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  • £33.00

    In Storm and Sunshine (Brass Band - Score and Parts) - Heed, John Clifford - Houlding, Christopher

    New Jersey born composer and musician John Clifford Heed, who was born during the American Civil War was as a cornet soloist and arranger in the legendary band of John Philip Sousa. J.C Heed was also known as the "March Wizard". According to local legend in his hometown, it is claimed that Heed possibly wrote "The Stars and Stripes Forever". Chris Houlding's vibrant arrangement of "In Storm and Sunshine" is written in the style of a vibrant circus march, to be performed as quick as possible! Duration: 5.00. Suitable for 2nd Section Bands and above.

    Estimated dispatch 7-14 working days
  • £69.00
  • £27.00
  • £64.95

    The Storm Cone (Brass Band - Score and Parts)

    The Storm Cone was commissioned from Lucy Pankhurst as a central part of an immersive artwork by Laura Daly, which considers our intrinsic relationship with the past. The project itself takes the form of a downloadable app, featuring geolocated augmented reality technology and binaural recordings. The music was performed and recorded remotely by the students, staff and friends of the University of Salford during the UK lockdowns in 2021.At its centre, is a journey through music and sound that charts the fading away of a brass band during the interwar years (1918 - 1939). Using new technologies to trace lost bandstands in their final days of mass popularity, we first encounter the band performing as a full ensemble, in 360audio. Breath-taking detail can be heard from every instrument as you move amongst the absent musicians; proximity alters the perception of sounds as Pankhurst's score builds and then returns to a single note. From the powerful, collective sound of the band, the journey then follows the departed musicians into eight spatial sound works by Daly, where their fragile solo phrases merge and mutate in new environments. History, fiction, artifice, and reality combine within this sensory encounter to confront the present with its past.This absorbing work takes its name from the title of Rudyard Kipling's 1932 poem that forewarned of WWII. It considers key aspects of the interwar period and the ensuing break-up and reshaping of communities in different parts of the country. Brass bands, with their strong industrial, religious and militaristic associations, lost many musicians to both World Wars, and the intervening years of shellshock, unemployment, economic migrancy, and industrial action. Their survival and the survival of brass music tell a story of working-class life during this epoch of deindustrialisation. Life, music and creative legacy are all being sustained by breath. As the band's sound lingers in an absent-minded hum or whistle, it becomes both an imprint and portal to these past times.The Storm Cone commemorates the legacy of creativity, music and sound, the power of community and the importance of collective memory, history and storytelling. It highlights the emotive nature of the past and how it can also help foresee possible futures. Serving as a warning shot, The Storm Cone contemplates the residual impact of the interwar period and the cyclical nature of history in terms of current events, including the economic downturn and the rise of populism, extremism, racism and antisemitism; problems seemingly exacerbated by the current pandemic. The resulting experience is an artwork that underlines human strength and fragility and is imbued with a sense of both loss and celebration.Duration: 10.00

    Estimated dispatch 7-14 working days
  • £24.95

    Summer Storm - Antonio Vivaldi - Rodney Newton

    Antonio Vivaldi was born in Venice and began his adult life in the church, becoming known as the 'Red Priest', presumably due to his sandy-coloured hair. Health problems prevented him continuing actively in the priesthood and he turned his attention...

    Estimated dispatch 5-7 working days
  • £37.50

    Polish Adventures - Gavin Somerset

    Composed for the All Saints Wind Band, Sheffield after their trip to Poland in the summer of 2003. This work reflects the different parts of the tour in four continuous movements... PROGRAM NOTES AS THEY APPREAR ON SCORE COVER I don't wish to ramble on with the program notes, do I do believe that if you know the story behind a piece of music, it just puts that extra something into the players performance. In 2002, the All Saints Wind Band, Sheffield, embarked on a 10 day tour of Poland. The group spent 28hrs on a couch packed with instruments, only to arrive finding Poland experiencing its worst summer in 70 years. In 2003, they decided to go back for another go! This time, luxury all the way, no 28hr coach journey, just a 1 1/2hr flight. This piece tells the story of the 2nd tour of Poland in four continuous movements... First the introduction. Early one morning, prepared for the drive to the airport, everyone tired, but excited. A day prior to this, some parents of the children set off in a van driving the instruments to the hotel, some 300 miles away. Bar 13 introduces the "Van" theme. Once arriving at the airport, the movements begin... 1. MORNING FLIGHT A very self explanatory part of the piece, and impressionist in its writing. Flying high over England and the channel, giving a sense of speed we were travelling at (compared to the poor lads in the van somewhere below us!) The Largo before F tells of the short coach journey to the hotel, and settling into what was our new home for 10 days. 2. IN THE STORM The weather was definitely an improvement on last year. So much so, that it became a regular event of the day to go and play rounders in a nearby field. This particular day however, with everyone concentrating hard on the game, it escaped everyone's attention that there was a very large storm creeping over the high mountain range near us. As the title of the movement suggests, the scene involved 25 of us running as fast as we could back to the hotel. Unfortunately, the heavy rain ran faster than us. 3. LAST MEMORIES As most of the people in the band were 18 this year, it was apparent that this would be their last event with the band. Many of the group had grown up together for the last 7 years and so, as the tour came to a close, there was a sense of sadness in the air, but everyone would always have the memories. 4. FINALE & HOME The van and the brave volunteers that went with it, set off the day before the rest of us flew home. This last movement reflect the whole tour, bringing back all the main themes from the different movements before arriving back at the school, just in time to see the van pull up. The "Van" theme makes its presence heard again towards the end. This piece was performed by the Wind Band at the leaving concert of many of the players in the band. I dedicate this piece to the band which is still functioning with new players, and to all those who took part on this tour.

    In Stock: Estimated dispatch 1-3 working days

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  • £29.50

    The Lord Of The Dance - Ronan Hardiman - Gavin Somerset

    During an interval at the Eurovision Song Contest in 1994, Michael Flatley & the 'Riverdance' cast took the world by storm and continued to achieve worldwide success. Michael Flatley left 'Riverdance' with the dream of creating a show that was suitable for performances in arenas and not just traditional theatres - 'The Lord Of The Dance' was born. Using the traditional US shaker hymn 'The Lord of the Dance' as the shows main theme, Ronan Hardiman adapted the music to be bursting with life. This arrangement by Gavin Somerset is full of excitement and energy, arranged to ensure this effect is playable by most levels of bands. A real crowd pleaser & finale act that will have the audiences on their feet!

    In Stock: Estimated dispatch 1-3 working days

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  • £24.50

    Sospiri - Elgar - Max Stannard

    Originally scored for string orchestra, harp and organ, this Adagio was composed by Sir Edward Elgar shortly before the outbreak of the First World War and you can perhaps hear the gathering storm clouds of war in the music which became a bleak adagio that would not be out of place as the slow movement of an Elgar symphony. The work was dedicated to the leader of the London Symphony orchestra W.H. (Billy) Reed.

    In Stock: Estimated dispatch 1-3 working days

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  • £109.99

    The Power of the Megatsunami - Carl Wittrock

    The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expressionof power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.

    Estimated dispatch 5-14 working days

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