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  • £27.50

    One Foot in the Grave - Idle, E - Barry, D

    I Don’t Believe it!Yes – that wonderful theme from One Foot in the Grave has been crying out to be arranged as a bass solo. Now it has – an absolute winner with audiences.4th section +

    In stock: Estimated delivery 1-2 days

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  • £27.50

    One Foot in the Grave - Eric Idle

    Eb Bass Solo with Brass BandI Don't Believe it!Yes 'AaA" that wonderful theme from One Foot in the Grave has been crying out to be arranged as a bass solo. Now it has 'AaA" an absolute winner with audiences.

    Estimated delivery 12-14 days
  • £27.50
  • £14.50
  • £64.95

    Visions - Dan Price

    Visions was commissioned by the Briton Ferry Silver Band as part of it's centenary year celebrations in 2010.Visions is an extended work which paints a historical, musical portrait of the small town of Briton Ferry (Llansawel), located at the mouth of the River Neath in South Wales.Once a rural area, it was heavily developed during the industrial revolution, serving as an important centre for the production of steel and tin plate. Although a continuous piece of music the work is divided into four sections; Briton Ferry, Brunel's Vision, Giant's Grave and Hen Gastell.

    Estimated delivery 5-7 days
  • £104.00

    A Journey to The Bermuda Triangle - Pimpanit Karoonyavanich

    A Journey to The Bermuda Triangle - Pimpanit Karoonyavanich - 11'20'' - BVT117 After Karoonyavanich has seen her favourite seaview painting by Romain Steppe (1859-1927) for the first time, she was directly inspired and started to write “A Journey to The Bermuda Triangle”. This work consists of 4 sections: The Storm, The Graveyard, The Kingdom of Mermaids and The Escape. The concept of the opening is influenced by Chopin's Etude Op.25 No.11 “Winter Wind” which begins with a calm melodic theme. Then it turns immediately into the agitated and energetic movement representing the calm ocean that turns wild. The storm has taken away many pilots and sailors' life’s, they say people who survive from the storm were able to see the ruined of the victims at the grave yard. This movement of "Graveyard" sounds mysterious and dreadful. The following section "The Kingdom of Mermaids" repeats the storm theme and builds up gradually with solo’s to finally have a big climax reflecting the beauty of the Kingdom of Mermaids. According to one of the legends of the Bermuda Triangle, mermaids exist there and trick the sailors with their beautiful voice and appearance then take away all their souls. Some sailors realized that they were tricked and try to escape. Unfortunately, none of them could ever return back home. This section ‘The escape’ begins with low brass solos and gets more intense until the climax at the end honouring all the Bermuda Triangle's victims.

    Estimated delivery 10-14 days

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  • £102.00

    Rhapsody in Black - Andi Cook

    Rhapsody in Black - Andi Cook - 10'40'' - BVT126 The primary inspiration for this work comes from the composer’s first encounter with the genre of Symphonic Metal - the opening track of the 2004 Nightwish album 'Once', entitled Dark chest of Wonders. The combination of full orchestra, operatically trained female vocals and the raw power of a Scandinavian metal band was a potent mix that instantly had me hooked.That same dark and powerful sound is one that a brass band can generate, and I've tried to capture that in this composition. Heavy Rock/Metal as a genre is arguably fifty years old now, but symphonic metal is a newer concept, and I feel possibly the one that can bridge the gap between two musical styles very dear to me.Composer Gilbert Vinter had explored through music the connotations that different colours held for him, and his movement Purple from 'Spectrum' gave me an idea for the structure of ‘Rhapsody in Black’. Andi Cook explored the different connotations of one colour within his own life, black being an easy choice due to the personal dichotomy of the black leather jacket he wore to the rock club on Friday night and the black suit jacket and tie he wore to the concert hall the next day.To avoid repetition the word 'black' is omitted from the five movement titles, each of which is a different episode. '...as Thunder' is a furious argument between two people - the top and bottom of the band - set against the backdrop of a storm, with lightning flashing outside while barbs, insults, sarcasm, tears and even violence is traded inside. Following that '...Satin and Pearls' is an old black-and-white movie with a wistful character to it as if we're looking back a screen icon with fondness long after their career or even their life has ended. '...as the Raven's Wing.' is deliberately gothic and funereal, hinting at Edgar Allen Poe's similarly named poem, with undertones of death and afterlife. The shift into F/C Minor (band pitch) represents the descent - alive - into the grave that Poe had a paranoid fear of his entire life. Family and friends standing around grieving, oblivious as we're lowered into the earth despite frantic attempts to make ourselves heard. '...and Chrome' is an unashamed motorcycle reference with all its born-to-be-wild, open air, high speed and freedom overtones. In a deliberate contrast to what went before it continues several of the same motifs though this time in the major key. Lastly, we reprise the second movement with '...as the Night Sky' which is simply the feeling of walking home under the summer stars, with someone important - who that is, is left to the listener, but a walk under the stars is always that bit special.There's an old saying that very few things are black and white. I hope this work will prove that even black alone isn't quite as simple as it's often made out....‘Rhapsody in Black’ is dedicated to the composer’s friend and mentor John Roberts, who shares his love of both brass and rock.

    Estimated delivery 10-14 days

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  • £59.95

    SYMPHONY OF MARCHES (Brass Band - Score and Parts) - Vinter, Gilbert

    Duration: 11:45 Includes: Maestoso; Grave; Brioso Recorded on Polyphonic QPRL068D Triumphant Rhapsody

    Estimated delivery 12-14 days
  • £29.95

    SYMPHONY OF MARCHES (Brass Band - Score only) - Vinter, Gilbert

    Duration: 11:45 Includes: Maestoso; Grave; Brioso Recorded on Polyphonic QPRL068D Triumphant Rhapsody

    Estimated delivery 12-14 days
  • £24.95

    VISIONS (Brass Band Extra score) - Price, Dan

    2015 National Championships Finals Testpiece - Fourth Section - Extra score only. Visions paints an historical musical portrait of the small town of Briton Ferry (Llansawel) on the mouth of River Neath, South Wales. The area was heavily developed during the industrial revolution and became an important location for steel and tin plate production. Although written as a continuous piece of music, the work is divided into four sections; Briton Ferry, Brunel's Vision, Giant's Grave and Hen Gastell.

    Estimated delivery 12-14 days