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  • £38.50

    Gospel Brass Machine

    A funky upbeat piece that will go down a storm with both band and audience alike.Mark Taylor wrote the trumpet feature Scream Machine for a vinyl album of the same name released in 1985 by the Army Blues Jazz Ensemble. Featuring four 'screamer' trumpet parts, it was later published in a slightly simpler version called Brass Machine. This arrangement for brass band includes a middle gospel section.

    Estimated dispatch 7-14 working days
  • £34.95

    La fe es la Victoria (Brass Band - Score and Parts)

    La fe es la victoria was written for the USA Southern Staff Band and premiered on its tour of the UK in 2018. It is based on the well-known gospel song Faith is the victory (S.A.S.B. 919) and this salsa-style arrangement is meant to express the believer's joy in knowing that faith in Jesus is the 'glorious victory that overcomes the world'.

    Estimated dispatch 7-14 working days
  • £44.95

    Deep River (Eb Solo with Low Brass Ensemble - Score and Parts)

    Solo for Eb Bass with Low Brass Ensemble (Euphoniums 1 & 2, Eb Bass 2 and Bb Bass 1 & 2)Deep River is one of the best known of the spirituals originating among the enslaved Africans in the United States during the 18th and 19th centuries. Although primarily expressions of religious faith, spirituals were also veiled protest songs, the sense of oppression conveyed in the lyrics being clear to present day performers:Deep River,My home is over Jordan.Deep River, Lord.I want to cross over into campground.Oh, don't you want to go,To the Gospel feast;That Promised Land,Where all is peace?(Includes treble and bass clef parts)

    Estimated dispatch 7-14 working days
  • £69.95

    Transformation (Brass Band - Score and Parts)

    I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.

    Estimated dispatch 7-14 working days
  • £30.00

    Hot Gospel - Various

    Tim Paton has creatively arranged for brass band this selection of familiar hymns/religious songs to create a 5-movement, gospel-styled work. With features for soloists across the band and a great mix of styles including swing, traditional jazz, blues, and calypso, this makes for a versatile concert feature either as a complete piece piece (9 minutes); using the alternative optional cuts (4.5 minutes); or simply by cherry-picking the individual movements in order to spotlight the different styles/melodies/soloists of your choice.With solo features in each section, the piece includes:The Church's One Foundation - Swing version with Tenor Horn soloNearer My God To Thee - Traditional jazz style with Cornet soloThe Old Rugged Cross - Bluesy with Flugel soloHow Great Thou Art - Calypso with Euphonium soloJust A Closer Walk With Thee - Finale with jazzy Trombone soloTim comments:The community gospel choir sound has become very popular in recent years. "Hot Gospel" is my attempt to capture this charismatic experience in a medley of well known sacred music. Each of the five songs chosen follows a similar pattern - a verse for full band followed by a solo, and all solos are intended to sound like improvisation.I've included Optional Cuts which would reduce the play length from c. 9 minutes, down to approximately 4.5 mintues, should your concert programming not allow for the full version. The optional cuts simply side-step the solo section of each song.However you wish to perform Hot Gospel, it will definitely bring variety to programme choice.Also available for wind/concert band.

    Estimated dispatch 7-14 working days
  • £34.95

    HIS EYE IS ON THE SPARROW (Tenor Horn Solo with Brass Band Set) - Leonard Ballantine

    A traditional gospel spiritual originally written in 1905 by Civilla D. Martin and Charles H. Gabriel, the song is most associated with actress-singer Ethel Waters. The song has been covered extensively in gospel music, with notable versions by Shirley Caesar, Marvin Gaye, Kirk Franklin and the Family, Lauryn Hill and Tanya Blount (from Sister Act 2), Mahalia Jackson, Sister Rosetta Tharpe, Dottie West, Barbara Mandrell and Jessica Simpson.

    Estimated dispatch 7-14 working days
  • £34.95

    His Eye Is On The Sparrow (Tenor Horn Solo with Brass Band - Score and Parts)

    A traditional gospel spiritual originally written in 1905 by Civilla D. Martin and Charles H. Gabriel, the song is most associated with actress-singer Ethel Waters. The song has been covered extensively in gospel music, with notable versions by Shirley Caesar, Marvin Gaye, Kirk Franklin and the Family, Lauryn Hill and Tanya Blount (from Sister Act 2), Mahalia Jackson, Sister Rosetta Tharpe, Dottie West, Barbara Mandrell and Jessica Simpson.

    Estimated dispatch 7-14 working days
  • £17.50

    His Eye Is On The Sparrow (Tenor Horn Solo with Brass Band - Score only)

    A traditional gospel spiritual originally written in 1905 by Civilla D. Martin and Charles H. Gabriel, the song is most associated with actress-singer Ethel Waters. The song has been covered extensively in gospel music, with notable versions by Shirley Caesar, Marvin Gaye, Kirk Franklin and the Family, Lauryn Hill and Tanya Blount (from Sister Act 2), Mahalia Jackson, Sister Rosetta Tharpe, Dottie West, Barbara Mandrell and Jessica Simpson.

    Estimated dispatch 7-14 working days
  • £44.95

    Symphonic Rhapsody for Euphonium (Brass Band - Score and Parts) - Gregson, Edward

    The Symphonic Rhapsody was published in 1976, although the genesis of the piece dates back to the early '60s when I was a teenager and played the euphonium in a Salvation Army band. The work incorporates an old gospel song - 'So we'll roll the old chariot along' - into a symphonically structured form. Motifs from the gospel song permeate the rest of the musical material so that the work hopefully has a unified whole. The 'variations' are less actual variations on the tune itself, but more a comment on certain melodic aspects.Although the writing is naturally virtuosic in a way which is obvious for such a solo instrument within the brass band, it never the less unfolds many more lyrical aspects of the instrument's capabilities. Towards the end of the piece the tune is heard once again in its full version, leading to a coda where the euphonium takes centre stage in a bravura manner.- Edward GregsonDuration: 10.00

    Estimated dispatch 7-14 working days

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  • £20.00

    SALT OF THE EARTH, GOSPEL (Euphonium Solo with Brass Band Parts)

    Brass Band parts only, solo part not included - available separately. 'Salt of the Earth Gospel' is a new arrangment for Solo Euphonium and Brass Band of the second movement of the Concerto for Tuba 'Salt of the Earth'. It is a seven-bar melody that is passed around different soloists whilst the solo euphonium weaves in and out of the melody in an almost improvisatory way. Tension is created by a gradual dynamic build with an ensemble release before the soloist gently brings the piece to rest. Dur: 4:30

    Estimated dispatch 7-14 working days

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