Results
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£21.50A Kit of Fun
Drummers are now an integral part of the modern brass band that they accompany. However, there are not too many chances for your drummer to take the limelight. All that can now change with this light-hearted new release. A light swing piece in style, this entertaining work offers drummers the chance to show off their skills and more importantly, is accessible to players of many levels. Whilst a drum part is clearly written out, the soloist is advised to 'ad lib' throughout, allowing the player to make their part as easy or as complex as they wish. This is great showcase item that is just something different from the norm and suits all concert programmes.
Estimated dispatch 7-14 working days
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£44.95A Welsh Fantasy
Includes: Per Alaw (The Light of Other Days); Hobed O Hilion (Mona's Isle); Dewch Y Frydwyr (Come to Battle); Suo-Gan (Slumber Song); Nos Galan (New Year's Day).
Estimated dispatch 7-14 working days
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£34.95He is Starlight (Score and Parts)
He is Starlight was commissioned by Margaret Austin with financial support from UNESCO, for performance by The Woolston Band at the 2015 Festival of Star Light in Twizel, New Zealand. The piece is a commemoration for composer John Ritchie (J.A.R.), my
Estimated dispatch 7-14 working days
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£14.95He is Starlight (Score Only)
He is Starlight was commissioned by Margaret Austin with financial support from UNESCO, for performance by The Woolston Band at the 2015 Festival of Star Light in Twizel, New Zealand. The piece is a commemoration for composer John Ritchie (J.A.R.), my
Estimated dispatch 7-14 working days
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£44.95Oklahoma Show Selection
Includes: I Cain't Say No; Out Of My Dreams; The Surrey with the Fringe on Top; Oh What a Beautiful Mornin' Many a New Day; People Will Say We're in Love; Oklahoma.
Estimated dispatch 7-14 working days
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£89.95Partita (Score and Parts)
Partita was written in 1989 to a commission from Eikanger/Bjrsvik Musikklag (Norway) who were European Champions at the time.There are three movements.1 The first movement is almost a miniature concerto for band. It opens with a relentless quaver passage in the basses, which builds until the whole band is involved. Horns and baritones are first to take centre-stage in close harmony and the euphoniums and basses follow them. These forces combine to introduce the cornets that have a 10-part fanfare to themselves before the trombones interrupt. The opening quaver figure returns, somewhat ominously, and, after the full band recalls previous material, brings the movement to a close.2. Starts with a cornet solo over a pulsating accompaniment after which the band builds to a noble tune on the trombones. The full band takes over and brings back the opening cornet tune with which the soloist, with the aid of a euphonium counter-melody, quietly ends the movement, leading directly into:3. A sparkling vivo, which opens with the fanfare-like figures throughout the band until a solo cornet, emerges with an acrobatic tune. The whole band takes this up until horns; baritones and trombones introduce an energetic second subject, which leads to a full band climax in the form of a jubilant chorale. This died away to reintroduce the opening fanfare against a new theme from the trombones, which eventually leads back to a recapitulation. We are then thrown headlong into a 12/8 presto, which hurtles to a coda, which recalls the opening themes.
Estimated dispatch 7-14 working days
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£44.95Partita (Score Only)
Partita was written in 1989 to a commission from Eikanger/Bjrsvik Musikklag (Norway) who were European Champions at the time.There are three movements.1 The first movement is almost a miniature concerto for band. It opens with a relentless quaver passage in the basses, which builds until the whole band is involved. Horns and baritones are first to take centre-stage in close harmony and the euphoniums and basses follow them. These forces combine to introduce the cornets that have a 10-part fanfare to themselves before the trombones interrupt. The opening quaver figure returns, somewhat ominously, and, after the full band recalls previous material, brings the movement to a close.2. Starts with a cornet solo over a pulsating accompaniment after which the band builds to a noble tune on the trombones. The full band takes over and brings back the opening cornet tune with which the soloist, with the aid of a euphonium counter-melody, quietly ends the movement, leading directly into:3. A sparkling vivo, which opens with the fanfare-like figures throughout the band until a solo cornet, emerges with an acrobatic tune. The whole band takes this up until horns; baritones and trombones introduce an energetic second subject, which leads to a full band climax in the form of a jubilant chorale. This died away to reintroduce the opening fanfare against a new theme from the trombones, which eventually leads back to a recapitulation. We are then thrown headlong into a 12/8 presto, which hurtles to a coda, which recalls the opening themes.
Estimated dispatch 7-14 working days
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£14.95Postcard from Rio (Score Only)
This exciting new addition to the brass band repertoire comes from the pen of Steven Ponsford. Infused with Latin-American rhythms, this evocative portrait of the Brazilian city of Rio de Janeiro explores Samba and Bossa Nova styles
Estimated dispatch 7-14 working days
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£89.95Revelation (Score and Parts)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
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£44.95Revelation (Score Only)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days