Results
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£74.95
Chaucer's Tunes - Score and Parts - Michael Ball
Chaucer's Tunes (two sections of which began life as the theme music for a BBC radio series The Road to Canterbury) consists of six interconnected sections. These can equally well be played either as one complete continuous movement or as independent individual pieces. Includes: Intrada; Fantasia: Alma redemptoris mater; Intermezzo: The Wife of Bath; Carol: Es ist ein' Ros' entsprungen; Chase: Chauntecleer and the Fox; Finale.
Estimated delivery 12-14 days
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£34.95
Chaucer's Tunes - Score Only - Michael Ball
Chaucer's Tunes (two sections of which began life as the theme music for a BBC radio series The Road to Canterbury) consists of six interconnected sections. These can equally well be played either as one complete continuous movement or as independent individual pieces. Includes: Intrada; Fantasia: Alma redemptoris mater; Intermezzo: The Wife of Bath; Carol: Es ist ein' Ros' entsprungen; Chase: Chauntecleer and the Fox; Finale.
Estimated delivery 12-14 days
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£29.95
Christians Awake - Paul Lovatt-Cooper
Christmas time is my favourite time of year. I love the festive spirit and all the Christmas music both traditional and modern.I came across the carol "Christians Awake" a number of years ago when I played in a carol concert with the Black Dyke Band and the Halifax Choral Society. I think it is a fabulous carol and it is now one of my favourite Christmas carols.Two good friends of mine; Angela and Christopher Clough were married during the Christmas period in 2007. They both play with the band Wardle Anderson Brass who played at their wedding. They asked me if I could compose a piece for the band to play while Angela walked down the aisle. So for their wedding present I composed a fanfare using the carol Christians Awake.They were thrilled with the piece as was I. It works really well as a concert opener or an opener to the second half of a Christmas concert. It should be played with lots of bravura and pomp and full of the spirit of Christmas.Paul Lovatt-Cooper
Estimated delivery 12-14 days
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£70.00
Christmas Day (Brass Band) - Gustav Holst
Gustav Holst composed almost 200 works, one being a very elegant and charming fantasy on the old English christmas carols:A
Estimated delivery 12-14 days
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£24.95
Circusdom - Frederick Jewell
Frederick Jewell was a prolific composer of music for the circus in the early 20th century, producing over 100 marches and screamers. He was leader of the Ringling Brothers, Barnum and Bailey, Hagenbeck-Wallace and Sells-Floto circus bands during his career. Circusdom is one of his most popular marches, skilfully arranged for brass band by Bert Van Thienen.
Estimated delivery 12-14 days
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£34.95
Clapp!!! - Score & Parts - Paul McGhee
'Clapp!!!!' was originally written in 2006 whilst studying at the Royal Welsh College of Music and Drama and was written for two players at one piano. The music uses rhythmic phasing with each rhythm assigned it's own tone cluster - as each shift in rhythm occurs the harmonic structure is altered too. Melodic passages are created through the shifts in rhythm and harmony, but these only occur within the given rhythmic parameters. The music can very much be viewed as a study in momentum, with its unrelenting pulse driving us through the music.The Brass Band version of 'Clapp!!!!' was written for Manger Musikklag and Torstein Aagaard-Nilsen, receiving its premiere at the 2010 BrassWind Festival in Bergen, Norway. The Whitburn Band featured Clapp!!!! at their 2012 Brass in Concert programme and the piece was featured by the Grimethorpe Colliery Brass Band on their 'Grimethorpe Entertain' CD.
Estimated delivery 12-14 days
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£14.95
Clapp!!! - Score Only - Paul McGhee
'Clapp!!!!' was originally written in 2006 whilst studying at the Royal Welsh College of Music and Drama and was written for two players at one piano. The music uses rhythmic phasing with each rhythm assigned it's own tone cluster - as each shift in rhythm occurs the harmonic structure is altered too. Melodic passages are created through the shifts in rhythm and harmony, but these only occur within the given rhythmic parameters. The music can very much be viewed as a study in momentum, with its unrelenting pulse driving us through the music.The Brass Band version of 'Clapp!!!!' was written for Manger Musikklag and Torstein Aagaard-Nilsen, receiving its premiere at the 2010 BrassWind Festival in Bergen, Norway. The Whitburn Band featured Clapp!!!! at their 2012 Brass in Concert programme and the piece was featured by the Grimethorpe Colliery Brass Band on their 'Grimethorpe Entertain' CD.
Estimated delivery 12-14 days
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£48.99
Concerto for Bass Trombone - Aaron Lloydd
The Concerto is a single movement, but with partitions clearly defined by rhythm and tempo. This was one of the first works in which I really started to come to terms with the influence of rock music on my writing. My earlier works for brass were modeled on music by composers like Gilbert Vinter and Edward Gregson. But although it might not be apparent, the Concerto is inspired primarily by the music of Washington hardcore band Fugazi, and California indie darlings Pavement - groups of which I am still an enormous fan.
Estimated delivery 12-14 days
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£95.00
Concerto for Trombone and Brass Band - Wilfred Heaton
One of Heaton's most ambitious major works, this concerto was produced in 1991 for Nicholas Hudson and the Britannia Building Society Band (Howard Snell). It is a reworking of a Rhapsody for Oboe and Strings composed in 1954.
Estimated delivery 12-14 days
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£75.00
Dances and Arias - Edward Gregson
This work was commissioned by Boosey & Hawkes Band Festivals (with funds provided by the Arts Council of Great Britain) for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 7th October 1984.Dances and Arias is in one continuous movement, but as the title suggests is a series of alternating fast and slow sections as follows: Dance – Aria I – Dance (scherzo) – Aria II – Dance. The opening dance is energetic and introduces a four-note motif (on trombones) which is the basis for much of the melodic material in the work. Throughout, there is a continuous process of thematic cross-reference and transformation.The first aria unfolds a long melody on solo cornet, eventually continued by all the solo cornets, and dissolving into a shimmering harmonic background (muted cornets, horns and baritones) over which is heard a brief self-quotation on solo tuba. This leads into the second dance, a frenetic scherzo, followed by the second aria, in the style of a lament (solo euphonium, followed by two flugel horns). This builds to a powerful climax which subsides, leaving the percussion to introduce the final toccata-like dance. It transforms material from the opening before a coda brings the music to a triumphant close. The large percussion section is an integral part in the work and uses a wide variety of instruments including timpani, glockenspiel, vibraphone, xylophone, tubular bells, tom-toms, snare drum, bongos and tam-tam.
Estimated delivery 12-14 days