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£109.99Suite Celebration - Bruce Fraser
Bruce Fraser composed this test piece for the 'Gouden Spiker Festival' 2003 (The Netherlands). Suite Celebration was inspired by events in his recent family life. The first movement celebrates the marriage of his daughter and reflects her bubbly personality and vitality. The melodies and harmonies of the whole work are based on a note row which came up during a discussion with the publisher. The second movement celebrates the birth of his grand-daughter 'Rebecca Aileen' and takes the form of a ballad featuring expressive opportunities for the soloists. The final movement is more of a look into the future and hope of success and a good life for hisfamily. Who knows what is coming?
Estimated dispatch 5-14 working days
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£104.99High Flyers - Andrew R. Mackereth
From the composer: High Flyers are regarded as people with promise and potential.They are winners. This is music for winners.The title, as well as being a play-on-words, implies the nature of the work. It is a bright, optimistic, and upbeat piece attempting to depict an exhilarating ride on flying carpet. The opening rising chords immediately suggest the gentle elevation of the carpets' ascent towards unknown heights, leading to a hint of a first theme in the horns at Fig. B. The first four notes provide the thematic material for the whole work: C F G A.A perpetual sense of movement is achieved through accented quaver chords punctuating the melodicmaterial of the first main theme. Fig. E sees the music of the opening bars fully realised, with flourishes from the euphonium and baritones representing swirling clouds, shooting stars, or passing birds in flight.The same subject is developed into a lyrical second theme with a new lush harmonic treatment, evocative of gliding over an expanse of sparse countryside.This section ends with a note of serenity but is shattered by the urgent insistence of the percussion rhythms.The third section introduces a new idea with a slightly distorted fanfare in the cornets and trombones. This figure suggests for the first time that there may be trouble ahead. In fact, there is no need to fear and the journey can continue without aggravation. This fanfare returns near the end to signal a final note of triumph.A new rhythmic variant of the cell motif emerges as the third theme now transformed by the addition of a triplet figure. The music steadily gains momentum before moving inexorably towards the climactic return of the music and tonality of the opening bars of the piece.
Estimated dispatch 5-14 working days
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£102.99The African Connection - Carl Wittrock
Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously, the percussion section has a conspicious role to play, but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature, and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblanceto a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'.
Estimated dispatch 5-14 working days
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£76.99Bessarabyanke - Sjaak van der Reijden
A Yiddish theme is by the composer at a very spectacular way developed into an amazing concert bouncer. Van der Reijden's experience as a trumpeter and arranger of the Klezmer Band Di Gojim 'comes in handy. A great work, full of challenge for all sections of the brassband!
Estimated dispatch 5-14 working days
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£109.99Fantasy for Brassband and Organ - Jan Bosveld
When I was approached to compose a work for brassband and church organ I already envisioned the concept I would use. It would indeed literally become a work for brassband and organ. Without the traditional solos, the organ would form an addition to the brassband orchestration as would the brassband provide an extra register for the organ. In short a homogeneous entity. The most important reason for doing this is quite simple. Since this work can only be performed in a church and because of the specific acoustics of the church, the brassband would sound in al its tone colour like an organ. By using certain registers of the organ and combining these with the brassband a wonderfulsound palette can be created. The use of complementary or contrasting tone quality is also possible. The primary theme of this composition is based on these three methods of "colouring". As far as structure is concerned this work consists of two parts. slow fast. It is built on a number of motifs in which some behave like a consecutive canon. In the fast movement the primary motif develops into a fugue-like section. The canon and fugato are techniques frequently used in classical and contemporary organ literature. The liberal use of structure and motif has lead to the title. "Fantasy for Brassband and Organ".
Estimated dispatch 5-14 working days
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£74.99Olympus - Philip Harper
Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop withthundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffereddefeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win drawing parallels with some of the issues still facing modern-day athletics. A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. Themusic depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone. The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The musicbursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster). The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends asit began with a blaze of colour and a real sense of optimism and global celebration. "Citius, Altius, Fortius" (Faster, Higher, Stonger)NOTES ON PERFORMANCEPercussion requirements: 1 to 3 players (3 Timpani, Snare Drum, Tenor Drum, Cymbals, Glockenspiel, Triangle)
Estimated dispatch 5-14 working days
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£54.99Sound the Bells of Christmas - James Curnow
Three festive carols are skillfully combined into a terrific showcase for holiday programming. The familiar strains of these "bell" songs will make a superb concert opening for your holiday needs. Includes: Westminster Chimes, The Merry Bells All Ring, I Heard the Bells on Christmas Day and Ukrainian Bell Carol.
Estimated dispatch 5-14 working days
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£107.80Ragnarok Main Title - Magnus Torkehagen Beite - Reid Gilje
This is the main theme from the movie "Gaten Ragnarock" (2013) superbly composed by Norwegian composer Magnus Beite. The music is narrative with long, melodic lines combined with a rhythmic drive. This arrangement tries to capture the symphonic expression from the original orchestral score. There are several unison lines. Intonation, balance and phrasing are important to make these sounding as good as possible. Clear articulation in the rhythmic passages are also important. The piece is very evocative and may fit very well into any concert program.
Estimated dispatch 5-14 working days
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£59.95Essay - Edward Gregson
This work was specially commissioned as the test piece for a new brass band competition in 1971, held at the Royal Albert Hall, London. It is in three movements, the titles of which all have literary connotations. The first movement, Dialoguetakes the form of 'conversations' between the instruments. The second movement, Soliloquy is dedicated to the memory of Gilbert Vinter - a composer who did so much in the 1960s to bring the brass band into the modern world. The final movement,Epigram, creates strong rhythmic contrasts and exploits the more virtuoso character of the brass band.
Estimated dispatch 5-14 working days
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£89.95Cambridge Variations - Philip Sparke
Cambridge Variations was commissioned by Philip Biggs and Richard Franklin with funds provided by All England Masters Brass Band Championship Ltd for their 1992 contest. The basis of the variations are the six musical notes in the word"Cambridge", (CABDGE), used mostly in reverse. The work falls into five sections (variations), which are all (to some extent) derived from the six-note row.
Estimated dispatch 5-14 working days
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