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  • £70.00

    General Series August 2021 Numbers 2210 - 2213

    2210 Prelude on 'Abbot's Leigh' - Geoffrey Nobes2211 Night of Christmas - Mervyn Clarke2212 Be still and know - Philip Rayment2213 Festive Fiesta - Gavin Lamplough

    Estimated dispatch 7-14 working days
  • £38.95

    Unity Series Band Journal - Numbers 478 - 481, June 2019

    478: March - Seize the day (Andrew Mair)This march features the tunes God's love is wonderful (T.B. 130) and Everybody should know, and makes reference to Rescue the perishing (T.B. 808) and the chorus Able to save (T.B. 538)479: Jingle bells jazz! (Richard Phillips)The familiar strains of Jingle Bells (C.C. 121) have featured in Salvation Army music countless times over the years (perhaps more than any other non-religious song), whether as the main theme, countermelody, or as a derived frament or motif. This is an attractive laid-back jazz setting of the tune.480: Poor, wayfarin' stranger (Thomas Mack)This arrangement of the Spiritual depicts a poor wayfarin' stranger's journey through life using a minor key and a slow walking style.481: Selection - No crib for a bed (Charles Craig)This simple setting reminds us that, amidst the joy and exuberance that often accompanies the Christmas season, Jesus' birth was a very humble event.

    Estimated dispatch 7-14 working days
  • £50.00

    Triumph Series Band Journal November 2018 Numbers 1303 - 1306

    1303 March Marching Along (Andrew Blyth)1304 Easter Praise (Kenneth Downie)1305 Chorus Setting Be Still, and Know (Noel Jones)1306 Lead, Kindly Light (Andrew Holmlund)

    Estimated dispatch 7-14 working days
  • £24.95

    Judd: Unconquered

    Those familiar with the composers compositions will know that his style of march writing was quite individualistic, being characterised by a rather aggressive and syncopated first part, generally in the minor mode, contrasting with a broad legato melody at the trio. Unconquered is no exception to this pattern and it is felt that it will prove useful for both festival and processional use.

    Estimated dispatch 7-14 working days
  • £14.95

    Instrumental Album No.10 - Cornet Solos

    Includes: Jesus is strong to deliver; A Happy Day; Silver Threads; Glory to his name; Hosanna; Twas a Very Happy Day; I Heard of a Saviour; I Know that my redeemer liveth; Every valley shall be exalted; Just like Jesus; The song that reached my heart; Handel's Largo in GInstrumentation: Cornet with Piano Accompaniment

    Estimated dispatch 7-14 working days
  • £14.95

    Instrumental Album No.26 - Favourite Song Melodies

    Includes: It is better farther on; Hark! Hark the Lark!; My sou, be on thy guard; The meeting of the waters; The father's care; The old drummer; A song of praise; Where'er you walk; The way, truth and life; My Prayer; Come unto him (Messiah); Look Upward; Serenade; On wings of song; I know that all is wellInstrumentation: Arranged for Cornet, Flugel, Baritone, Trombone or Euphonium in Bb with Piano Accompaniment

    Estimated dispatch 7-14 working days
  • £34.95

    Londinium (Brass Band - Score and Parts)

    Londinium was commissioned by Paul Holland and the Flowers Band as the opening item of their 2016 Brass in Concert Programme. The music portrays the roman settlement of Londinium through a series of bold, off-stage, horn and baritone calls. The music then gradually transforms into the grand modern city of London that we know today.

    Estimated dispatch 7-14 working days
  • £14.95

    Londinium (Score Only)

    Londinium was commissioned by Paul Holland and the Flowers Band as the opening item of their 2016 Brass in Concert Programme. The music portrays the roman settlement of Londinium through a series of bold, off-stage, horn and baritone calls. The music then gradually transforms into the grand modern city of London that we know today.

    Estimated dispatch 7-14 working days
  • £45.00

    Lament (Brass Band - Score and Parts)

    The English composer Frank Bridge (1879 - 1941) did not take an active part in the First World War. However, he was devastated by the slaughter on the western and the eastern fronts, especially the loss of so many of his musicians friends and colleagues. Writing in 1963, his former pupil Benjamin Britten confessed that 'a lot of my feelings about the First World War which people seemed to see in the War Requiem came from Bridge. He had written a piano sonata in memory of a friend killed in France and though he didn't encourage me to take a stand for the sake of a stand, he did make me argue and argue and argue. His own pacifism was not aggressive, but typically gentle'.Bridge composed this Lament for string orchestra on 14 June 1915, in memory of Catherine Crompton, who drowned when the Cunard liner Lusitania was torpedoed by a German submarine on 7 May, 1915. According to figures researched by Liverpool historian Kevin Roach (www.lusitania.net), 1201 men, women and children lost their lives out of the 1962 people aboard. Ninety-four children died, including Catherine, her twin brother Paul and four other siblings. Paul Crompton, Snr. (44), a British businessman working in Philadelphia, his wife Gladys (40) and the family nanny were also drowned. How Bridge's dedication came about is uncertain. The music critic Edwin Evans, who knew Bridge well, has written that the Catherine was a young friend. It is also possible that he came across the family photograph which was published in many newspapers in the wake of the tragedy. By that time, Bridge was greatly distressed by the war as a whole. It seems perfectly in keeping with his pacifist leanings and the strength of his reaction, that this poignant and deeply touching 'war memorial' should mourn a child who he did not know, rather than one of the thousands of young men who fell in battle.Through the musical tears of this melancholy lullaby, Bridge may have regarded the death of young Catherine Crompton as symbolic of the loss of so many innocent lives in wartime. His response to this personal tragedy was characteristically spontaneous and utterly sincere. It is one of his most effective miniatures, poignant yet restrained in its lyrical beauty, with a compelling directness and simplicity of construction.This brass band transcription is pitched one tone lower than the original for string orchestra.- Paul HindmarshDuration: 5.00

    Estimated dispatch 7-14 working days
  • £29.95

    Unity Series Band Journal February 2014 Numbers 414-417

    No.414 March - Zambia Salute (Paul Drury)In April 2009, a group from Chelmsford Citadel Corps visited Zambia. The purpose of the visit was to assist in the leadership of the Zambian Territorial Music School, held at Chikankata. This march was written to commemorate the event and received its premiere performance at the final festival. The melody featured is the chorus of the song, I know not why Dod's wondrous grace (S.A.S.B. 730).No.415 A Joystrings sing-along (Erik Silfverberg O.F.)This piece represents the first published work since the sudden Promotion to Glory of Bandmaster Erik Silfverberg O.F. The Joystrings made Salvation Army history about fifty years ago, introducing rock music on the Christian music scene. Many of their songs have become classics and have been used as thematic material in our brass music. Here is a selection of three of their songs, to be used either as a band piece or as accompaniment to a sing-along. The three songs are:- 'I want to sing it', 'It's an open secret' and 'Have faith in God'.No.416 Festival Arrangement - At the cross (Martyn Thomas)The well-known song, 'At the cross' (T.B. 580), is given a lively new setting by Martyn Thomas. The rock and swing treatment of this old melody should appeal to many!No.417 Lord of all (Martin Cordner)This piece was written for the 120th Anniversary of Balham corps (London Central Division) in 2011. In terms of a theme, the anniversary occasion prompted the primary thought that the piece should first be a praise-offering to God, acknowledging him for who he is. Therefore songs referenced in the piece are praide songs: 'Lord, reign in me', 'He is Lord', 'All hail the Lamb', along with a song of testimony, 'I'm a soldier bound for Glory' (T.B. 382),which speaks of the Christian hope in Heaven and challenges Salvationists to influence others by living out that hope. There is also a brief reference to the National Anthem of the Democratic Republic of Congo (4 bars before D)- man acknowledgement to the faithfulness of corps soldiers who in recent years have arrived from that country.

    Estimated dispatch 7-14 working days