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  • £35.00

    Humming Chorus (from Madam Butterfly) (Flugel Quartet with Brass Band - Score and Parts) - Puccini, Giacomo - Littlemore, Phillip

    In Puccini's opera, Madam Butterfly, the Coro a bocca chiusa (Humming Chorus) is performed by an off-stage chorus which hums a wordless, melancholy tune, whilst Butterfly, her maid Suzuki, and her child begin the long wait for husband Pinkerton to return after many years away. As night falls, Suzuki and the child are soon asleep, but Butterfly keeps her vigil. This arrangement features four flugel horns, each of which plays into the bell of a bass whilst the bass player moves the valves - creating a unique humming sound. Puccini actually wrote five versions of the opera,?Madam Butterfly. After a disastrous premiere in early 1904, Puccini withdrew the opera and substantially rewrote it creating a very successful second version. However, he continued to tinker with the orchestration, not being satisfied until the fifth, and now standard, version dating from 1907.?Duration: 2:40

    Estimated dispatch 7-14 working days

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  • £45.00

    Toccata (from Symphony No.8) (Brass Band - Score and Parts) - Vaughan Williams, Ralph - Littlemore, Phillip

    Ralph Vaughan Williams' Symphony in D minor (his eighth) was composed in 1956, when he was in his 84th year. It is noticeably different from its predecessors in its diminutive scale and comparatively short length. However, the symphony is scored for an unusually large percussion ensemble including vibraphone, xylophone, tubular bells, glockenspiel, tuned gongs and celeste. In the Toccata, the fourth and final movement, Vaughan Williams uses the enlarged percussion forces extensively - the eight symphony is therefore in some ways a highly imaginative work, perhaps even an experimental one.. This brass band transcription tries to remain as true to the original percussion writing as possible, but with the omission of the tuned gongs and celeste--for obvious practical performance reasons. Duration: 5:00

    Estimated dispatch 7-14 working days

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  • £33.92

    Les Chasseresses from 'Sylvia' (Brass Band) Delibes arr. Rob Bushnell

    Clement Philibert Leo Delibes was a French composer, best known for his ballets and operas, including works such as Lakme (with its famous "Flower Duet"), Coppelia and Sylvia (both key works in the development of modern ballet). The latter started as a play, Aminta, by the Italian poet Torquato Tasso, which Delibes set to music. It was then adapted for the Paris Opera with rehearsals starting in August 1875. The premiere took place on 14 June 1876 and was the first ballet to be shown at the newly-built Opera Garnier. Whilst the scenery and costumes were created by top artists and designers (Cheret and Lacoste), it was Delibes's music that shown thrown, being said to have saved the production, preventing the ballet from drifting into obscurity.Sylvia is said to be one of the first modern ballets, with Tchaikovsky remarking to composer Sergei Taneyev upon its ingenuity: "... the first ballet, where the music constitutes not only the main, but the only interest. What charm, what elegance, what richness of melody, rhythm, harmony." Although Swan Lake, a contemporary to Sylvia, is considered one of the best ballets there is, Tchaikovsky preferred Sylvia to his own work, saying Swan Lake was "poor stuff in comparison". Tchaikovsky said to Taneyev, "I was ashamed. If I had known this music early then, of course, I would not have written Swan Lake". The music to Sylvia, rather than setting only the mood, also sets the action and is noted for its use of leitmotifs - Delibes was an admirer of Wagner - and more dominant use of brass and wind. The most famous piece from this ballet is the Pizzicati in the third act.Act I of the ballet takes place in sacred wood, where creatures are worshipping before Eros when Sylvia arrives with her huntresses to mock the god of love. Aminta, a lowly shepherd and infatuated with Sylvia, protects the deity and Sylvia is wounded by Eros's arrow. The hunter Orion kidnaps Sylvia, whilst Eros revives Aminta. Act II takes place in Orion's Island cave, where Sylvia tries to bribe Orion with jewels and wine. Unsuccessful, she appeals to Eros for help, who arrives and takes her to the temple of Diana (where the final act takes place). Orion and Aminta fight, Sylvia and Orion cause the goddess of the hunt, Diana, to be outraged, smiting Orion and denying the love of Aminta and Sylvia. Eros shows Diana a vision, which changes her mind and the couple finally come together.This brilliant and lively fanfare that introduces the huntresses in the first act is arranged here for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The piece has been lowered by a tone compared to the original. A recording of the original composition can be found here https://youtu.be/6yoGrUH38PI?si=0L0bFa1qXnYNvkR3 Duration: Approx. 3.10 minutes Difficulty Level: 1st Section + This PDF download includes the full score and parts. Includes alternative parts for soloist in Eb, horns in F and lower brass in bass clef. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Triangle, Cymbal & Bass Drum

    In Stock: Estimated dispatch 1-3 working days
  • £37.69

    Polonaise from 'Scenes de Ballet' (Brass Band) Glazunov arr. Rob Bushnell

    Alexander Glazunov was a Russian composer who was a gifted musician from childhood. He was seen as the natural heir to the nationalist revolution that had started with the Mighty Handful. Despite quickly turning from this to absolute forms of music, taking a keen interest in ballet music, his compositions still alludes to Russian folk tunes. He wrote four dance compositions, of which Scenes de Ballet was the first in 1894. The suite Scenes de Ballet, opus 52 has eight movements and was dedicated to the orchestra of the Russian Opera, St Petersburg. First performed in 1895 at a concert of the Imperial Music Society with Glazunov conducting. This arrangement of the final movement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: https://www.youtube.com/watch?v=BS-Yx-bmxPg Duration: approx. 5.20 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1 - Snare Percussion 2 - Triangle, Cymbal & Bass Drum

    In Stock: Estimated dispatch 1-3 working days
  • £41.46

    Saltarello from 'Italian Symphony' (Brass Band) Mendelssohn arr. Phil Lawrence

    This tour de force will be ideal for bands looking for a barnstorming finale to their concert. The 'Italian' was really Mendelssohn's 3rd Symphony at the time it was completed in 1833. The 'Italian' is certainly a youthful work, not in its technique, since it shows a perfect mastery of symphonic composition, but in its spirit. He had begun it two years earlier on a visit to Italy, where the vivid sights and sounds had impressed him immensely, just as the visit to Scotland had the year before. The atmosphere of Italy impelled him to translate his impressions into another symphony. The dazzling finale, the Saltarello, conjures up a picture of Italian peasants dancing frantically in a wild and whirling fashion, not unlike the tarantella. The arranger writes: 'It was noted by some players of the day that the orchestral parts were somewhat virtuosic for the time, and this virtuosic style inspired me to arrange this for brass band.' To view a follow-the-score video of the work featuring the Fairey Band please visit https://www.youtube.com/watch?v=BvcuwwJQrR8 PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani

    In Stock: Estimated dispatch 1-3 working days
  • £33.92

    Swan Theme from 'Swan Lake' (Brass Band) Tchaikovsky arr. Jack Lythaby

    Tchaikovsky's Swan Lake is made up of folk tales from Germany and Russia, and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The ballet was premiered on 4th March 1877 by the Bolshoi Ballet company in the Bolshoi Theatre in Moscow, and despite its initial failure, has become one of the greatest ballets ever written. The Swan Theme depicts the magic and mystery of the lake, with the oboe (solo horn in this version) playing the famous melody, which returns in various guises throughout the ballet. Tchaikovsky's symphonic approach to ballet music was called "undanceable" by some critics after its premiere, but the score to Swan Lake has now become considered as the epitome of ballet music. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Vibraphone

    In Stock: Estimated dispatch 1-3 working days

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  • £30.00

    In The Bleak Mid Winter - (Gustav Holst arr. David Beal) - Brass Band Sheet Music Full Score & Parts - LM600 - Gustav HolstĀ 

    COMPOSER: Gustav HolstARRANGER: David BealA fantastic and haunting arrangement of the Gustav Holst tune "In The Bleak Mid Winter". A full band arrangement with solos from Solo Cornet and Flugel, with interjections from Repiano Cornet, 1st Baritone and Euphonium. This arrangement was specially written for The Shepherd Group Brass Band who recorded it for their Christmas CD.This arrangement is available now!Suitable for Youth section bands upwardsCD Available fromhttp://www.shepherdgroupbrassband.co.ukBrass Band Sheet Music Full Score & PartsLM600 - ISMN : 9790570006007

    In Stock: Estimated dispatch 3-5 working days
  • £35.00

    Song (from Milestone) - Peter Meechan

    Song (from Milestone) is the middle movement of a concerto for cornet, titled Milestone. Commissioned by Mark Wilkinson, with funds provided by the Arts Council England, this song allows the soloist to demonstrate their lyrical skills.

    Estimated dispatch 12-14 working days
  • £35.00

    Somewhere (from West Side Story) (Brass Band - Score and Parts) - Bernstein & Sondheim - Harper, Philip

    One of the most famous numbers from Bernstein's West Side Story arranged as a show-stopping finale. Features either the trombone or optionally, the flugel.Duration: 3.30.Suitable for 2nd Section Bands and Above

    Estimated dispatch 7-14 working days

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  • £24.99

    The Wellerman New Zeland Trad. Arr. Joseph Knight

    This is a traditional New Zeland Folk Melody circa 1820 - 1830. From 1833 onwards, the Wellermen, on ships owned by Weller Brothers of Sydney, supplied provisions to New Zealand shore whaling stations from their base at Otakou. This melody has been arranged by Joseph Knight for full brass band with Drum Kit and Glockenspiel. It is written for fourth section bands and above, although it could be used with a better youth band. A real audience pleaser!

    Estimated dispatch 5-9 working days