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£54.99Dance Starters - Peter Kleine Schaars
Using themes based on semi-quavers Peter Kleine Schaars has carefully crafted these four contrasting dances for the De Haske Flexible 4 Series. Each of the parts take a turn to play the melody so no player feels left out. Take your players on a musical dance lesson in which you'll hear a paso doble, a slow waltz, a tango and a swinging jive as a closing. Fantastic fun for the smaller ensemble.
Estimated dispatch 5-14 working days
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£69.99
Variations on a Shaped Note Melody - James Curnow
Based on the American 'shaped-note' melody Saints Bound for Heaven, Variations on a Shaped Note Melody by James Curnow captures a feeling of joyful celebration through a series of unique and skilfully adapted variations. The opening strains are actually fragments of the first variation and occur before the main tune is introduced by low brass. The second variation features a euphonium solo and builds to a glorious climax with the full ensemble. The final variation is joyful and filled with energy, using flourishes and fanfares throughout the band for a grand conclusion to this marvellous work.
Estimated dispatch 5-14 working days
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£80.00St. Magnus - Kenneth Downie
Dedicated to Alastair Massey, an inspirational music teacher. Commissioned by the Scottish Brass Band Association for the 2004 European Brass Band Championships in Glasgow. This music is a set of variations on the tune known as St Magnus, which is attributed to Jeremiah Clarke. Most people will associate it with Thomas Kelly's hymn which begins: "The Head that once was crowned with thorns is crowned with glory now". The tune is very simple, consisting of just two, four-bar phrases. Neither is there much in the way of rhythmic variety, every note being a crotchet with the exception of two quavers, and the last note in each phrase. Within such a simple structure, however, lies considerable strength. THEME The listener is given the opportunity of hearing it twice, in full, at the beginning, starting with one player but soon taken up by the full ensemble. It returns in the middle of the music and is stated again near the end. This has been done quite deliberately in the hope that there will be an appreciation of what material is being developed, by the listener as well as by those with access to the score, who are able to see the visual connections. VARIATION 1 This takes the rhythm of the last part of the theme and also uses the shape of the opening as a recurring figure. The mood is whimsical and skittish, with short, teasing rhythmic figures tossed around the band, and quick interplay with percussion, at a fast tempo. An energetic flourish finishes this variation before the Andante espress. VARIATION 2 This commences with chords related to the opening of Variation 1. The cantabile on solo comets establishes a new, lyrical mood and there is scope for expressive playing in a series of short solo passages. The theme works its way unobtrusively into the texture before a reprise of the solo cornet melody and some more lyrical interchanges between Eb bass, euphonium, flugel horn and comets. The variation ends serenely with clear references to the last phrase of the theme. VARIATION 3 The first idea to dominate is clearly linked to the shape of the theme's first phrase. There is a frenetic feel to much of this variation, with considerable energy and instability created by extensive use of cross-rhythms. A thinning-out of the score marks a clear change to development of the start of the second phrase of the theme. This proves to be short-lived however, and the opening material returns leading to a restatement of the theme, "Maestoso," after which a euphonium cadenza links to Variation 4. VARIATION 4 Here we have some solos for euphonium, cornet, trombone and Eb bass set against a background of horns and baritones presenting a pensive statement of the theme's opening. VARIATION 5 This commences Allegro, with lively work for cornet and euphonium spreading to the whole band before attention focuses on the beginning of the second phrase of the theme which is initially presented in diminution, then in regular rhythm, then in inversion. An increase in tempo coupled with a decrease in volume, requires dexterity and control, with several metrical challenges thrown in for good measure. The same fragment of phrase becomes an ostinato which generates a frenzied climax, punctuated by short, dramatic silence, before the opening figure returns and the music gradually winds down. The tubular bells herald the final return of the theme, in augmentation, marking the start of the Finale. FINALE This features the running semiquavers of the previous variation sounding in counterpoint. A fast, furious coda speeds the work to a conclusion while references to the opening of the theme are still trying to break into the texture of the music. Kenneth Downie
Estimated dispatch 5-14 working days
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£102.60Joyful Life - Jerker Johansson
When Jerker Johansson in the 80's started to compose he was for a while obsessed with writing music in odd time signatures, more specifically 7/8. He was asked during the fall of 2020 by Leif Karlsson (former member of the legendary percussion ensemble Kroumata and nowadays conductor) to write something challenging for Uppsala Blasarsymfoniker and this resulted in Joyful Life. The piece is, to say the least, difficult to tap the pulse along to and is something of a baptism of fire for the musicians, regarding rhythmic precision. Joyful Life is dedicated to the always likeable Leif Karlsson (Joyful Leif!) and was premiered on the 15th November 2020 by The Swedish Air Force Band under the baton of the composer.
Estimated dispatch 5-14 working days
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£102.60Generalstabens Honnormarsj - Oscar Borg
This march was written in 1919 by Norways own March King Oscar Borg (1851-1930).He was born in the town of Halden in the southeast of Norway and received his education at the Royal Academy in Stockholm, Sweden.Upon his return to Halden he became a driving force in the towns musical life in several respects. He conducted choirs, amateur bands and played the organ in church.Borg was also the conductor of 1. Brigades Musikkorps (today The Norwegian Wind Ensemble) from 1881 to 1918.His significance for the Norwegian military bands and their repertoire is unquestionable.He wrote over 60 marches and he played several instruments; the violin, flute, cornet and the organ.This arrangement was written for Askoy Brass Band in 2021.Svein H. Giske
Estimated dispatch 5-14 working days
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£132.50Winter Solstice - Stig Nordhagen
This work describes the shortest day og the year, but also the longest night. The solo cornet summarizes the struggle of the winter and darkness. The solo rises out of the coral in the beginning of the piece, and escapades into rhapsodic parts, until the coral again catches all players in the ensemble.Throughout the piece we hear the soloist take us on a journey from despair and darkness, through gratitude for the solstice that turns the night into day. And gives us all light and hope for a better tomorrow.
Estimated dispatch 5-14 working days
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£19.95Bandkraft 1
The first of three superb sets of new music and arrangements for brass ensemble, edited by John Golland.1. Bandkraft - John Golland: A substantial piece with an exciting syncopated rhythm introduced in the opening bars and referred to throughout in a fanfare-like manner, to which a hint of dissonance adds extra thrill to the sound.2. Saraband - Gordon Jacob: A stately Elizabethan dance of great beauty, utilising modal harmony in Jacob's characteristic style. Constant speed, full note values and careful playing will achieve a beautiful, delicate effect.3. La Donna E Mobile - Verdi, arr. Roy Newsome: An amusing arrangement of this popular favourite by a conductor and adjudicator of international acclaim. Easy and enjoyable to play and to listen to.4. Spike's Rag - Michael Ball: A skilfully written piece in the true tradition of Scott Joplin, with the ragtime rhythm the backdrop to an unfolding conversation between the sections of the band. Really persuasive entertainment.5. National Anthem - arr. John Golland: A simple first verse setting the scene for the colourful and majestic second, utilising chromatic harmonies and an optional tenor counter melody for added splendour.
Estimated dispatch 5-14 working days
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£19.95Bandkraft 2
The second of three superb sets of new music and arrangements for brass ensemble.Jazz Intermezzo - Peter Sievewright: Very close harmonies produce thick luscious tone colours, beneath an intriguing jazz theme.Bossa Nova - John Golland: A memorable tune, enjoyable and relaxed as a Bossa Nova should be, with much fun to be had in mastering the Bossa Nova rhythm.Ballade - Grieg, Arr. Ifor James: A simple enough melody, but a marvellous test for the phrasing and intonation of the horn section of the band.Bollin Hill Suite (Hoe Down, Passacaglia and March) - Phillip Malbon: A classic suite for brass band, concise yet complete.
Estimated dispatch 5-14 working days
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£38.00Leviathan (Brass Band - Score and Parts) - Denegri, Paul - Barton, Tom
"Leviathan" began its evolution as a workshop work inspired by the poem written by Heathcote Williams entitled; "Whale Nation". At the time of this workshop the tentet brass repertoire existed of extremely well written original or arranged works of a lighter nature but there was a shortage of works with a greater emotional depth and edge, hence Leviathan's early conception as an atmospheric and emotive work. The workshop piece explored whale sound and song and was a 25 minute work in two parts. After many years of the workshop sketches sitting dormant the new work Leviathan is a much shorter and concise work. It contains only one of the original melodic themes of the workshop work. Leviathan is driven and underpinned by melodic and rhythmic elements. It is a programmed work following the awe inspiring majestic might and beauty of whales through to a hunt scene, the chase, and the ultimate demise of earth's largest mammal. Originally commissioned by Superbrass for brass ensemble, this arrangement is by Tom Barton. Duration: 6.30. Suitable for 1st Section Bands and above.
Estimated dispatch 7-14 working days
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£38.00Icebreaker (Brass Band - Score and Parts) - Harrold, Tom
Icebreaker was originally written for Superbrass in March 2012 and recorded in it's original brass dectet and percussion form on their "Brass Taps" CD. The work begins with tumultuous fanfare, shrouded by thick chords in the lower brass. This fanfare-like material leads to a biting statement from the trombones. An 'icy' gritty section, once again played by the trombones grows in energy, punctuated by the return of the fanfares. The horns, providing a little respite, emerge in a quiet restrained line, which is coloured by the rest of the ensemble. Before fully coming to fruition, the horn line is quickly cut-short and subsumed by the sudden return of the energetic material from the other instruments, which grows to the end of the piece. Duration: 4.30. Suitable for Championship Section Bands.
Estimated dispatch 7-14 working days
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