Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 86 matches for your search. Order by

Results

  • £50.00

    Keystone Kops (Brass Band - Score and Parts) - Davis, Carl - Littlemore, Phillip

    The Keystone Kops was a series of silent comedies featuring an incompetent group of policemen. They first appeared in the 1912 film Hoffmeyer's Legacy but it was the 1913 feature The Bangville Police that confirmed their popularity. The Keystone Kops were renowned for making mistakes, particularly with a great deal of energy and activity, and all done with a major lack of coordination. Carl Davis's 3-minute tour de force is a fine encore piece!Recorded on Polyphonic QPRL218D Master Brass (Volume Fourteen)Duration: 3:00

    Estimated dispatch 7-14 working days
  • £35.00

    Magic Flute Overture, The (Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Littlemore, Phillip

    Mozart's The Magic Flute is a two-act opera composed in 1791, the year of his death. It was the culmination of a period of increasing involvement by Mozart with Emmanuel Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. The Magic Flute is noted for its prominent Masonic elements; both Schikaneder and Mozart were believed to be Masons and also lodge brothers. Much of Mozart's Masonic music is written in the key of E flat. This key, with 3 flats is indicative of Masonic symbolism. There are other examples of the number three in the opera as well. The opening chords of the introduction sound three times, which also happens during the Temple scenes. Also represented in threes are the three temples of Wisdom, Reason and Nature. Tamino tries to open the three doors of the temple. There are three ladies, the attendants to the Queen of the Night, and three boys who serve as guides to Tamino and Papageno. Duration: 6:30

    Estimated dispatch 7-14 working days

     PDF View Music

  • £35.00

    Mars, The Bringer of War (from The Planets) (Brass Band - Score and Parts) - Holst, Gustav - Littlemore, Phillip

    Holst's suite The Planets was written between 1914 and 1916 and with the exception of Mercury, which was written last, Holst wrote the music in the sequence we hear them. So, in 1914, came the insistent rhythmic tread of Mars, The Bringer of War. It is widely known that the sketches were completed prior to the outbreak of the First World War, so the music is less a reaction to the declaration of war itself, but more an impending sense of inevitability of a war to unfold. An ideal concert opener, especially in this current year as it is not only the 100th anniversary of the piece itself, but of The Great War. Duration: 7:20

    Estimated dispatch 7-14 working days

     PDF View Music

  • £25.00

    Pavane (Brass Band - Score and Parts) - Faure, Gabriel - Littlemore, Phillip

    It is believed that Gabriel Faure wrote his Pavane as a piano piece in 1887, describing it as 'elegant, but not otherwise important'. He began work on the orchestral version a few months later, and scored it for modest forces, with the intention of performing it at a series of light Summer concerts that same year. At the behest of his benefactor, Elisabeth Greffulhe, he added a four-part choir, but it is rarely heard with the chorus these days. From the outset, the Pavane enjoyed great popularity. The music flows delicately and gracefully. A pulse beats gently and constantly beneath the arching melody lines, with elegant harmonic shifts and turns before the briefest of dramatic episodes. Calm is restored and the work draws to a tranquil conclusion. Duration: 6:00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £25.00

    Pure Imagination (from Willy Wonka and The Chocolate Factory) (Trombone Solo with Brass Band - Score and Parts) - Littlemore, Phillip

    The 1971 film musical Willy Wonka and The Chocolate Factory starred Gene Wilder in the title role. The music was written by composer/actor Anthony Newley, with lyrics provided by Leslie Bricusse, for which it received an Oscar nomination for Original Song Score. There are several well-known songs from the film, but perhaps the most famous is Pure Imagination, which is sung by Willy Wonka as the five children and their parents enter the Chocolate Room in Wonka's factory. It has been arranged as a trombone solo and has a simple jazz-like accompaniment. Duration: 3:00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £25.00

    Slavonic Dance No.8 (Brass Band - Score and Parts) - Dvorak, Antonin - Littlemore, Phillip

    Antonin Dvorak composed his first set of eight Slavonic Dances in 1878. The music is lively and overtly nationalistic, although the tunes themselves are all original and are not taken from any Slavic folk dances. Slavonic Dance No.8 is high-spirited and in the style of a furiant, the boldest of Czech folk dances. Although written in a 3/4 metre throughout, Dvorak creates cross-rhythms that shift this metre in to 2/4, which is an important characteristic of the furiant. Duration: 4.10

    Estimated dispatch 7-14 working days

     PDF View Music

  • £42.95

    SONG FOR ATHENE (Brass Band) - Tavener, John - Littlemore, Phillip

    Song for Athene was written in memory of Athene Hariades and was performed at the funeral of Diana, Princess of Wales.

    Estimated dispatch 7-14 working days
  • £40.00

    Symphony No.1, Finale from (Brass Band - Score and Parts) - Rachmaninoff, Sergei - Littlemore, Phillip

    Rachmaninov composed his First Symphony in 1895, at the age of just 22 years. It received its first performance on March 27, 1897, at a Russian Symphony Society concert in St. Petersburg with Alexander Glazunov conducting. The premiere was not well-received, and Rachmaninov himself blamed Glazunov for a lacklustre approach for beating time rather than finding the music. Some contemporary reports even suggested that Glazunov was inebriated when he took to the stage! Despite the disappointment of the premiere performance, Rachmaninov never destroyed the score but left it behind when he left Russia to settle in the West, eventually it was given up for lost. After the composer's death, a two-piano transcription of the symphony surfaced in Moscow, followed by a set of orchestral parts at the conservatory in Saint Petersburg. In March 1945, the symphony was performed in Moscow for the first time since its 1897 premiere. It was a grand success, and this led to a new and more enthusiastic evaluation of the symphony. In March 1948 it received a similarly successful American premiere and the work proceeded to establish itself in the general repertory. The final movement (Allegro con fuoco) is colourful and grand but not without its darkly contrasting, menacing episodes that intensifies its malevolence. It is a work overflowing with ideas demonstrating a strong, highly individual, and self-assured young talent. Duration: 5:40

    Estimated dispatch 7-14 working days

     PDF View Music

  • £35.00

    Symphony No.5, Finale from (Brass Band - Score and Parts) - Littlemore, Phillip

    Tchaikovsky composed his fifth symphony in the summer of 1888. He suggested that the opening-and recurrent-theme of the symphony represented "a complete resignation before Fate." The finale begins with a slow introduction of the 'fate' theme which segues into an Allegro Vivace of drive and energy, during which a majestic version of the fate theme periodically emerges. Finally, after a notorious "false" ending, the music courses ahead to a dramatic climax. Duration: 7:30

    Estimated dispatch 7-14 working days

     PDF View Music

  • £35.00

    Toccata (from Symphony No.8) (Brass Band - Score and Parts) - Vaughan Williams, Ralph - Littlemore, Phillip

    Ralph Vaughan Williams' Symphony in D minor (his eighth) was composed in 1956, when he was in his 84th year. It is noticeably different from its predecessors in its diminutive scale and comparatively short length. However, the symphony is scored for an unusually large percussion ensemble including vibraphone, xylophone, tubular bells, glockenspiel, tuned gongs and celeste. In the Toccata, the fourth and final movement, Vaughan Williams uses the enlarged percussion forces extensively - the eight symphony is therefore in some ways a highly imaginative work, perhaps even an experimental one.. This brass band transcription tries to remain as true to the original percussion writing as possible, but with the omission of the tuned gongs and celeste--for obvious practical performance reasons. Duration: 5:00

    Estimated dispatch 7-14 working days

     PDF View Music