Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 102 matches for your search

Results

  • £49.20

    IN THE MOOD (Brass Band) - Garland, Joe - Smith, Sandy

    Medium. Part of the Essential Glenn Miller collection.

    Estimated delivery 12-14 days

     PDF View Music

  • £9.95

    Sunday in the Park (Brass Band - Score only)

    Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present. Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and written pieces for her previously. Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her sound on the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park opens with an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns. A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close. 07:07

    Estimated delivery 12-14 days

     PDF View Music

  • £19.95
  • £61.00

    Hail the Dragon! (Brass Band - Score and Parts)

    Its title, Hail the Dragon!, references a work Philip Sparke wrote in 1984, The Year of the Dragon. The piece opens with a lively and energetic fanfare. The mood becomes more subdued in the centre section as the cornet introduces a new theme that builds to an emotional climax. This leads into a recap of the opening fanfare which acts as a type of descant to short quotations from the last movement of The Year of the Dragon before reaching a thunderous finale. 04:45

    Estimated delivery 12-14 days

     PDF View Music

  • £13.95

    Hail the Dragon! (Brass Band - Score only)

    Its title, Hail the Dragon!, references a work Philip Sparke wrote in 1984, The Year of the Dragon. The piece opens with a lively and energetic fanfare. The mood becomes more subdued in the centre section as the cornet introduces a new theme that builds to an emotional climax. This leads into a recap of the opening fanfare which acts as a type of descant to short quotations from the last movement of The Year of the Dragon before reaching a thunderous finale. 04:45

    Estimated delivery 12-14 days

     PDF View Music

  • £64.95

    EUPHONIUM CONCERTO No.1 (Sparke) (Brass Band - Score and Parts) - Sparke, Philip

    This concerto has its origins in a concerto for horn and brass band, commissioned by the River City Brass Band (Pittsburgh) in 1992.It was composed at the request of British euphonium virtuoso, Steven Mead, and first performed by him with the Breeze Brass Band in Osaka, Japan, in 1995.In conventional three-movement form, performed without a break, the concerto covers the panoply of the euphonium’s range and character. The first movement is marked Moderato e energico and is rhythmically energetic in style with many meter changes and much syncopation. Only in the central section does the soloist relax in cantabile mood.The second movement opens with tuned percussion taking centre stage, laying for the foundations for a long cantilena from the soloist in resigned mood, but with a touch of optimism. After a central climax for the band, this melody returns, with soloists from the band answering in counterpoint. The finale is a 6/8 romp in caccia style (betraying its origins as a piece for horn). Again, the central section is more legato in mood, though the band keeps the eighth-note figures present throughout. The movement ends in a bravura display from the soloist.

    Estimated delivery 12-14 days
  • £34.95

    EUPHONIUM CONCERTO No.1 (Sparke) (Brass Band - Score only) - Sparke, Philip

    This concerto has its origins in a concerto for horn and brass band, commissioned by the River City Brass Band (Pittsburgh) in 1992.It was composed at the request of British euphonium virtuoso, Steven Mead, and first performed by him with the Breeze Brass Band in Osaka, Japan, in 1995.In conventional three-movement form, performed without a break, the concerto covers the panoply of the euphonium’s range and character. The first movement is marked Moderato e energico and is rhythmically energetic in style with many meter changes and much syncopation. Only in the central section does the soloist relax in cantabile mood.The second movement opens with tuned percussion taking centre stage, laying for the foundations for a long cantilena from the soloist in resigned mood, but with a touch of optimism. After a central climax for the band, this melody returns, with soloists from the band answering in counterpoint. The finale is a 6/8 romp in caccia style (betraying its origins as a piece for horn). Again, the central section is more legato in mood, though the band keeps the eighth-note figures present throughout. The movement ends in a bravura display from the soloist.

    Estimated delivery 12-14 days
  • £13.25

    Irish Mood (Brass Band - Score only)

    Irish Mood was written in a classic 'theme and variations' construction, opening with an Irish-inspired melodic theme, which is then followed by four variations of divergent character. After the introduction of the theme by the soloist, the cornets and trombones play the main melody in Variation 1, while the soloist provides a flowing counter melody. Next comes the highly extrovert and lively Variation 2, contrasted by an introverted Variation 3 in a minor key. A masterful tutti (Variation 4) then leads the piece toward a brilliant ending. 06:30

    Estimated delivery 12-14 days

     PDF View Music

  • £125.00

    RUSH HOUR (Brass Band) - Crausaz, Etienne

    Rush Hour was commissioned by the Swiss Brass Band Association (SBBV) on the occasion of the 38th Swiss National Brass Band Championships 2012 (Montreux SBBW) as the test piece in the Championship division. Structured in three parts without breaks, the work opens in a heavy, oppressive atmosphere, sometimes even noisy. After a short passage in a lighter mood a quick tempo takes over, the music becomes nervous and unrelenting, with constant twists and turns. The tension builds, leading to a slower movement in which various soloists are highlighted. A few humorous touches are heard in contrast to a majestic, powerful and dramatic chorale. The end of this part is brighter and more peaceful. This atmosphere is soon replaced by a return of the thematic material heard in the first movement, developing into an oppressive moos. The piece concludes with a last ecstatic tutti, reusing the harmonies of the introduction in a kind of final flurry. Rush Hour attempts to express the range of feelings we may experience when caught in various stressful situations in the middle of the rush hour. Duration: 13:45

    Estimated delivery 12-14 days

     PDF View Music

  • £59.95

    PLANTAGENETS, The (Brass Band Set) - Edward Gregson

    The Plantagenets was composed for the Championship Section of the Regional contests of the National Brass Band Championships of Great Britain 1973. The work is not intended to be programme music but rather it tries to portray the mood and feelings of an age, that of the House of Plantagenet, which lasted from the middle of the 12th century to the end of the 14th century. To many, it conjures up an Age of Chivalry and this is represented by fanfare motifs which occur throughout the work in varied form. The opening thematic figure, rising through the band in thirds and followed by the fanfares, is important as nearly all the subsequent material is based upon it. There follows two themes, the second of which is lyrical and introduced by horns. In the long, slow middle section, a new theme is introduced by a solo horn (recurring on cornet and euphonium in canon) and is developed at some length. A lively fugato scherzino, however, leads to a recapitulation of the opening section music and the work ends with a maestoso statement of the slow movement theme. A final reference to the fanfares ends the work.

    Estimated delivery 12-14 days