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  • £14.95

    California (Brass Band - Score only) - Soderstrom, Emil

    In retirement, Emil Soderstrom moved to California and honoured his new home with this light-hearted but demanding march. The composer has said that the motif given to the upper cornets in the second strain stands for 'Ca-li-for-nia'! His love of startling chromatic passages is evident in the 'break up' strain of the trio section which is marked by a sudden key change and a fragment of the song Sunshine in my soul today, a reference to the Californian weather.

    Estimated dispatch 7-14 working days
  • £34.95

    Saints On Parade (Brass Band - Score and Parts) - Norbury, Kevin

    Originally composed for the 2004 UK tour by the New York Staff Band, this American-style concert opener contains three well-known tunes which are subjected to a range of musical styles synonymous with the USA. 'Always cheerful', 'I've got the joy, joy, joy, down in my heart' and 'O, when the saints go marching in' are given the marching band, big band and Sousa-style march treatment.

    Estimated dispatch 7-14 working days
  • £17.50

    Saints On Parade (Brass Band - Score only) - Norbury, Kevin

    Originally composed for the 2004 UK tour by the New York Staff Band, this American-style concert opener contains three well-known tunes which are subjected to a range of musical styles synonymous with the USA. 'Always cheerful', 'I've got the joy, joy, joy, down in my heart' and 'O, when the saints go marching in' are given the marching band, big band and Sousa-style march treatment.

    Estimated dispatch 7-14 working days
  • £34.95

    The Joy-Bringer (Brass Band - Score and Parts) - Downie, Kenneth

    This Festival (Concert) March was a pacesetter among 'new' Salvation Army marches of the 1960s with its refreshing harmonic language and use of Latin American rhythmic style.

    Estimated dispatch 7-14 working days
  • £17.50

    The Joy-Bringer (Brass Band - Score only) - Downie, Kenneth

    This Festival (Concert) March was a pacesetter among 'new' Salvation Army marches of the 1960s with its refreshing harmonic language and use of Latin American rhythmic style.

    Estimated dispatch 7-14 working days
  • £152.99

    Between the Two Rivers (Brass Band - Score and Parts) - Sparke, Philip

    Between the Two Rivers was commissioned by Fanfare Prins Hendrik, from Aalst in the Netherlands. The title derives from the fact that the town of Aalst lies between two tributaries of the River Dommel. The community is a highly religious one, so the famous Luther chorale, Ein' Feste Burg, was an obvious choice for Philip Sparke to use as the theme for this new work. It takes the form of a theme with four contrasting variations. Variation 1 is a moto perpetuo, variation 2 has a slower march like feel, variation 3 is a sinister slow movement and the final variation is in the form of a lyrical fugue. Between The Two Rivers is sure to become a major work in modern brass band repertoire.Duration: 15:00

    Estimated dispatch 7-14 working days

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  • £27.99

    King Cotton John Philip Sousa Arr. Joseph Knight

    This classic military band march has been given a new arrangement for brass band.

    Estimated dispatch 5-7 days
  • £30.00

    Pioneers

    The 19th Century was a time of great pioneering spirit, where developments in industry, and transport were to begin a process, which was to transform societies around the world beyond recognition.In the vast, so-called "New World" of America these changes were exemplified as the railways spread out to reach hitherto remote and largely unexplored expanses.Steve Robson has composed Pioneers as a three movement piece for brass band (also available for brass and percussion ensemble), written in the spirit of John Philip Sousa (1854 - 1932), Stephen Foster (1826 - 1864) and Scott Joplin (1868 - 1917).The three movements consist of:March - The US Marine Band (1880)Spiritual - I'm Lookin' Up To HeavenRagtime - Canonball Rag

    Estimated dispatch 7-14 working days
  • £30.00

    Jerusalem - C. Hubert H. Parry arr. Phillip Littlemore

    Sir Hubert Parry wrote the music to the hymn Jerusalem in 1916, during the gloom of World War I. It uses William Blake's poem And Did Those Feet In Ancient Times which itself was written around 1804, and first published in 1808.Parry's hymn was originally written for the 'Fight for Right' movement, formed to sustain the resolve of Britain during the Great War. The hymn received its premiere on the 28th March 1916 in the Queen's Hall, London at a 'Fight for Right' meeting. In 1917, Parry conducted it for the ladies of the Albert Hall choir as part of a call in favour of National Service for Women. This signalled a closer relationship with the women's suffrage movement which Parry and his wife, Maude, supported. A year later, Jerusalem was sung at a suffrage demonstration concert and was adopted by the Women's' Institute as their anthem in 1924.There are regular calls for the hymn to be adopted as the official National Anthem of England, but this is not new. The first such call can be traced back to the centenary of Blake's death in 1927 and the call continues undimmed to this present day. This brass band arrangement is based on Parry's original orchestration from 1916.Duration: 2'20"Difficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £55.00

    Second Suite in F - Gustav Holst arr. Phillip Littlemore

    Gustav Holst's Second Suite in F was composed in 1911, two years after the first suite, yet like his first suite it didn't receive its premiere until many years later, on 30th June 1922, at Royal Albert Hall in London and performed by band of The Military School of Music.The Suite uses English folk songs and folk dance tunes throughout. The opening march movement uses three tunes: a lively Morris Dance called Glorishears, the folk song Swansea Town and finally Cloudy Banks. The first two tunes are repeated to conclude the first movement. The second movement is a setting of I'll Love My Love, a sad story of a young maiden driven into Bedlam by grief over her lover being sent to sea by his parents to prevent their marriage. The Song of the Blacksmith follows with a lively hammer rhythms and the score actually asks for a blacksmith's anvil. The final movement is a fantasia based on the 16th Century English country-dance, The Dargason, with the Elizabethan love-song Greensleeves intertwined. This is a new brass band arrangement that has a lighter texture to that made by Sydney Herbert and restores it to the original key of F.Duration: c. 12 minutesDifficulty: 3rd Section and above

    Estimated dispatch 5-7 working days