Results
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£60.99Kickoff - John Blanken
Kickoff is a short but powerful opening work. An attractive theme,a beautiful counter-melody, a driving bass motif and energeticpercussion are the ingredients of this composition. A fantastic way tokick off any concert.
Estimated dispatch 5-14 working days
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£54.99Circus Bamboni - John Blanken
COME ONE AND ALL! Come see the great Circus Bamboni! This four movement work, with flexible four-part instrumentation (+ drum set), will amaze and charm you like no other. The fi rst movement features the band as it tunes up and prepares for the show. Then the talented trapeze artists make an appearance as they fly through the sky high above the audience. The elephants parade around the ring with their very own Elephant Samba and the clowns follow leaving you in stitches! A thunderous chord and lots of applause bring the show to a breathtaking finale.
Estimated dispatch 5-14 working days
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£72.99
Folklore for Band - Jim Andy Caudill - John Blanken
Heavily influenced by the modal folk idiom found in early Welsh and British band repertoire, this dynamic work is sure to become a classic for brass bands.
Estimated dispatch 5-14 working days
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£54.99Sgt. Pepper's Lonely Hearts Club Band - John Lennon - Philip Harper
Sgt. Pepper's Lonely Hearts Club Band is the most famous album by The Beatles, and perhaps of all time. When it came out in 1967 it was remarkable not only for its many great songs, but also because of the innovative recording techniques that were used on the record for the very first time, setting a new standard for many decades to come. Conductor, arranger and composer Philip Harper is a huge Beatles fan himself and had a great time creating this grade 4 arrangement!
Estimated dispatch 5-14 working days
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£60.99With a Little Help from My Friends - John Lennon - Philip Harper
This song was originally recorded by The Beatles on their iconic Sgt. Pepper's Lonely Hearts Club Band album. Many people also know this song because of Joe Cocker's breakthrough performance at the legendary Woodstock festival in 1969. Philip Harper's fantastic arrangement manages to evoke the atmosphere and sounds of the original Beatles version.
Estimated dispatch 5-14 working days
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£60.99Playing Together - John DeBee
Playing Together is and remains the motto of wind music, but also enjoying it should take a prominent place. Playing Together a composition (in 8 parts) for beginning youth bands, combines these two features very pleasantly.
Estimated dispatch 5-14 working days
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£54.99Cha Cha in the Street - John Emerson Blackstone
The heat of South America radiates from this delightful cha cha, which incorporates the exotic sound of Latin-American percussion instruments. This light and sparkling work will be the hit at your next concert!
Estimated dispatch 5-14 working days
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£54.99Just a Game - John DeBee
Music that sounds as clear as a bell and is very suitable for elementary bands. Attention to the "clap hands" part where there are two rhythms played simultaneously. Tip: Instruct the audience that can participate. A short rehearsal is necessary in connection with the two-parts. Luck and laughter guaranteed!
Estimated dispatch 5-14 working days
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£26.10Stars and Stripes Forever - John Philip Sousa - Manu Mellaerts
Estimated dispatch 5-14 working days
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£154.99The Divine Right - Philip Harper
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new countrys people had risen up against the regimes and dictatorships which had prevailed for generations, leaving manynations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.My music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted. Most nations have had, or probably will have, their own Arab Spring, including my own, the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads.The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer, a moan as I never heard before and desire I may never hear again.The music descends to emptiness. The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering,irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times. This defining episode in Englands history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote: Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant. Philip Harper, 2013
Estimated dispatch 5-14 working days
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