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£29.50Hogwart's March - Patrick Doyle - George Marshall
From the fourth installation of the Harry Potter series comes 'Harry Potter & The Goblet of Fire'. This was the first of the Harry Potter films not to be scored by John Williams. Instead, Scottish Composer, Patrick Doyle was handed the gauntlet and he produced a gem of a score that lived up to the magic on screen. Although darker than the previous three films, the light-hearted 'Hogwart's March' featured predominantly at the Triwizard tournament. Now available for band, this work is perfect for band's looking to add a little magic to their programme. Instantly recognisable by the younger players and audience, and a different take on the traditional Brass Band march. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
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£29.50Sarabande - Handel - Sam Fisher
The theme of the fourth movement of Handel's 'Keyboard Suite in D Minor' (the Sarabande) has been popularised across many mediums in recent years and is regularly featured on Classic FM's playlist. Whilst steady in tempo, this arrangement is a great piece for bands looking to not only feature a popular piece of classical music, but also put all sections of the band to work with regards to learning to balance chords and ensure good ensemble musicianship. A favourite amongst listeners.
In Stock: Estimated dispatch 1-3 working days
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£29.50
Boughs of Holly - Neil Brownless
Boughs of Holly is an up-tempo Christmas solo for Cornet or Flugel based on the second bar of the carol Deck the Hall. This solo was written for Holly Winspear, 2025-2026 Principal Cornet of the Northamptonshire County Youth Brass Band, and is suitable for fourth section bands and above.
In Stock: Estimated dispatch 1-3 working days
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£24.95Lloyd (Brass Band - Score and Parts) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£12.50
Lloyd (Brass Band - Score only) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£24.99The Wellerman New Zeland Trad. Arr. Joseph Knight
This is a traditional New Zeland Folk Melody circa 1820 - 1830. From 1833 onwards, the Wellermen, on ships owned by Weller Brothers of Sydney, supplied provisions to New Zealand shore whaling stations from their base at Otakou. This melody has been arranged by Joseph Knight for full brass band with Drum Kit and Glockenspiel. It is written for fourth section bands and above, although it could be used with a better youth band. A real audience pleaser!
Estimated dispatch 5-9 working days
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£32.95The Shipbuilders (Brass Band - Score only) - Yorke, Peter
Suite for Brass BandMovements:Web of Steel (Dur: 2.30)The Launching (Dur: 2.15)All Hands at Work (Dur: 2.15)Maiden Voyage (Dur: 2.00)Duration: 9.002008 National Championships Final, Fourth SectionRecorded on Polyphonic QPRL050D Harry Mortimer: A Tribute in Music
Estimated dispatch 7-14 working days
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£69.95The Shipbuilders (Brass Band - Score and Parts) - Yorke, Peter
Suite for Brass BandMovements:Web of Steel (Dur: 2.30)The Launching (Dur: 2.15)All Hands at Work (Dur: 2.15)Maiden Voyage (Dur: 2.00)Duration: 9.002008 National Championships Final. Fourth SectionRecorded on Polyphonic QPRL050D Harry Mortimer: A Tribute in Music
Estimated dispatch 7-14 working days
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£183.20Folklore - Kjetil Djønne
"Folklore" is a work for brass band and percussion loosely based on the story of the Norwegian woman accused of witchcraft, Anne Pedersdotter. She was sentenced to be burned at the stake in Bergen in the spring of 1590 and has since been frequently highlighted as Norway's most famous and talked-about witch.The work begins with the movement "Lyderhorn," depicting the mountain outside Bergen where witches gathered to plan magical actions against the city. Here, we hear the quietness of nature and the wind blowing through the trees before a new theme appears, which will come to life in the next movement. In the distance, the witches have started their ceremony.In the next movement, "Walpurgis Night," the witches perform their rituals to afflict the city with fire, disease, and natural disasters. The ceremony becomes more and more chaotic, violent, and compelling until the darkness of the night envelops us, concluding the section.The third movement describes the women's inner struggle against the harassment they faced when the people of Bergen suspected them of being witches. Rumors often turned into formal accusations from the legal system, and many were sentenced to death after undergoing trial. "From life to death through the fire."The fourth and final movement, "The Pyre," depicts the actual death sentence. You can hear the pyre being ignited and the flames growing and intensifying. It all culminates in a chorale as a memorial to the lives that were taken.
Estimated dispatch 5-14 working days
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£71.00Three Pictures for Band - Oliver Waespi
This composition consists of three sound pictures. Numerous associations mutually link those parts as far as motifs and harmony are concerned. The motif of the ascending and descending fourth plays an important role in many a theme. There are many fourth chords by means of which I try to put a harmonic and unifying stamp on the composition as a whole. Moreover there are similar or identical, though varied, motifs in the successive parts. The first part 'Cortege' (Procession) describes the dignified majestic procession by means of simple, precise rhythms. At first, the music is scarcely audible, as if coming from a distance; it gradually comes nearer until it reaches its climax in large chords, before fading away again. At each quarter note one could imagine a step. The second part 'Dialogue' consists in broad outlines of dialogues between the different orchestral groups. Some instruments are asking questions, others are giving answers. After a rather sad passage, the music turns into a climax followed by a second passage that brings comfort and leads to a quiet ending. In the third part, there is a sudden movement coming up in the shape of 'Waves'. The principle of the wave, successively swelling and decreasing, dominates the entire musical structure of this part, even in the separate motifs.Oliver Waespi
Estimated dispatch 10-14 working days
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