Results
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£34.95When Thunder Calls - Paul Lovatt-Cooper
When Thunder Calls has been composed and designed to make it a very effective way of starting a concert or a second half of a concert and when performed with all the choreography, this piece makes for an exciting addition to any concert repertoire. Circa 3'58".
Estimated dispatch 5-7 working days
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£35.00
Epitaph (for Hillsborough) - Peter Meechan
Epitaph (for Hillsborough) was written on the 20th anniversary of the Hillsborough stadium disaster, April 15 1989, in memory of the 96 victims. All of the victims were fans of Liverpool Football Club, the club I have supported since I was a young child.The disaster unfolded in front of the BBC television cameras, and due to the importance of the match (FA Cup semi final), millions, including myself, witnessed it first hand, leaving a lasting impression in the public psyche.Several features of the piece were determined by the tragedy. The length of the piece, 6 and a half minutes, represents the minutes of the game that were played that day (The match was abandoned after 6 minutes), and the final thirty seconds of the work, where the band gently applaud, is a reference to the first match played after the tragedy, a European Cup semi final between AC Milan and Real Madrid.After 6 minutes, the referee blew his whistle and all the players stood still where they were, both sets of fans applauded in memory of the perished, and the fans of AC Milan began singing Youall Never Walk Alone, the anthem of Liverpool Football Club.The work also features 96 strikes of the tubular bells, in memory of each person who lost their life.Epitaph is dedicated to the 96 people who died that day, and to their families whose fight for justice is an inspiration to all.
Estimated dispatch 12-14 working days
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£34.95Pandemic 1349 - Paul McGhee
Pandemic 1349 was written during September and October 2016 and received its premiere on Sunday 20th November at the 40th Brass in Concert Championships at the Sage, Gateshead where it received the best new composition/arrangement award. London lost almost half...
Estimated dispatch 5-7 working days
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£34.95
SOUTHERN CROSS, The (Brass Band Set) - Brian Bowen
The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.
Estimated dispatch 7-14 working days
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£29.95
JOY, PEACE AND HAPPINESS (Brass Band Set) - Richard Phillips
An ideal concert opener (first or second half) where the idea is that the band appear on stage section by section starting with percussion followed by basses and so on!
Estimated dispatch 7-14 working days
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£84.99Pulse (Euphonium Solo with Brass Band - Score and Parts) - Doss, Thomas
Pulse is a solo work for euphonium and brass band. As the title suggests, this piece is very rhythmic in nature. Pulse represents life and vitality, which also characterises the work. The tempo remains virtually constant throughout the piece. Even during the cadenza, played by the euphonium, the pulse of the timpani continues to beat steadily. Even though the piece stays at a constant tempo, it can be performed at half speed. Duration: 7.15
Estimated dispatch 7-14 working days
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£24.95The Lord bless you and keep you (Brass Band - Score & Parts) - Pears & Pears - Sharman, Paul
A beautiful melody which works perfectly as an instrumental benediction for band. A smooth negotiation of the falling 6th in the first half of the tune is essential, as is good balance - ensuring the melody can be heard at all times.
Estimated dispatch 7-14 working days
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£32.95Nurserytime (Brass Band - Score and Parts) - Wiffin, Rob
This selection of well-known nursery rhymes and children's songs was made for the 2006 Party at the Palace. It includes Here we go round the Mulberry Bush, Incy Wincy Spider, Half a Pound of Tuppenny Rice, Three Blind Mice, Singing Polly Wolly Doodle, Old MacDonald had a Farm, One Man Went to Mow a Meadow, and Oh Dear What Can the Matter Be amongst others (Ring-a-ring a-roses, Hickory-dickory dock, Row, row, row your boat, Skip to my Lou)Duration: 5.00
Estimated dispatch 7-14 working days
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£49.60Plymouth Sound (Brass Band - Score and Parts) - Mills, Nic
The concept of the work was to capture the beauty of the natural bay protecting the harbour at Plymouth. The work is based on two themes. The first being a lyrical melody to represent the beauty of the Sound and a march-like theme showing the military heritage the city has, through the armed forces based there. The opening fanfare immediately grabs the attention of the audience, and settles into a lyrical melody with the flutes and clarinets emulating the sea and the rolling of the waves. This jubilant piece turns to emulate a storm at sea. Then it moves into the march theme, which takes the main form for the second half of the piece, moving into a fanfare-like statement (recapitulation of the opening fanfare) to complete the piece. Overall, this is a fun work to play, with all sections of the band being tested and would be a great opener or finisher piece.Duration: 5.15
Estimated dispatch 7-14 working days
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£34.95
The Southern Cross (Brass Band - Score and Parts) - Bowen, Brian
The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.
Estimated dispatch 7-14 working days
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