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  • £60.99

    Jazzimut (Brass Band - Score and Parts)

    In 2009, one year after its formation, the Swiss brass ensemble Azimuts Brass commissioned its conductor, Marc Jeanbourquin, to write them a signature tune. He composed Jazzimut, which features a festive introduction followed by a lyrical theme. After a few bars of rock rhythm, Jazzimut goes disco and finishes with a recapitulation of the introduction as a fanfare. Now available for concert band this is an entertaining piece from start to finish! 02:50

    Estimated dispatch 7-14 working days

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  • £40.00

    Pomp and Circumstance March No.2 (Brass Band) - Littlemore, Phillip

    Following the spectacular success of his Pomp & Circumstance March No. 1, which received over 100 performances in its first year, it was almost inevitable that Elgar would write a second. However, what is not commonly known is that the initial sketches for what was to become the?Pomp & Circumstance March No. 2?were written first! Due to the successes of the first march, not least because it now features at every Prom concert, it is forgotten that not only did Elgar submit the manuscript for both marches to his publisher at the same time, but both marches were premi?red at the same concert and both performed a few days later at the same Promenade Concert. Duration: 5:00

    Estimated dispatch 7-14 working days

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  • £89.99

    Ross Roy (Brass Band - Score and Parts) - De Haan, Jacob

    In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life.Duration: 9:20

    Estimated dispatch 7-14 working days

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  • £39.95

    SINGALONG (Selection No.1) (Brass Band) - Siebert, Edrich

    Includes: If You Knew Susie; Isle of Capri; Sally; Roll Out the Barrel; Now is the Hour

    Estimated dispatch 7-14 working days
  • £39.95

    SINGALONGAMAX (Selection No.1) (Brass Band) - Siebert, Edrich

    Includes: Who's Sorry Now?; Yes, Sir, That's My Baby; Ma! (He's Making Eyes at Me); Zip-a-Dee-Doo-Dah.

    Estimated dispatch 7-14 working days
  • £44.95

    Slavische Fantasie (Cornet or Euphonium Solo with Brass Band - Score and Parts) - Hohne, Carl - Graham, Peter

    This famous cornet virtuoso piece is now available for cornet or euphonium and band. (Please note: this version is slightly abridged to give a duration of approx. 5 minutes)

    Estimated dispatch 7-14 working days

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  • £34.95

    SLOW RIDE IN A STATIC MACHINE, A (Brass Band) - Lawrence, Phil

    A Slow Ride in a Static Machine was inspired some time ago when my (late) Father came to visit me "down in London" as he put it. It was based not on one of his circular mishaps, but on several! He was always directed carefully, but refused to carry a map in the car! At one time when I lived in North London I would meet him outside the capital, and he would then follow be back to my place, but after I moved to East London I made him bite the navigational bullet and transverse the 'M25 Orbital'. His main problem seemed to be getting off this mesmerising circular cark park. He would often phone (in a weary tone) from the Dartford Tunnel (which is 5 junctions past the one he needed to get off at), asking me to, "bring him in" so to speak. I would always refuse. And then, he would do the opposite (especially when travelling at night), he would phone me up from near Cambridge (he'd gone the wrong way up the M11 away from London by 45 miles), and would ask where he was!The title is obviously a play on John Adams' composition, A Short Ride In A Fast Machine. This quirky tone poem starts as a wind-up by using those unwanted intervals of augmented 4th's and minor 9th's & 7th's in the main tune, before hearing the road works, the juggernauts multi horns, fender-benders, ambulance and police sirens! This then all works to a back beat on kit. The wind-up start gets to an almost Go-Go 1960's Disco middle section (the nostalgic hay-days of the open road), where our wind-up tune falls into place and we all relax as we can now drive at 42.1 mph! We DC, and then get into a right car mess in the Coda!Phil Lawrence.Duration:4:00

    Estimated dispatch 7-14 working days
  • £49.95

    SPITFIRE: PRELUDE AND FUGUE (Brass Band) - Walton, William - Howarth, Elgar

    Originally part of the score Walton wrote for the film The First of the Few, this fabulous music found greater fame in the concert version he made in 1942. Now, at last, here is an authorised version for brass band by an acknowledged master of the art, Elgar Howarth. The Prelude - essentially a march in his best Crown Imperial style leads to a dazzling Fugue which incorporates a quiet interlude before the dramatic finale. Whether used as a concert opener or roof-raising finale it is sure to delight audiences and players alike. Recorded on Polyphonic QPRL220D Master Brass (Volume Sixteen).

    Estimated dispatch 7-14 working days
  • £42.95

    The Blue Bell of Scotland (Euphonium Solo with Brass Band - Score and Parts) - Pryor, Arthur - Sparke, Philip

    Euphonium & Brass Band. This well loved solo is now available with Brass Band accompaniment.Please note that the Euphonium Solo with Piano Accompaniment arranged by Philip Sparke is in a different key and therefore not compatible with this arrangement.

    Estimated dispatch 7-14 working days
  • £54.99

    The Muppet Show Theme (Brass Band - Score and Parts)

    "It's time to play the music. It's time to light the lights. It's time to meet the Muppets on the Muppet Show tonight." These lyrics opened the Muppet Show, which has been broadcast in over 100 countries around the world. The multi-talented Jim Henson was the creative inspiration for the show, developing the characters, providing some of the voices for the puppets and composed the theme song. Now you can bring the lights and music to your stage with this flexible arrangement in five parts with drum kit! 02:40

    Estimated dispatch 7-14 working days