Results
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£24.95Crugybar (Cornet Solo with Brass Band - Score and Parts)
The traditional Welsh tune of Crugybar is most commonly associated with words by Howell Elvet Lewis which appear in the Baptist Hymn Book of 1962; 'The light of the morning is breaking, the shadows are passing away'. The Salvation Army Song Book of 1986 lists two further hymns that can be sung to the tune; 'I stand all bewildered with wonder and gaze on the ocean of love' ( W F Crafts) and 'When Jesus from Calvary called me, unfolding its meaning to me' (Will J Brand). This arrangement was made for Martyn Bryant, the long-serving principal cornetist of Bristol Easton Band of The Salvation Army.
Estimated dispatch 7-14 working days
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£10.00Infinity (Brass Band - Study Score)
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£74.95Concertino for Flugel Horn (Brass Band - Score and Parts)
Duration: 13:15Recorded on Polyphonic QPRL084D Light As Air
Estimated dispatch 7-14 working days
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£42.50Mid-Winter (Brass Band - Score and Parts)
This beautiful Christmas tune by Stephen Bulla sets the perfect atmosphere for your Christmas concert. Light the candles and enjoy the most wonderful time of the year with friends, family and music.Duration: 4:40
Estimated dispatch 7-14 working days
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£29.95Argos (Brass Band - Score only) - Hodel, Stephan
Argos is a composition commissioned by the Lucerne Cantonal Brass Music Association LKBV. Composed in autumn 2009, Argos was the 3rd grade task piece at the Lucerne Cantonal Music Festival 2010 in Willisau. Argos (from the Greek meaning light) describes the light, festive character of the composition. Roughly speaking, the work consists of three parts, a fanfare-like opening, a song-like or chorale-like middle section and a happy final movement. Duration: 8.15
Estimated dispatch 7-14 working days
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£114.80
Argos (Brass Band - Score and Parts) - Hodel, Stephan
Argos is a composition commissioned by the Lucerne Cantonal Brass Music Association LKBV. Composed in autumn 2009, Argos was the 3rd grade task piece at the Lucerne Cantonal Music Festival 2010 in Willisau. Argos (from the Greek meaning light) describes the light, festive character of the composition. Roughly speaking, the work consists of three parts, a fanfare-like opening, a song-like or chorale-like middle section and a happy final movement. Duration: 8.15
Estimated dispatch 7-14 working days
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£45.00Legacy Of Light - Christopher Bond
Legacy of Light was commissioned by the family of Howard Bland, Honorary Secretary of Wessex Band Summer School for many years. Rather than a work in a reflective style, the brief was to provide a work which celebrated his life - energy and music which would be fun to perform and listen to. The bubbling compound time signature combined with the cornet and tuned percussion ostinato to open provide immediate impact with the work's subsequent soaring melodies and joyous style a fitting tribute. The work received its world premiere by the joint forces of the brass and wind bands at the 2024 Wessex Band Summer School, conducted by Michael Fowles.
Publisher Closed for Holidays. Estimated Dispatch 22nd August
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£34.95Eternal Source of Light Divine (Euphonium Solo) - Jonathan Bates
DURATION: 4 minutes. DIFFICULTY: 1st+. 'Eternal Source of Light Divine is a new Euphonium solo in the style of a set of theme and variations on the famous aria by Handel. The song was most recently performed to a global audience at the Royal Wedding of Prince Harry and Meghan Markle in May 2018, which ties into Foden's Band's 'Kings & Queens' theme for Brass in Concert. The solo itself is a virtuosic showpiece for the soloist, showcasing extremes of range throughout, technical flexibility and dexterity and a demanding yet lighthearted cadenza passage - all based on melodic fragments from the original Handel theme.'. .
In Stock: Estimated dispatch 1-3 working days
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£59.99I'm Begining To See The Light - Harry James - Klaas van der Woude
I'm Beginning to See the Light as popularised by Duke Ellington, arranged for Brass Band by Klaas van der Woude.
Estimated dispatch 5-14 working days
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£24.95Lloyd (Brass Band - Score and Parts) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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