Results
-
£33.35Disinformation! (Brass Band) Joe Galuszka
This atmospheric work by English composer Joe Galuszka is set in three movements: I. Fear II. Hope III. Solidarity (March for Truth) The composer writes: 'All around us is mistrust in the information we receive. Chinese misinformation. Russian disinformation. 'Fake News' in the United States. At every turn we doubt what we hear, what we see. Disinformation was composed in response to the ever-growing and all powerful misinformation campaigns worldwide that reached dizzying levels of influence, coming from some of the most eminent heads of states, during the turn of the 21st century. With division and disillusionment now rife and engrained in Western democracies, the unravelling of the social order is reflected in this short work for brass band. Opening with Fear, Disinformation starts with vast amounts of noise taking over the establishment and paints a world with people coming to terms with the cacophony of sound that is 'false information'. With a retreat to a brief moment of solace, Hope conjures up a calm escapism where on the outside, the brave and the wise look on to what is becoming of our new world. Maybe there is chance to pull together? Ending with a frenzied, brazen climax, the piece concludes with Solidarity - where people and the politicians come to loggerheads in a battle - where those who seek division are called out and the lies are laid bare for all to see, as we enter, once more, the unknown.' To listen to a recording of Solna Brassperforming the work please visit https://open.spotify.com/track/2gvPdCsvmykdWpm2yjz3Uk?si=68cc33805d16449c To view a rolling score video of this work please visit www.youtube.com/watch?v=z-0I47yfvM0 PDF download includes score and parts. Sheet music available from www.brassband.co.uk Difficulty Level: 1st Section + Length: 4.35 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4 (Part 2 optional)
In Stock: Estimated dispatch 1-3 working days
-
£11.12Fanfare of Joy (Brass Band - Additional Transposing Parts) Andrew Wainwright
Fanfare of Joy was commissioned by the Burbage Band (Buxton) and its conductor Steven Critchlow in 2017. Based on Joy to the World and The First Nowell, this spectacular work opens with a majestic brass fanfare, before breaking in a Celtic-style dance which builds to a dramatic conclusion. The fanfare opening serves to announce the arrival of something special. In this case, the fanfare announces the arrival of Christmas, a time of joy and celebration. The Celtic-style dance is a lively and energetic movement that captures the spirit of Christmas. The music is full of syncopated rhythms and intricate melodies, driven by percussion. The final movement of the piece is a dramatic conclusion that brings the work to a rousing finish. The music is full of excitement and energy, and a fitting celebration of the Christmas season. To view a video of Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=CHl_oj1A-E8 PDF download includes additional transposing parts. Full brass band set available here. Sheet music available exclusively from World of Brass - www.worldofbrass.com Difficulty Level: 1st Section + Parts included in this download: Solo Horn F 1st Horn F 2nd Horn F 1st Baritone Bass Clef 2nd Baritone Bass Clef 1st Trombone Bass Clef 2nd Trombone Bass Clef Euphonium Bass Clef Tuba 1 Bass Clef Tuba 2 Bass Clef
In Stock: Estimated dispatch 1-3 working days
-
£33.35
Fanfare of Joy - Brass Band (Andrew Wainwright)
Fanfare of Joy was commissioned by the Burbage Band (Buxton) and its conductor Steven Critchlow in 2017. Based on Joy to the World and The First Nowell, this spectacular work opens with a majestic brass fanfare, before breaking in a Celtic-style dance which builds to a dramatic conclusion. The fanfare opening serves to announce the arrival of something special. In this case, the fanfare announces the arrival of Christmas, a time of joy and celebration. The Celtic-style dance is a lively and energetic movement that captures the spirit of Christmas. The music is full of syncopated rhythms and intricate melodies, driven by percussion. The final movement of the piece is a dramatic conclusion that brings the work to a rousing finish. The music is full of excitement and energy, and a fitting celebration of the Christmas season. To view a video of Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=CHl_oj1A-E8 PDF download includes score and full set of parts. Additional transposing parts for Horns in F, and Baritones, Trombones, Euphonium and Tubas in Bass Clef are available here. Sheet music available exclusively from World of Brass - www.worldofbrass.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
-
£37.04Gothique Fantasy - On a theme by Boellmann (Brass Band Score) Andrew Wainwright
This magnificent work was commissioned by The Illinois Brass Band for the 2024 North American Brass Band Championships. It is also the title track of the 2026 CD by Black Dyke Band, featuring the music of Andrew Wainwright. Please note this PDF download is for the full score. The full set can be purchased here. Based on Leon Boellmann's epic organ work Suite Gothique, the 3rd movement of which is entitled Priere a Notre-Dame (A Prayer for Notre Dame), it pays tribute to the nearly 700-year-old Notre-Dame de Paris after the fire which did so much damage to this iconic building. Notre-Dame stands out for its three pipe organs (one historic) and its immense church bells, which are referenced at various times in Gothique Fantasy. Two of the other movements from Boellmann's work also provide inspiration for the piece, firstly the Introduction - Choral, and the famous Toccata, snippets of which appear at various times in the piece. Gothique Fantasy opens with the Choral, a solo offstage cornet sounding the opening statement. A quintet, stood to the side of the stage, takes up the Choral, while the rest of the band enters on held muted notes, creating a sustained effect evoking the harmonies spreading across the vast cathedral. Colossal organ-like sounds announce themselves as the full band takes on the theme. A lively Animato follows. Here there are continued references to the Choral, while the famous Toccata motif starts to appear. A Misterioso section ensues, which leads into a poignant Prayer for Notre Dame featuring a euphonium duet, where the music reflects upon the devasting fire and centuries of history and artefacts that were lost. A lone euphonium the sounds, representing the remaining remnants of the cathedral. A chaotic and rhythmic Presto, based on the Toccata, then follows and tests the technique of the band from top to bottom, whilst moving through various time signatures, the pulse lacking any sense of stability. A return to the Choral theme leads into a further reflective section, this time featuring the secondary theme from the Toccata with a flugel and solo horn duet. Next the music arrives at an aleatory section (Senza Misura), which depicts the remnants of the fire, followed by the grand cathedral emerging out of the ashes. Various motifs from earlier in the piece are heard across the band. At this point, various parts enter at different times on the conductor's signal, before building towards a 6/8 Presto. Here the music gathers momentum as it leads to a Grandioso finale featuring the Choral in all its glory. However, to conclude the work, the final strains of the Toccata sound, bringing the work to a glorious conclusion as Notre-Dame rises again! To view a video of The Illinois Brass Band performing the work please visit www.youtube.com/watch?v=xG3JB6Ye5aU Duration: 15.00 minutes approx. Difficulty Level: Championship Section Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
-
£74.12Gothique Fantasy - On a theme by Boellmann (Brass Band) Andrew Wainwright
This magnificent work was commissioned by The Illinois Brass Band for the 2024 North American Brass Band Championships. It is also the title track of the 2026 CD by Black Dyke Band, featuring the music of Andrew Wainwright. Based on Leon Boellmann's epic organ work Suite Gothique, the 3rd movement of which is entitled Priere a Notre-Dame (A Prayer for Notre Dame), it pays tribute to the nearly 700-year-old Notre-Dame de Paris after the fire which did so much damage to this iconic building. Notre-Dame stands out for its three pipe organs (one historic) and its immense church bells, which are referenced at various times in Gothique Fantasy. Two of the other movements from Boellmann's work also provide inspiration for the piece, firstly the Introduction - Choral, and the famous Toccata, snippets of which appear at various times in the piece. Gothique Fantasy opens with the Choral, a solo offstage cornet sounding the opening statement. A quintet, stood to the side of the stage, takes up the Choral, while the rest of the band enters on held muted notes, creating a sustained effect evoking the harmonies spreading across the vast cathedral. Colossal organ-like sounds announce themselves as the full band takes on the theme. A lively Animato follows. Here there are continued references to the Choral, while the famous Toccata motif starts to appear. A Misterioso section ensues, which leads into a poignant Prayer for Notre Dame featuring a euphonium duet, where the music reflects upon the devasting fire and centuries of history and artefacts that were lost. A lone euphonium the sounds, representing the remaining remnants of the cathedral. A chaotic and rhythmic Presto, based on the Toccata, then follows and tests the technique of the band from top to bottom, whilst moving through various time signatures, the pulse lacking any sense of stability. A return to the Choral theme leads into a further reflective section, this time featuring the secondary theme from the Toccata with a flugel and solo horn duet. Next the music arrives at an aleatory section (Senza Misura), which depicts the remnants of the fire, followed by the grand cathedral emerging out of the ashes. Various motifs from earlier in the piece are heard across the band. At this point, various parts enter at different times on the conductor's signal, before building towards a 6/8 Presto. Here the music gathers momentum as it leads to a Grandioso finale featuring the Choral in all its glory. However, to conclude the work, the final strains of the Toccata sound, bringing the work to a glorious conclusion as Notre-Dame rises again! To view a video of The Illinois Brass Band performing the work please visit www.youtube.com/watch?v=xG3JB6Ye5aU Duration: 15.00 minutes approx. Difficulty Level: Championship Section This PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
-
£66.67King (Concertino for Solo Trombone & Brass Band) Brenton Broadstock
King is a major new addition to the trombone repertoire, commissioned in 2024 by Brett Baker as a deeply personal homage to his mentor, the legendary David King. This compelling Concertino for Solo Trombone and Brass Band seeks to capture the multifaceted personality of its namesake through three distinct movements: i. Rhapsodic: A movement defined by fluid tempo shifts and evocative mood changes. ii. Introspective: A generous, lyrical section that highlights the expressive capabilities of the soloist. iii. Fast & Passionate: A high-energy finale characterized by determination, optimism, and rhythmic drive. The work is masterfully constructed with pitch material derived directly from the name 'David,' establishing a thematic core introduced by the soloist in the opening bars and woven throughout the entire ensemble texture. It is an essential work for soloists looking for a piece that combines technical brilliance with profound musical narrative. To listen to an excerpt featuring Brett Baker and Flowers Band please visit: https://youtu.be/i-px4OmjplQ Duration: Approx. 12.00 minutes Difficulty Level: 1st Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or satradecentral.org (USA) Instrumentation:Trombone Soloist* Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3 *For bands with only 3 trombones where one is the soloist, the 1st trombone part is covered in other parts throughout the piece.
In Stock: Estimated dispatch 1-3 working days
-
£7.40
King (Concertino for Solo Trombone & Brass Band) Brenton Broadstock - Solo Copy
King is a major new addition to the trombone repertoire, commissioned in 2024 by Brett Baker as a deeply personal homage to his mentor, the legendary David King. This compelling Concertino for Solo Trombone and Brass Band seeks to capture the multifaceted personality of its namesake through three distinct movements: i. Rhapsodic: A movement defined by fluid tempo shifts and evocative mood changes. ii. Introspective: A generous, lyrical section that highlights the expressive capabilities of the soloist. iii. Fast & Passionate: A high-energy finale characterized by determination, optimism, and rhythmic drive. The work is masterfully constructed with pitch material derived directly from the name 'David,' establishing a thematic core introduced by the soloist in the opening bars and woven throughout the entire ensemble texture. It is an essential work for soloists looking for a piece that combines technical brilliance with profound musical narrative. To listen to an excerpt featuring Brett Baker and Flowers Band please visit: https://youtu.be/i-px4OmjplQ Duration: Approx. 12.00 minutes Difficulty Level: 1st Section + This PDF download includes the solo part only. Full set available here. Sheet music available at www.brassband.co.uk (UK) or satradecentral.org (USA) Instrumentation:Trombone Soloist* Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3 *For bands with only 3 trombones where one is the soloist, the 1st trombone part is covered in other parts throughout the piece.
In Stock: Estimated dispatch 1-3 working days
-
£52.50Broadheath (Brass Band - Score and Parts) - Sparke, Philip
Broadheath was commissioned by the Elgar International Brass Band Summer School for their 2024 course. The premiere took place in the Routh Hall at Bromsgrove School on Friday 26 July.It is in conventional march form, opening with a brief fanfare before the horns take up the main theme. This is then repeated by the full band before euphoniums and baritone announce the second subject. This builds to a stirring tutti passage utilising elements of the opening theme, which brings the opening section to a close.In honour of the summer school's tribute to Sir Edward Elgar (it is held in 'Elgar country'), the trio uses the opening melody of his 1st symphony as its main theme, decorating it with filigree work from the cornets. This is repeated on the full band and leads to a varied recapitulation of the opening material to bring the march full circle.Duration: 5.00
Estimated dispatch 7-14 working days
-
£89.95TUBA CONCERTO (Gregson) (Tuba Solo with Brass Band - Score and Parts) - Gregson, Edward
This work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in four versions: with brass band (1976), orchestra (1978), wind band (1984) and piano reduction.The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.Duration: 18 mins
Estimated dispatch 7-14 working days
-
£44.95
TUBA CONCERTO (Gregson) (Tuba Solo with Brass Band - Score only) - Gregson, Edward
Brass Band Score onlyThis work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in three versions: with brass band (1976), orchestra (1978) and wind band (1984).The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.Duration: 18 mins
Estimated dispatch 7-14 working days
Watch video
View Music