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  • £90.00

    Journey in the Dark - Johan de Meij

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band, arranged by the composer has the following movements: I. GANDALF (The Wizard), IV. JOURNEY IN THE DARK (The Mines of Moria and The Bridge of Khazad-D m), V. HOBBITS. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra.

    Estimated dispatch 5-14 working days

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  • £90.00

    Journey in the Dark (from Symphony No.1: The Lord of the Rings) (Brass Band - Score and Parts) - De Meij, Johan

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band has been arranged by the composer. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra. Duration: 9.00

    Estimated dispatch 7-14 working days

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  • £83.00

    Gandalf the Wizard - Johan de Meij

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band, arranged by the composer has the following movements: I. GANDALF (The Wizard), IV. JOURNEY IN THE DARK (The Mines of Moria and The Bridge of Khazad-D m), V. HOBBITS. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra.

    Estimated dispatch 5-14 working days

     PDF View Music

  • £90.00

    Hobbits - Johan de Meij

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band, arranged by the composer has the following movements: I. GANDALF (The Wizard), IV. JOURNEY IN THE DARK (The Mines of Moria and The Bridge of Khazad-D m), V. HOBBITS. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra.

    Estimated dispatch 5-14 working days

     PDF View Music

  • £102.60

    Battle of the Galaxy - Roar Minde Fagerli

    Battle of the Galaxy is a suite in four movements. The composer describes the battle between the good and evil in a fantasy galaxy.The first movement is a journey into the galaxy. In the second movement dark and evil forces invade the galaxy. The third movement is the inhabitants hope for peace in the galaxy. In the last movement the heroes step forward and bring peace to the galaxy.The composer is inspired by films and TV series in the science fiction genre.

    Estimated dispatch 5-14 working days
  • £64.18

    Avifauna (Brass Band) Joshua Tyler Jameson

    This highly descriptive work was commissioned by the National Youth Brass Band of America and will be a terrific concert or entertainment contest item. The music paints the picture of the lives of a variety of different birds. The composer writes: 'When I began thinking about this project I was sitting in my office in the early morning, the sun having just risen. There was a gentle breeze and the only thing that I could hear (aside from my hungry whining cats) was the gentle song of the birds outside my open window. As much of my work is programmatic, almost like symphonic poems, this immediately gave me the image of a majestic sunrise with all types of birds fluttering about, almost as if out of an episode of Planet Earth. When I was commissioned by the National Youth Brass Band of America, I knew the project had to be something the ensemble could grab onto. Something they could see. Something they could relate to. There being so many types of birds in North America, I selected a handful to help tell my story... The scene where I came up with this idea seemed to be the perfect starting point. Sunrise, tiny chirps of Morning Birds floating around the twilight of dawn, swiftly moving towards the majesty of the sun cresting the horizon. A new day, the beginning of a story. As the sun rises higher in the sky, animal activity stirs, becoming lively and wild. The flowers have opened up to drink in the sun's rays, leaving them open to nectar-seeking Hummingbirds. Whizzing by at lightning speed, the hummingbirds journey from flower to flower, drinking their fill until the sun begins to set back over the horizon. When daylight fades, the enigmatic Owl floats silently through the sky. The wonder of these creatures comes not just from their beauty, but also from their mystery and their ferocity. We see images in pop culture of majestic white owls and marvel in their beauty... but to a mouse roaming the forest floor in the dark of the night, the terror of suddenly being dropped upon by a silent predator is anything but peaceful. In the dead of night, soft rolling clouds thicken as a storm begins to brew. With the ensuing rain also emerges the grotesque scavenging Vulture; marching along from carcass to carcass, tearing into the rotting leftovers of another predator's kill, gorging themselves until over-full. However, from this nightmare fuel of a bird, a new day awaits... As the dawn of another day approaches, you begin to hear the same morning birds you heard the previous day. When the light finally breaks the horizon, the soaring majesty of the Eagle drives us to the end of our story; an exciting journey told through the eyes of the winged creatures that paint the skies of North America. This is Avifauna.' To view a follow-the-score video please visit: www.youtube.com/watch?v=J2bhBpx9KvM Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4

    In stock: Estimated dispatch 1-3 days
  • £10.00

    Endurance

    DescriptionMen wanted for hazardous journey.Small wages, bitter cold,long months of complete darkness,constant danger, safe return doubtful.Honour and recognition in case of success.- Ernest Shackleton, 4 Burlington StreetEndurance takes its title from the ship used by Sir Ernest Shackleton's Imperial Trans-Antarctic Expedition in 1914-15. After many months of fundraising (and reputedly running the above advert in The Times) the Endurance set sail from Plymouth on 6 August 1914. Whilst at sea news of the outbreak of war led Shackleton to put his ship and crew at the disposal of the Admiralty, but their services were not required and they were encouraged to continue. On October 26 1914 they left Grytviken on South Georgia for the Antarctic continent, hoping to find the pack ice shrinking in the Antarctic spring. Two days later, however, they encountered unseasonable ice which slowed their progress considerably. On 15 January 1915, when Endurance was only 200 miles from her intended landfall at Vahsel Bay, the ship became beset by ice which had been compressed against the land to the south by gale force winds. Trapped in the ice of the Weddell Sea, the ship spent the Antarctic winter driven by the weather further from her intended destination until, on 21 November 1915 Endurance broke up forcing the crew to abandon ship and set up camp on the ice at a site they named "Patience Camp".The crew spent several weeks on the ice. As the southern spring started to reduce the extent of the ice shelf they took to their three lifeboats, sailing across the open ocean to reach the desolate and uninhabited Elephant Island. There they used two of the boats to build a makeshift shelter while Shackleton and five others took the largest boat, an open lifeboat named the 'James Caird' and sailed it for 800 terrifyingly dangerous miles across the vast and lonely Southern Atlantic to South Georgia - a journey now widely regarded as one of the greatest and most heroic small-boat journeys ever undertaken. After landing on the wrong side of the island and having to climb over a mountain range in the dark with no map, Shackleton and his companions finally stumbled back into the Grytviken whaling station on 19 May 1916.After resting very briefly to recover his strength, Shackleton then began a relentless campaign to beg or borrow a ship to rescue the rest of his crew from Elephant Island; whaling ships were not strong enough to enter polar ice, but on 30 August 1916, over two years after their departure from Plymouth, Shackleton finally returned to Elephant Island aboard a steam tug borrowed from the Chilean government. Although some were in poor health, every member of the Endurance crew was rescued and returned home alive.Endurance is dedicated to the memory of my mum, who passed away in September 2017.Listen to a computer generated preview and follow the score below:

    Estimated dispatch 7-14 working days
  • £42.95

    Illuminate (Brass Band - Score and Parts)

    Andrew WainwrightIlluminate was composed for the Chicago Staff Band's performance at The Salvation Army's Boundless International Congress 2015 at London's O2 Arena. The music takes the listener on a journey of a Christian life, a life that is called to be a light in this dark world. The work starts out in optimistic fashion, with various musical pictures describing the joy of someone who has just received Christ into their life. Referencing Matthew 5:14-16, 'And you beloved, are the light of the world, a city built on a hilltop cannot be hidden. Similarly it would be silly to light a lamp and then hide it under a bowl. When someone lights a lamp, she puts it on a table... and the light illuminates the entire house. You are like that illuminating light.' (The Voice)Three songs are featured, firstly Shine on us (Michael W. Smith), with references to Speak, O Lord (Keith Getty & Stuart Townend), which is later heard in its complete form in the middle section in a time of reflection. Here there is a plea to 'Speak, O Lord, as we come to You, to receive the power of Your Holy Word', before a declaration '...That the light of Christ might be seen today in our acts of love and our deeds of faith.' This time of challenge ends with the poignant promise sounded by Evangeline Booth's song, The World for God, in the solo flugel horn: 'The world for God! I give my heart! I'll do my part!'The final movement is full of unrelenting energy, with references again to Matthew 5:16: 'Let your light shine everywhere you go, that you may illuminate creation, so men and women everywhere may see your good actions, may see creation at its fullest, may see your devotion to me and may turn and praise your Father in Heaven because of it.' The song Shine on us returns in full glory as a call to the Lord to 'Let your light, light of your face, shine on us.' However, this time the tune is juxtaposed with both The World for God and Speak, O Lord, and the challenge for us all to go out into the world and be shining lights.

    Estimated dispatch 7-14 working days