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£60.99
Little Christmas Suite - Robert Finn
This Little Christmas Suite, arranged for concert band by Robert Finn, contains three European Christmas carols of uncertain origin. The three movements Baile de Nadal (from Spain), Still, Still, Still (from Germany) and The First Noel (from England) create a delightful suite for any concert band and can also be performed with a choir.
Estimated dispatch 5-14 working days
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£60.99Latin Dance Party - William Vean
In 'Latin Dance Party' William Vean takes us along to sunny, seemingly care-free places. Happy faces, catchy music, delicious drinks are images that come to mind when listening to this 'feel good' music which will either get you in a dreamy mood or make you want to step out onto the dance floor. To start we hear the first dance of Cuban origin 'Cha Cha Cha', cheerful, romantic, playful dance . The Cha Cha Cha is probably the most popular dance. Then we have the slower 'Bossa Nova' (new wave), a dance developed from the Samba rhythms with strong syncopation. We end with the 'Samba'. Samba is party. The samba is a mix of polka, Cuban habanera and Africanrhythms, born around 1910 in the slums of Rio de Janeiro, and every year the leading dance during the exuberant carnival.
Estimated dispatch 5-14 working days
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£69.99Deilig er Jorden - Tom Brevik
The pilgrim's song "Deilig er Jorden " can be called an international carol. The Norwegian text was written by Danish poet Inge Bernhardmann on a melody of Polish origin. A majestic carol! Therefore particularly suitable as an opening work for your Christmas concert. Optional with organ.
Estimated dispatch 5-14 working days
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£109.99The Power of the Megatsunami - Carl Wittrock
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expressionof power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.
Estimated dispatch 5-14 working days
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£115.60Angels We Have Heard on High - Fredrick Schjelderup
"Angels We Have Heard" on High is one of the most famous Christmas carols all over the world. Of French origin, it's also entitled Les Anges dans nos campagnes. The Irish bishop James Chadwick has written lyrics to the melody. His lyrics are the most widely used also today. For this Brass Band arrangement there are also optional parts for SATB Choir and Organ.
Estimated dispatch 5-14 working days
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£38.00Deep River (Brass Band - Score and Parts) - Bassey, Mark
Deep River is a spiritual of Afro-American origin. It was used in the 1929 film version of "Showboat". The melody is also sung in the closing section of Michael Tippett's oratorio "A Child of our Time" and was also adapted into the popular song "Dear Old Southland". This fine arrangement by Mark Bassey was commissioned by Superbrass for their "Brass Taps" CD. Duration: 4.30. Suitable for 2nd Section Bands and above
Estimated dispatch 7-14 working days
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£74.99Drink to Me Only With Thine Eyes (Cornet Solo with Brass Band - Score and Parts) - Callcott, J. W. - Sparke, Philip
The lyrics to Drink to Me Only with Thine Eyes can be traced to English poet Ben Jonson, a contemporary of Shakespeare. The melody's origin, on the other hand, is not certain. In this three-movement arrangement, Philip Sparke provides the soloist with plenty of substance while respecting the beautiful simplicity of the original tune.Duration: 5:45
Estimated dispatch 7-14 working days
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£35.00Fairy Garden, The (from Mother Goose Suite) (Brass Band - Score and Parts) - Ravel, Maurice - Littlemore, Phillip
Ravel wrote his five short piano pieces entitled?Ma M?re l'Oye?(Mother Goose) for two young children, Mimie and Jean Godeski in 1910. The suite invites us to the enchanted world of childhood through these five atmospheric tales. The final part of Ravel's suite is a grand finale, although where Ravel got his inspiration for the fairy garden is unknown. Whatever its origin, it certainly is a delightful piece of music - slow in tempo, quiet to start, with rich harmonies and delicate solos, all leading to a tumultuous climax.?Duration: 3:00
Estimated dispatch 7-14 working days
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£30.00Deep River - Traditional
Deep River is a spiritual of Afro-American origin.
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In Dreams - Roy Orbison - Len Jenkins
"In Dreams" is a song composed and sung by rock and roll performer Roy Orbison, and was released as a single on Monument Records in February 1963. Orbison later claimed that the origin for "In Dreams" came to him while he was sleeping, as many of his songs did. When he woke up the next morning, the entire composition was written in 20 minutes. Like many of Orbison's songs, but unlike the majority of rock and roll ballads, in under 3 minutes it goes through seven movements with distinct melodies and chord progressions without repeating itself. It was for that reason that I have always believed it was a suitable piece for brass where one does not have lyrics to distinguish changes between verses to avoid monotony. Graham Cooper
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