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  • £68.00

    Nearer, My God, To Thee - Lowell Mason & James L. Stevens - Mike Kilmartin

    Nearer, My God, To Thee - Lowell Mason & James L. Stevens - arr. Mike Kilmartin - 3'00'' - BVT119 “Nearer, My God, to Thee” is a 19th-century Christian hymn which retells a story from ‘Genesis’: "So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it..."The hymn was also used by other composers like Carl Nielsen and Charles Ives, and was played by the string ensemble on the movie ‘Titanic’ when the vessel sank.This arrangement is based on the beautiful BYO choir version and Mike Kilmartin did a great job making a lovely band version of it.

    Estimated delivery 10-14 days

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  • £125.00

    Raveling, Unraveling - Philip Sparke

    WINNING PERFORMANCE EBBC LILLE 2016 Raveling, Unraveling - In Search of 'La Valse' was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke's The Unknown Journey (2014) for concert band, and the use of Ravel's La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke's aim was to produce a work that is organic rather than episodic in nature. The composer's view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunningclosing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.

    Estimated delivery 10-12 days

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  • £20.00

    Nimrod - Edward Elgar - Phillip Littlemore

    Elgar wrote his Enigma Variations between 1898 and 1899. It is without a doubt Elgar’s best-known large scale composition, and is dedicated to ‘my friends within’, as each variation is an affectionate portrayal of one of his circle of close acquaintances. The ninth variation, Nimrod, is dedicated to Augustus J. Jaeger, Elgar’s publisher at Novello & Co. and also his editor and close friend. The name of the variation refers to ‘the mighty hunter before the Lord’ and can be found in the Book of Genesis. The name J?ger is German for hunter. Often used for solemn occasions, it is the most poignant and beautiful pieces of British music. Nimrod is recorded by the Leyland Band on the CD Crown Imperial conducted by Thomas Wyss. A soundclip of the music can be found here Item Code: TPBB-026 Duration: c.3'00"

  • £49.50

    Peniel - Ball, E

    This work is not intended to actually portray in music the events described in Genesis, Chapter 32, although the varying moods were evoked by a re-reading of the story. However, the following sequence of ideas may sometimes prove useful in presenting the work to audiences.Under Divine compulsion, Jacob sets out with Family, retainers, servants and cattle, to return to his homeland (Introduction and Sections 1 – 3).He is brought news of possible attack by his estranged brother Esau (Sections 4 – 6).Jacob seeks guidance in a lone vigil and, wrestling with a divine visitor, at last wins acceptance at the place he names Peniel—The Prince of God. He goes forward with his people and becomes reconciled with Esau (Section 12 to the end).Eric BallDuration 9 mins

    Estimated delivery 3-5 days

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  • £121.00

    Raveling, Unraveling - Philip Sparke

    Raveling, Unraveling – In Search of ‘La Valse’ was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille.The piece found its genesis in Sparke’sThe Unknown Journey (2014) for concert band, and the use of Ravel’s La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke’s aim was to produce a work that is organic rather than episodic in nature. The composer’s view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunningclosing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.

    Estimated delivery 12-14 days