Results
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£79.95The Plantagenets (Brass Band - Score and Parts) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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£39.95
The Plantagenets (Brass Band - Score only) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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£25.00Zephyrus - Andrew Duncan
The Big Blow', was a formal record attempt to create the largest brass band in the world. It took place at Butlin's Resort, Skegness on 20 January 27 and in addition to the fun generated by the event itself, it's main goal was to raise money in support of the work of Brass Band Aid, and specifically to provide long-term sponsorship for two children in the village of Adet, Ethiopia.The Music Company (UK) Ltd were one of the Official Partners of The Big Blow, providing the performance piece for the record attempt. As Editorial Director of the company, Andrew Duncan wrote 'Zephyrus' to mark the occasion.Originally presented at the event as 'March - The Big Blow', the published re-titling of 'Zephyrus' provides a more subtle alternative, taking its name from the Greek God of the West Winds.'Zephyrus' is a traditional British brass band march with an interesting African-feel lilt to the trio. This is enhanced by optional percussion instruments including djembi and bongos, which can also be covered by standard drum kit. A positive, upbeat concert march to reflect the sentiment behind 'The Big Blow' record attempt.There were 443 participants in total, including:Soprano Cornets x 12Cornets x 152Flugels x 19Tenor Horns x 68Baritones x 32Euphoniums x 32Trombones x 55Eb Basses x 35Bb Basses x 17Percussionists x 21The Music Company are pleased to continue their support of Brass Band Aid by offering a donation to this worthy charity for every set of this music sold.
In Stock: Estimated dispatch 3-5 working days
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£9.95Euphonium's Extraordinary European Tour - Solo Euphonium (Bass Clef) - LM171
COMPOSER: Alexandra LehmannEuphonium's Extraordinary European TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.Furthermore, I wanted to offer an experience of travelling in Europe through music.There is a wealth of historical, and traditional European monophonic music.Hence, the Tour is based around the 14th-15th centuries whenEuphoniumencounters different musical cultures.The Tour is dedicated to my father, mother, brother, and sister;Jean-Pierre, Francoise, Fabrice, and Mahaut Lehmann;with whom I was fortunate to travel in my youth.CONTENTS1. Ostentatious OvertureEuphoniumis at the French palace of Versailles with all itspomp, splendour, and magnificence.2. Mystical MinnesangerEuphoniumhas travelled to the Holy Roman Empire, where he isperforming an ode to a Germanic Knight.3. Andalusian NightsThe Caliphate of Cordoba was a mixing-pot of Islamicand Judaic music. What is fascinating is that many of the ideas aroundperformance; modes at certain times of the day, improvisation into metred,faster sections; go back to the Indian subcontinent and even furtherback into Ancient Greece.Euphonium is chanting for theCaliphate on a warm summer's evening.4. Tarantella of the TagliatelleI don't know if the Medici family ate tagliatelle,but if they did, this joyful and lively tarantella is whatEuphonium would have played.5. Terrifying TropakA complete change of mood.Euphonium is playing for a swashbucklingperformance of Ukrainian Cossacks, with leaps, stamps, and twirls.6. Sami Herding SongIn the Arctic Norwegian north,Euphonium is with the Sami calling theirherd of reindeers with vocalisations that echo in the icy distance.7. Highland FlingEuphoniumis in Scotland taking part in the Highland Games.Female dancers perform athletic jumps.8. Royal Festive FanfareEuphoniumfinishes his European Tour at Windsor Castle, England.Like the natural trumpet (played at the time), the lower range is based on the first notes of the harmonic scale and announce the entry of the royal family.
In Stock: Estimated dispatch 3-5 working days
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£9.95Euphonium's Extraordinary European Tour - Solo Euphonium (Treble Clef) - LM168
COMPOSER: Alexandra LehmannEuphonium's Extraordinary European TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.Furthermore, I wanted to offer an experience of travelling in Europe through music.There is a wealth of historical, and traditional European monophonic music.Hence, the Tour is based around the 14th-15th centuries whenEuphoniumencounters different musical cultures.The Tour is dedicated to my father, mother, brother, and sister;Jean-Pierre, Francoise, Fabrice, and Mahaut Lehmann;with whom I was fortunate to travel in my youth.CONTENTS1. Ostentatious OvertureEuphoniumis at the French palace of Versailles with all itspomp, splendour, and magnificence.2. Mystical MinnesangerEuphoniumhas travelled to the Holy Roman Empire, where he isperforming an ode to a Germanic Knight.3. Andalusian NightsThe Caliphate of Cordoba was a mixing-pot of Islamicand Judaic music. What is fascinating is that many of the ideas aroundperformance; modes at certain times of the day, improvisation into metred,faster sections; go back to the Indian subcontinent and even furtherback into Ancient Greece.Euphonium is chanting for theCaliphate on a warm summer's evening.4. Tarantella of the TagliatelleI don't know if the Medici family ate tagliatelle,but if they did, this joyful and lively tarantella is whatEuphonium would have played.5. Terrifying TropakA complete change of mood.Euphonium is playing for a swashbucklingperformance of Ukrainian Cossacks, with leaps, stamps, and twirls.6. Sami Herding SongIn the Arctic Norwegian north,Euphonium is with the Sami calling theirherd of reindeers with vocalisations that echo in the icy distance.7. Highland FlingEuphoniumis in Scotland taking part in the Highland Games.Female dancers perform athletic jumps.8. Royal Festive FanfareEuphoniumfinishes his European Tour at Windsor Castle, England.Like the natural trumpet (played at the time), the lower range is based on the first notes of the harmonic scale and announce the entry of the royal family.
In Stock: Estimated dispatch 3-5 working days
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£9.95Trumpet's Extraordinary European Tour - Solo Trumpet - LM186
COMPOSER: Alexandra LehmannTrumpet's Extraordinary European TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.Furthermore, I wanted to offer an experience of travelling in Europe through music.There is a wealth of historical, and traditional European monophonic music.Hence, the Tour is based around the 14th-15th centuries whenEuphoniumencounters different musical cultures.The Tour is dedicated to my father, mother, brother, and sister;Jean-Pierre, Francoise, Fabrice, and Mahaut Lehmann;with whom I was fortunate to travel in my youth.CONTENTS1. Ostentatious OvertureTrumpet is at the French palace of Versailles with all itspomp, splendour, and magnificence.2. Mystical MinnesangerTrumpethas travelled to the Holy Roman Empire, where he isperforming an ode to a Germanic Knight.3. Andalusian NightsThe Caliphate of Cordoba was a mixing-pot of Islamicand Judaic music. What is fascinating is that many of the ideas aroundperformance; modes at certain times of the day, improvisation into metred,faster sections; go back to the Indian subcontinent and even furtherback into Ancient Greece.Trumpetis chanting for theCaliphate on a warm summer's evening.4. Tarantella of the TagliatelleI don't know if the Medici family ate tagliatelle,but if they did, this joyful and lively tarantella is whatTrumpet would have played.5. Terrifying TropakA complete change of mood.Trumpet is playing for a swashbucklingperformance of Ukrainian Cossacks, with leaps, stamps, and twirls.6. Sami Herding SongIn the Arctic Norwegian north,Trumpet is with the Sami calling theirherd of reindeers with vocalisations that echo in the icy distance.7. Highland FlingTrumpetis in Scotland taking part in the Highland Games.Female dancers perform athletic jumps.8. Royal Festive FanfareTrumpetfinishes his European Tour at Windsor Castle, England.Like the natural trumpet (played at the time), the lower range is based on the first notes of the harmonic scale and announce the entry of the royal family.
In Stock: Estimated dispatch 3-5 working days
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£60.62Horizon: The Promise of the Lord (Brass Band) Andrew Wainwright
Horizon: The Promise of the Lord was written at the request of Bandmaster Stephen Cobb for The International Staff Band. It is based on the much loved hymn of the church, Cwm Rhondda (Guide me O thou great Jehovah). The work was recorded on the ISB's CD Manuscripts II (released 2023). This highly descriptive piece will be an excellent addition to concert programs, as well as being appropriate as a test piece. The inspiration for the work comes from the book of Exodus. Whilst the music is not intended to be directly programmatic, like the hymn Cwm Rhondda, the work takes the listener through the Exodus from Egypt to the promised land of Israel as a metaphor of the spiritual pilgrimage of the individual Christian through his or her earthly life. The music aims to evoke a sense of God's guidance through strife and affirm the reality that God provides for us and redeems all the wrong in the world. This God who provided for the Hebrew people wandering amidst 'barren lands' with 'bread of heaven' is still and ever will be a God of provisional grace. Through listening to the music, it is the composer's intention that we are reminded of God's promise of Deliverance as set out in Exodus 6 v7-8: 'I will take you as my own people, and I will be your God. Then you will know that I am the Lord your God, who brought you out from under the yoke of the Egyptians. And I will bring you to the land I swore with uplifted hand to give to Abraham, to Isaac and to Jacob. I will give it to you as a possession. I am the Lord.' Like the hymn, Horizon: The Promise of the Lord is intended as a prayer for guidance. The Christian is a pilgrim through 'this barren land'. The music is often chromatic and in large parts verging on atonality, as a reflection of the strife that the Israelites endured in their 40 years in the wilderness. However, it ends in climactic fashion with the Hebrew people finally reaching their destination after many years of wandering in the desert - as they approach the 'Horizon' promised by the Lord. To view a performance of the work by the National Youth Brass Band of Great Britain please visit www.youtube.com/watch?v=LjOHf7QEw1g PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: c11.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£64.41Temperamental (Brass Band) Fendall Hill
This work by Fendall Hill was the set test for the 2021 National Brass Band Championships of New Zealand, B Grade. The composer writes: 'J.S. Bach (1685-1750) is deemed by many to be the 'Ulimate Composer'. He added an incredible proportion to the DNA of western music, and his influence is heard in the music of today. Like many artists, he was not overly recognised as a composer during his lifetime, and it took an 1829 performance of the St Matthew Passion by Mendelssohn to ignite a recognition of his place in the music world, a place he has maintained ever since. This piece starts with a similar spark of rediscovery of the music of Bach. It contains arrangements of various works, interspersed with composition based on Bach's chord structures, sections in the style of Bach, and original sections inspired by the moods created along the way. The first section explores the Toccata, and great organ works. This leads into an exploration of his choral works, and a finale based on the Preludes. The word 'Tempered' has different meanings, and all seem to apply to the music of Bach, and these appeal to the musical, engineering and spiritual aspects of my personal life. His music reaches to the humanity and divinity, it has strength, structure and order that creates frameworks in which incredible complexity reigns; and the complexity leads to a wildness, a kind of craziness that represents a range of human moods, and can change without warning. The same piece of music affects people in very different ways. I don't know if it's Bach's music, or us, but it can seem out of control and under control at the same time - the combination is highly temperamental. To view a follow-the-score video of the work please visit: https://youtu.be/zpNxITUqXZU Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet 1&2 Bb Solo Cornet 3&4 Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£332.70Banderole - Håkon Berge
Hakon Berge (born 22 April 1954 in Stavanger) is a Norwegian composer, conductor, arranger and music administrator, resident in Oslo. He studied at the Rogaland Conservatoire and at the Norwegian State Academy of Music. Berge has composed music for theatrical productions in venues such as the Rogaland Theatre, The National Theater in Bergen and the National Theatre in Oslo. He is also experienced in television production and was responsible for televised opera Gagarin - A Space Travel Opera(1991). He has composed a considerable number of commissions, including the music for the opening of the Alexandria Library, music for the opening of the Nobel Peace Centre in Oslo, and the testpiece Brass Blot (for the European Brass Band Championships in Stavanger in 2008, in which Cory Band from South Wales won the first prize. Berge has also written the music to the documentary musical Byterminalen, also described as a rock opera, which was premiered in May 2008 in connection with the celebration of Stavanger as European City of Culture. Hakon Berge has held a number of offices in the musical life of Norway: he has been chairman both of the Norwegian Society of Composers and of TONO, the Norwegian performing rights organization.
Estimated dispatch 5-14 working days
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£74.99Kingdom of Dragons - Philip Harper
The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team. This piece was commissioned by the Gwent Music Service with additionalfunding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band. Although the music is continuous, it is divided into four distinct sections, each one representing one of theunitary authorities which make up the County of Gwent. I. Monmouthshire, which has a large number of ancient castlesII. Blaenau Gwent, an historic area of iron and coal miningIII. Torfaen, where Pontypool Park is a notablelandmarkIV. Newport, the largest city in the region. The music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles inMonmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machineryclanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo beforethe music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphoniumlead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs inthe first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, idealsshared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion. NOTES ONPERFORMANCEPercussion requirements: (3 players) Timpani, 2 Tenor Drums, 2 Tom toms, Snare Drum (sticks and brushes required), Bass Drum, Clash Cymbals, Suspended Cymbal, Hi-hat, Sizzle Cymbal, Tambourine, Metal block with metalbeater (eg hammer), Rattle (eg football rattle), Glockenspiel, Xylophone
Estimated dispatch 5-14 working days
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