Results
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£84.99Gandalf the Wizard - Johan de Meij
Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band, arranged by the composer has the following movements: I. GANDALF (The Wizard), IV. JOURNEY IN THE DARK (The Mines of Moria and The Bridge of Khazad-D m), V. HOBBITS. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra.
Estimated dispatch 5-14 working days
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£89.99Hobbits - Johan de Meij
Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band, arranged by the composer has the following movements: I. GANDALF (The Wizard), IV. JOURNEY IN THE DARK (The Mines of Moria and The Bridge of Khazad-D m), V. HOBBITS. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra.
Estimated dispatch 5-14 working days
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£228.70Fanfare and Chorale - Egil Hovland - Ray Farr
This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr
Estimated dispatch 5-14 working days
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£105.20Once Upon a Dream (From The Sleeping Beauty) - Pyotr Ilyich Tchaikovsky - Haakon Esplo
The movies from Disney have always included a lot of great music. Once Upon a Dream was written in 1959 to the musical animation movie "Sleeping Beauty", a movie produced by Walt Disney. It is based on Tchaikovsky's ballet with the same name. In the movie, the theme is dedicated to Princess Aurora and Prince Philip. Mary Costa and Bill Shirley performed the beautiful song as a duet in the original version.
Estimated dispatch 5-14 working days
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£60.99Fever - John Davenport - Marc Jeanbourquin
This song from 1956 has been covered by a number of artists over the years - Peggy Lee, Elvis Presley, Madonna and Michael Buble to name a few. Each one of these artists recorded covers of this song, making it an all-time classic.
Estimated dispatch 5-14 working days
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£105.20Sunday People - Lage Fosheim - Haakon Esplo
Sunday People is the title track from the debut album with the same name from the group The Monroes. The LP was released in 1983 and the Sunday People immediately became a huge hit. The Monroes was the first artists in Norway to receive the NorwegianYear Grammy Spellemannsprisen.Members of The Monroes was guitarist Eivind Rolles and singer Lage Fossheim. Both of them passed away in 2013, only 54 and 55 years old. The music lives on and many dearly remembers the track Cheerio (1985) inheavily reworked version from 2005 when Rolles and Fossheim collaborated with Ravi and DJ Lov.
Estimated dispatch 5-14 working days
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£64.95South Loop on the CTA - Tom Davoren
Tom Davoren composed South Loop in 2015 following an annual visit to the city of Chicago, in the Midwest region of the United States of America. It takes its name from a section of the "L", the famous elevated railway which is the lifeblood of thecity and its suburbs. The piece tries to capture some of the bustling energy of this Chicago landmark and the 750,000 commuters who use it each day.
Estimated dispatch 5-14 working days
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£119.99
Albion - Jan Van der Roost
Albion was commissioned by the Swiss Brass Band Federation as the test piece for the National Brass Band Championships of England, Belgium, The Netherlands, and Switzerland in 2001, and for Norway in 2002. The composition is dedicated to Markus Bach.Albion, along with Excalibur and Stonehenge, is the third major piece for brass band in which Jan Van der Roost took his inspiration from the British Middle Ages. Although the work is not based on an actual story there are unmistakable epic elements found in this symphonic poem. The piece paints a picture of the conquest of Albion (the earliest known name of the British Island), in which the listener is taken back to the timeof King Arthur and his legendary Knights of the Round Table.
Estimated dispatch 5-14 working days
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£118.99
Elegy I - Jacob de Haan
Elegy I 'Jealousy' has been named after John Donne's poem of the same name. This English poet (1572-1631) wrote an entire series of elegies, each with its own theme. Jealousy can trigger various emotions, ranging from disappointment, grief, or regret, to madness and anger. All these emotions have been incorporated into this composition. Jacob de Haan was inspired by three different works of art: a poem (the aforementioned poem by John Donne), a painting by the Norwegian painter Edvard Munch (Jealousy in the Garden) and an old French chanson about jealousy (Je ne l'ose dire) by the sixteenth-century French composer Pierre Certon. The music refers repeatedly to thischanson - sometimes through key notes from the melody that serve as the starting point for new, isolated themes and sometimes through quotations of the original version
Estimated dispatch 5-14 working days
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£85.00Alchymist's Journal. - Kenneth Hesketh
'The Alchymist's Journal' gets its title from the book of the same name by American author Evan S. Connell. The book fictionalises a number of famous Alchemist's writings, each one developing another's thoughts thuscontinuing one idea but changing it subtly to provide a new view point or way of thinking. This process is, in fact, alchemical as one idea transmutes into another. This idea is parallel to the processes at work within thesevariants. The whole work is constructed from 6 notes (C, A, B flat, E flat, F sharp, E) and is presented in nine different sections, each individual in mood but still based upon the original pitches. This is not a thematic setofvariations, as the themes are developed one at a time from small segments of the six notes. For example, the opening theme is the complete number of pitches, the second theme uses three notes transposed then repeated at theoriginal level, and so on. Harmonically, the six notes can be divided into two triads, A minor and E flat minor - each key beginning and ending the piece respectively. Whilst this is essentially abstract music with noprogramme there is an introduction, menacing scherzo, slow reflective section followed by a recap of the scherzo and final coda. 'The Alchymist's Journal' was commissioned by the Brass Band Heritage Trust at the suggestionof Paul Hindmarsh, to whom the work is dedicated.
Estimated dispatch 5-14 working days
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