann of the Polytechnic School of Vienna who provided the texts for the nine short sections. It was Neumann's idea that the work be as musically simple as possible and able to be performed by amateurs. This arrangement of the Sanctus seeks to preserve the simplicity of the original, allowing the sheer beauty of the melodic lines to have prominence.
Estimated dispatch 7-14 working days
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£96.99Chorale and Toccata (Brass Band - Score and Parts)
This original composition follow the classical form of a slow introductory chorale movement and a technically challenging toccata. The programmatic ideas in the music are based on a Palestrina chorale known as Victory.Suitable for 3rd Section Bands and aboveDuration: 9.00
Estimated dispatch 7-14 working days
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£63.99All the Best (Brass Band - Score and Parts) - Schwarz, Otto M.
All the best! These words expressing good fortune are often heard at occasions such as birthdays, or other changes life may bring. The music association in Rickenbach, Germany, wanted an upbeat concert work to celebrate its anniversary, as a kind of signature tune for the band. Otto M. schwarz had already composed several pieces in this genre, such as Fire and Ice, Last Call, and Funky Brass, to name but a few, and is constantly trying to transport new sounds and bold rhythmic ideas into the world of wind music. schwarz composes original works for wind band and his pieces are specifically tailored to exploit all the possibilities of this instrumentation. All the Best will be a huge success with musicians and audience alike, whether as a congratulatory piece, a concert-opener, or as a rousing encore.Duration: 4.00
Estimated dispatch 7-14 working days
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£44.95Meditation (from The Triumph of Time) (Flugel Horn and Baritone Duet with Brass Band - Score and Parts)
Meditation is the central theme from The Triumph of Time, a work commissioned for The Black Dyke Band by Music Director Nicholas Childs. The original brief was for a piece which would showcase the talents of the band's many fine soloists, among them Zoe Hancock on Flugel horn and Baritone soloist Katrina Marzella. This extract brings both instruments together in an extended stand-alone arrangement.Although scored for Flugel and Baritone, a number of options can be explored at the discretion of the conductor (eg. Flugel/Cornet and Euphonium/Trombone; two Bb Cornets etc. in which case cued lines in the Solo Horn and Soprano cornet parts may be played).Duration: 05:00
Estimated dispatch 7-14 working days
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£57.50Saying Goodbye (Brass Band - Score and Parts) - Sparke, Philip
Saying Goodbye is one of a series of original works in pop, rock and swing styles Philip Sparke has composed to try and give brass bands their own popular vocabulary and identity. It could be described as happy-sad in mood, a feature of much of Sparke's slower music. A perfect light addition for your concert.Duration: 4:15
Estimated dispatch 7-14 working days
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£24.95
Lloyd (Brass Band - Score and Parts) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£12.50
Lloyd (Brass Band - Score only) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£59.95
My Strength, My Tower - Rhapsodic Variations (Brass Band - Score and Parts) - Goffin, Dean
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
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£29.95
My Strength, My Tower - Rhapsodic Variations (Brass Band - Score only) - Goffin, Dean
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
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£44.95
Praise Tribute (Brass Band - Score and Parts) - Downie, Kenneth
Wilfred Heaton's march 'Praise' has long been a favourite of Kenneth Downie. In 'Praise Tribute', written for The International Staff Band, he deliberately adopts a Heaton style and follows the key scheme of the original while developing the music from the old Manx revival hymn 'The Good Old Way'.
Estimated dispatch 7-14 working days
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