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  • £34.95

    Puffing Devil, The - Christopher Bond

    The Puffing Devil (2013) was commissioned by Camborne Trevithick Day Committee on the occasion of Camborne's 30th Trevithick Day celebration. The premiere performance of the work, written for brass band and children's choir, saw a massed performance by six brass bands and children from nine local schools. With the intention of being an educational work as well as a musical work, The Puffing Devil reflects the story of Richard Trevithick both in the lyrics and the musical material.A mysterious opening sees running semiquavers in the euphoniums as the flugel horn introduces the work with a solo, before the entry of the horns playing rhythmic quavers. The addition of the voices at the outset is for effect - working with the instruments to create the sound of a steam engine gathering pace simply to the words 'Trevithick'. Once a steady tempo is reached, themes are introduced and sung by the choir, where the vocal writing is a very simple singular-melody; easy for any primary school aged children to learn. An ending of grandeur in a majestic nature is presented, to create a big finish to a feel-good educational work.

    Publisher Closed for Holidays. Estimated Dispatch 22nd August
  • £45.00

    Soaring The Heights - Christopher Bond

    Soaring The Heights is a tour-de-force opener for brass band, written for and commissioned by Cory Band in 2024 on the occasion of the band's 140th Anniversary. With solos for cornet and euphonium, the work opens and closes with brilliance and vigour - the perfect short concert opener.

    Publisher Closed for Holidays. Estimated Dispatch 22nd August
  • £29.95

    Trevithick - Christopher Bond

    Trevithick (2013) is a march for brass band, written on the occasion of Camborne's 30th Trevithick Day celebration which saw six Cornish brass bands parade through the streets one after the other, performing the work. Structured as any traditional march is with the bass solo forming the central section, the work is formed from both existing Cornish tunes such as Trelawny and Camborne Hill, as well as original material.

    Publisher Closed for Holidays. Estimated Dispatch 22nd August
  • £73.00

    A Festive Ouverture (Bra) - Wim Bex

    "A Festive Overture" was composed in June 2021 at the request of VLAMO, on the occasion of the relaunch of cultural life after corona.

    Estimated dispatch 7-14 working days
  • £84.00

    Lullaby for Nelle (Bra) - Jelle Van Giel

    Originally Lullaby for Nelle was a jazz ballad written for the occasion of the birth of Nelle, Jelle Van Giel's daughter. This song describes the wonderful and emotional feelings that parents have welcoming their child to this world. It is a soft, dreamy and utterly breathtaking piece of music. Jelle arranged it for band and soloist.

    Estimated dispatch 7-14 working days

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  • £68.00

    The Water is Wide (Bra) - Scottish Traditional - David Byles

    "The Water Is Wide" is a folk song of Scottish origin, based on lyrics that date to the 1600s. Classical composers like Benjamin Britten and John Rutter made arrangements for voice, piano and strings. David Byles made a beautiful version for band, perfect for any concert and/or occasion.

    Estimated dispatch 7-14 working days

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  • £84.00

    Reflection (Bra) - Nick Van Elsen

    Reflection' is written for the wind band of the 'Kunstacademie Noord-Limburg' conducted by Tom D' Joos, this orchestra also worked on 'Klankspiegelingen', a bigger project on the occasion of the first anniversary of the carillon in Neerpelt. The composer distilled a number of themes for his choral 'Reflection'.

    Estimated dispatch 7-14 working days

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  • £76.00

    A Jubilee Celebration - Peter Goosensen

    A Jubilee Celebration was commissioned by the Ursem Music Association to commemorate the occasion of their 50th anniversary. It is a composition with lots of variation and one where an important role is played by the percussion section. The Easy Flex 8 structure makes it possible for bands with smaller wind sections to achieve a grand and festive sound.

    Estimated dispatch 10-14 working days

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  • £93.00

    Reclamation - Feike van Tuinen

    Here is a splendid composition by Feike van Tuinen commissioned by the municipality 'Het Bildt' on the occasion of its 500th anniversary in 2005. The score describes the history of the place situated in a nice area near to the Waddenzee, a sea bordering the Northern part of The Netherlands. It starts with the very first reclamation in 1505, and then comes the hard labour of the workers in the mud, the joy of winning new land on the sea, the continuous struggle or game between the wind and the water, and finally the festivities in 2005. This composition challenges both the conductor and the musicians to bring this score to life.

    Estimated dispatch 10-14 working days

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  • £10.00

    The Once and Future King

    DescriptionThe Once and Future King is a suite of three movements; each movement was inspired by an Arthurian legend. The first movement, 'Tintagel', concerns the famous Cornish promontory said to be the birthplace of King Arthur. In Arthur's time, Tintagel was part of the court of King Mark of Cornwall and the music imagines a visit by the King of the Britons to his Cornish neighbour and the place of his birth, reflecting the ceremony and drama of such an occasion; the music is strongly antiphonal, contrasting the more strident fanfares of the cornets and trombones with the warmth of the saxhorns and tubas.The second movement, 'Lyonesse', takes its inspiration from the mythical land which once joined Cornwall to the Isles of Scilly. One legend claims that after the disastrous battle of Camlan where Arthur and Mordred were both killed, the remnants of Arthur's army were pursued across Lyonesse to Scilly, whereupon Merlin cast a spell to sink Lyonesse behind them and drown the pursuers. Some say the bells of the 140 churches inundated that day can still be heard ringing. All the material in this movement derives from two short motifs heard in counterpoint at the very beginning, which are intentionally dissonant and bitonal in character.The final movement, 'Badon Hill', takes its title from the legendary site of Arthur's last battle with the Saxons and is a lively toccata based on the medieval secular song L'Homme Armee ('The Armed Man'). The music uses a number of medieval devices including "hocketing" (passing melody from one voice to another). The actual site of Badon Hill is unknown but it has been associated with Badbury Rings in Dorset and a lot of evidence now points towards the town of Bath. Arthur's victory at Badon Hill was the last great victory for Celtic Britain over the Saxon invaders, but in the end only set the conquest back by a few decades. Arthur himself was dead by then, betrayed and defeated by his nephew Mordred, but it is said that Arthur only sleeps and will return in a time of dire need - hence the legend that Arthur's dying words were: Bury me in Britain, for I am the Once and Future King.Performance NotesWhere space and practicality permits the opening movement should be played with cornets and trombones standing behind the band facing the audience; they should retake their seats for the second and third movements.PercussionConcert Bass Drum (ideally NOT Kit/Pedal Bass Drum), Suspended Cymbal, pair of Clash Cymbals, Glockenspiel, Snare Drum, Tambourine, 2 x Timpani (Eb-G, Bb-D), 2 x Tom-toms, Triangle, Tam-Tam* (only if available), Tubular Bells *(only if available).MutesBaritones, all cornets and trombones will require metal straight mutes; all trombones and cornets will require cup mutes.*The Once and Future King was set as the test-piece for the 3rd section of the Swiss National Championships in 2007. The score was then slightly revised in July 2008, the main alteration being the exclusion of the tubular bells part for the Regional Championships of Great Britain in 2009. Some parts which were optional (or cued on other instruments) at the request of the Swiss Brass Band Association were restored to their original octaves and instruments. In 2015 the tubular bells part was restored in the optional Percussion 3 part; all parts in Percussion 3 are optional, although some are cued in the percussion 1 & 2 parts (and the cues should be played if only two players are available).Listen to a preview and follow along with the score below!

    Estimated dispatch 7-14 working days