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  • £35.00

    The Cistercians

    DescriptionThe Cistercianswas written during December 2003 and January 2004 as an entry for Morecambe Band's Centenary New Music Competition, which it went on to win. The first two performances were at the final of this competition, part of the band's 100th Anniversary Concert at The Dome in Morecambe on 9 July 2004.The music was inspired by visits to three of Britain's great Cistercian Abbeys; Valle Crucis, Fountains and Rievaulx. The Cistercian Order was founded at Citeaux in France in the 11th Century and was based on the principles of austerity, humility and piety. Cistercian Abbeys were deliberately sited in remote, difficult areas. Despite this many of them, especially Rievaulx, became immense centres of commerce and power, with ever more complex administration and hierarchies.In a way the music reflects this; all the material in the piece is derived from two simple motifs played by flugel and solo horn in the opening bars and becomes more complex and further removed from the original material as the piece develops. After a tranquil opening section a fugal chorale develops over a medieval-style "tenor" - a stretched out version of one of the original motifs. A burst of semiquavers leads into a faster, folk-dance type section - our medieval abbey has become a bustling trade centre - before rhythmic quaver pulses in the horns and cornets accompany powerful chords in the low brass; this is another "tenor" derived from the opening motifs. A short development section, including the folk dance "hocketing" round the band and a slightly disjointed 10/8 section leads to a restatement of the fugal chorale from the beginning before a frenetic coda brings the work to a triumphant conclusion.Performance Notes:Percussion instruments required are Bass Drum, Suspended Crash Cymbal, Glockenspiel, 2 x Tom-toms, Snare Drum, Tambourine, Tam-Tam, 2 x Timpani (G-C, C-F), Triangle, Wood Block. All cornets will require metal stratight mutes and all except soprano require cup mutes. All trombones require cup and metal straight mutes.Playable by 2nd section upwards; to view a sample PDF file of the score click here.

    Estimated dispatch 7-14 working days

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  • £61.00

    How Far I'll Go (From "Vaiana") - Lin-Manuel Miranda - Haakon Esplo

    Walt Disney Pictures movie Vaiana from 2016 tells the story of Vaiana, the strong-willed daughter of the master in a Polynesian tribe. She is elected by the sea to reunite a mysterious relic with a goddess. When a disease affects the island she lives on, Vaiana set sails searching for Maui, a legendary demigod. Her goal is to save her people.The great theme song from the movie, How far I'll go, is magnificent and original and has elements of folk music. The song is nominated for Oscar in the Best original song-category.The modulation in this arrangement is re-written a semitone to make it fit our Young Band Entertainment-series.

    Estimated dispatch 12-14 working days
  • £82.30

    How Far I'll Go (From "Vaiana") - Lin-Manuel Miranda

    Walt Disney Pictures movie Vaiana from 2016 tells the story of Vaiana, the strong-willed daughter of the master in a Polynesian tribe. She is elected by the sea to reunite a mysterious relic with a goddess. When a disease affects the island she lives on, Vaiana set sails searching for Maui, a legendary demigod. Her goal is to save her people. The great theme song from the movie, How far I'll go, is magnificent and original and has elements of folk music. The song is nominated for Oscar in the Best original song-category. The modulation in this arrangement is re-written a semitone to make it fit our Young Band Entertainment-series.

    Estimated dispatch 5-14 working days
  • £87.99

    Sunday in the Park - Philip Sparke

    Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present.Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and written pieces for her previously.Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her sound on the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park openswith an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns.A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.

    Estimated dispatch 5-14 working days
  • £105.00

    Danceries. Set II - Kenneth Hesketh

    Danceries Set II, arranged for brass band, was first commission by Keith Allen for the Birmingham Symphonic Winds. This second set of Danceries continues the format, established in the popular Danceries (Set I), of using tunesand dances from Playford s Dancing Master (17th century) to form the basis of an extended dancesuite. In this set, the melodies have become more abstracted and project only a distant echo of their original forms. As before, eachmovement is self-contained, colourful and direct, with its own distinct mood.The outer movements Jennie s Bawbee and Peascod s Galliarda share driving percussion with a military air. Tom Tinker s Toye and Heart sEase(movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by agreater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances.Brass Band Grade 5

    Estimated dispatch 5-14 working days

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  • £59.99

    Washington Grays - Traditional

    Claudio S Grafulla was born on the Spanish island of Minorca in 1818 and emigrated to the United States in 1838. Although he was a composer of many original works, the one that is still regarded as one of the finest marches ever written is his Washington Grays March. This arrangement strives to recreate the original lost version written for an American Civil War brass band.

    Estimated dispatch 5-14 working days
  • £59.99

    Consolation

    Wer nur den lieben Gott lasst walten was composed by Georg Neumark in about 1641 and was subtitled 'Trostlied' literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach's use of the melody for one of his own chorals. In Jan de Haan's arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer's original intention - a song of consolation.

    Estimated dispatch 5-14 working days

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  • £68.99

    Sky Raiders - Bruce Fraser

    The Scottish composer Fraser is known for his popular original light music pieces. In an era of pop and musical arrangements Sky Raiders is an catching piece of original wind music. De Schotse componist Fraser laat in Sky Raiders horen dat hij zijn mannetje staat in de populaire blaasmuziek. In een tijd van pop- en musicalarrangementen is het een verademing om originele populaire blaasmuziek te spelen en te beluisteren.

    Estimated dispatch 5-14 working days

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  • £29.99

    Titan's Progress (score only) - Hermann Pallhuber

    Commissioned by Austria's leading brass band, Brass Band Oberoesterreich, Titan's Progress is a series of descriptive, virtuoso episodes based on the principal character of the novel by Jean Paul. This was also the original subject of Mahler's Symphony No.1, from which Hermann Pallhuber derives much of his material. The work has proved an exceptionally popular test piece all over the world.Titan's Progress was the selected test piece for the British Open Brass Band Championship, held at Symphony Hall, Birmingham on Saturday 12th September 2009.Suitable for Championship BandsDuration: 17 minutes

    Estimated dispatch 7-14 working days
  • £34.95

    Boundless Spirit! (Brass Band - Score and Parts) - Cordner, Martin

    This medley contains highlights from music the composer wrote for the opening event of Boundless, The Salvation Army's International Congress held at London's O2 Arena in 2015. The work features original melodies but also recognisable tunes with a global flavour; Moscow, Europe, Calabar, They shall come from the east, The world for God and Happy Song which calls to mind the words 'There's salvation for the world'. The objective of the piece is to celebrate the diversity of The Salvation Army around the world through a variety of music styles.

    Estimated dispatch 7-14 working days

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