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  • £17.50

    The Covenanters (Brass Band - Score only) - Downie, Kenneth

    In 1638, many members of the Presbyterian Church of Scotland signed a document called the National Covenant. By doing so, they were declaring that they acknowledged only Jesus Christ as the spiritual head of their church, and not any king or queen. This had become necessary because the Stuart kings believed in the Divine Right of Monarchs and saw themselves as head of the church. In the previous year, Charles I had forcibly introduced the Book of Common Prayer, invoking the wrath of the common people who faced the threat of torture, transportation or execution if they did not use the new liturgy and worship at their local church. The net result of this was that many met illegally in the countryside or in barns and large houses. These meetings became known as 'conventides' and many took place in the south-west of the country. Anyone caught attending was at risk of execution by the muskets of the dragoons who were employed in the area for that specific purpose. This music was written to honour the bravery and loyalty of these Christians to their faith, in the face of extreme danger, in the hope that it will inspire us also to be faithful. There are overtones of military threat, secrecy and solidarity. An old pentatonic tune is used, which the composer heard as a boy being sung to the words The Lord's My Shepherd.

    Estimated dispatch 7-14 working days
  • £34.95

    Everlasting Praise (Brass Band - Score and Parts) - Samuel, Nicholas

    Written for the 25th anniversary of The Salvation Army Anglia Youth Band, this exciting music features the hymn tunes of 'Ascalon', 'Miles Lane' and 'Old Hundredth' with references to 'Praise, my soul, the King of Heaven'.

    Estimated dispatch 7-14 working days
  • £17.50

    Everlasting Praise (Brass Band - Score only) - Samuel, Nicholas

    Written for the 25th anniversary of The Salvation Army Anglia Youth Band, this exciting music features the hymn tunes of 'Ascalon', 'Miles Lane' and 'Old Hundredth' with references to 'Praise, my soul, the King of Heaven'.

    Estimated dispatch 7-14 working days
  • £24.95

    Secret Prayer (Brass Band - Score and Parts) - Leidzen, Erik

    An interesting and varied treatment of the old chorus 'O the voice to me so dear, breathing gently on my ear! Needy soul, look up and see, 'Tis the Saviour speaks to thee'.

    Estimated dispatch 7-14 working days
  • £12.50

    Secret Prayer (Brass Band - Score only) - Leidzen, Erik

    An interesting and varied treatment of the old chorus 'O the voice to me so dear, breathing gently on my ear! Needy soul, look up and see, 'Tis the Saviour speaks to thee'.

    Estimated dispatch 7-14 working days
  • £30.00

    O Mio Babbino Caro (from Gianni Schicchi) (Cornet Solo with Brass Band - Score and Parts) - Puccini, Giacomo - Littlemore, Phillip

    O Mio Babbino Caro (Oh My Dear Papa) is taken from the opera Gianni Schicchi by Giacomo Puccini. It is sung by Lauretta after tensions between Schicchi and his prospective in-laws have reached a breaking point that threatens to separate her from Rinuccio, the boy she loves. It provides a contrasting interlude expressing lyrical simplicity and single-hearted love in the atmosphere of hypocrisy, jealousy, double-dealing and feuding in medieval Florence. The story of Gianni Schicchi concerns a rich old man who dies leaving all his possessions to the local monastery. His outraged relatives persuade Gianni Schicchi to impersonate the dead man and to dictate a new will. It is the second opera of Puccini's operatic triptych, which also includes?Il Tabarro?and?Suor Angelica. Duration: 2:00

    Estimated dispatch 7-14 working days

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  • £30.00

    O Mio Babbino Caro (from Gianni Schicchi) (Vocal Solo (Soprano) with Brass Band - Score and Parts) - Puccini, Giacomo - Littlemore, Phillip

    O Mio Babbino Caro (Oh My Dear Papa) is taken from the opera Gianni Schicchi by Giacomo Puccini. It is sung by Lauretta after tensions between Schicchi and his prospective in-laws have reached a breaking point that threatens to separate her from Rinuccio, the boy she loves. It provides a contrasting interlude expressing lyrical simplicity and single-hearted love in the atmosphere of hypocrisy, jealousy, double-dealing and feuding in medieval Florence. The story of Gianni Schicchi concerns a rich old man who dies leaving all his possessions to the local monastery. His outraged relatives persuade Gianni Schicchi to impersonate the dead man and to dictate a new will. It is the second opera of Puccini's operatic triptych, which also includes?Il Tabarro?and?Suor Angelica. Duration: 2:00

    Estimated dispatch 7-14 working days

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  • £74.95

    Radio City (Trombone Solo with Brass Band - Score and Parts) - Graham, Peter

    As youngsters growing up on the west coast of Scotland, my brother and I fell heir to an old valved radiogram which provided us with our first experiences of radio broadcasts. On the short wave signal, and through the static, we could pick up a whole range of programmes from across the Atlantic. I particularly recall the baseball games, the American accents of the announcers providing a window to a evocative world far removed from our small Ayrshire town. These memories form the basis of Radio City.The work is set in three movements, each introduced by a pastiche radio announcer narrative written by Philip Coutts. The first, City Noir, is a nod towards Raymond Chandler's eponymous private eye Philip Marlow and the dark cityscape of 1940s California.Movement two, Cafe Rouge, takes its title from the main restaurant in New York's famous Hotel Pennsylvania. Two of the most famous band leaders of the 1940s, trombonists Glenn Miller and Tommy Dorsey, broadcast live from the cafe on numerous occasions and the movement echoes with a collage of imagined sounds from the period.The finale, Two-Minute Mile, derives from an event dubbed in the USA as "the most exciting two minutes in sport", namely the Kentucky Derby. The virtuoso soloist figurations have their roots in Kentucky bluegrass fiddle music, with the galloping bluegrass clog-dancing rhythms providing the backdrop.- Peter Graham, Cheshire, January 2013

    Estimated dispatch 7-14 working days

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  • £59.95

    Concerto Grosso (Brass Quartet with Brass Band - Score and Parts) - Gregson, Edward

    Concerto Grosso was commissioned in 1972 by the Scottish Amateur Music Association for the National Youth Brass Band of Scotland.I took as my starting point the 18th century concerto grosso form with its element of contrast between small and large instrumental forces. The concertino (solo) group consists of cornet, horn, trombone and euphonium. The work is cast in one continuous movement (the old concerto grosso was often in three or more). The single movement is cast in the arch-like version of the ritornello form which was the mainstay of the baroque concerto. There are three main episodes which alternate with the ritornello and these exploit slow lyrical melodies as well as more rhythmically charged music. The final coda contrasts the ritornello material with the concertino group's own material, bringing the work to a resounding conclusion.- Edward GregsonDuration: 8.00

    Estimated dispatch 7-14 working days

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  • £30.00

    O Tannenbaum - Traditional German Carol

    O Tannenbaum (O Christmas Tree) is a German Christmas song. Based on a traditional 15th century folk song it became associated with the fir tree, traditionally used as a Christmas tree in German tradition. By the early 20th century it was being sung as a Christmas carol. The modern lyrics were written in 1824 by Ernst Anschutz, sourcing his material from an old 16th century Silesian folk song by Melchior Frank. My arrangement presents the traditional material in a full-on, big band swing style.