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  • £54.95

    Cornish Pastiche (Brass Band - Score and Parts) - Wiffin, Rob

    A three movement suite depicting aspects of Cornish life and culture.The first movement, Sea Shanties, uses two contrasting call-and-response melodies. The second of these is playful in nature and appears in a number of guises, some more discordant than others, reflecting the crew's use of the shanty to let the captain know what they thought of him! Having passed by, the ship disappears into the sea mist. Laments were traditionally reserved for occasions of the death of a member of the clan. In forming the melody for Celtic Lament I had in mind the type of sorrowful song that would suite the elegiac nature of such an occasion.The last movement of the suite attempts to catch the spirit of the Furry Dance, the ancient dance that heralds the coming of spring. It resembles a farandole but is probably better described as an unashamed romp.My intention was to make Cornish Pastiche readily accessible to both players and listeners. The language is unashamedly tonal but is treated with some harmonic twists to add occasional piquancy. The technical demands on the players are meant to be moderate but conductors and players are asked to observe the different layers, especially in the Basse Dance, and not overload the texture with over-zealous weight on the melodic line.- Rob WiffinDuration: 11.15

    Estimated dispatch 7-14 working days

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  • £72.99

    English Dances, Set 1, Op.27: No.1, Andantino (Brass Band - Score and Parts) - Arnold, Malcolm - Farr, Ray

    English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvovk's Slavonic Dances and Bartk's Romanian Folk Dances. The premire took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £95.00

    Concertante (Piano Solo with Brass Band - Score and Parts) - Gregson, Edward

    This work was written in 1966, when I was a student at the Royal Academy of Music in London. It was the first major work to be written for this combination. The Concertante is unashamedly romantic in idiom and is cast in three movements: Prelude, Nocturne and Rondo.The Prelude is in sonata form with a contracted recapitulation. There are two main themes, the first announced after the opening flourish on piano. The second theme is lyrical in character and the interplay between these two themes forms the main focus of the movement.The pensive Nocturne opens with an introduction from the band which contains hints of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'blues' character in its flattened third and seventh notes of the scale. The band enters with the chorale theme already heard in the introduction. Eventually the first theme returns, this time from piano and band and building to a powerful climax before subsiding to a peaceful ending.The Rondo is full of energetic rhythms and changing time patterns. The main theme is 'giocoso' in character and in the first episode there is more than a hint of the tune 'Onward Christian Soldiers' in what amounts to a good humoured parody. Before the final coda there is a long piano cadenza underlying the virtuoso element of the work.The work had a number of public performances leading up to a memorable one in the Royal Albert Hall in 1989 as part of the Gala Concert that used to be held after the National Brass Band Championship in the Royal Albert Hall. That year, the 'centre band' in the massed bands concert were the GUS Band (then known for sponsorship reasons as 'Rigid Containers Group Band'!) conducted by my great friend and champion, Bramwell Tovey, with myself as the soloist.- Edward GregsonDuration: 18.00

    Estimated dispatch 7-14 working days

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  • £35.00

    Concertante (Piano Solo with Brass Band - Score only) - Gregson, Edward

    This work was written in 1966, when I was a student at the Royal Academy of Music in London. It was the first major work to be written for this combination. The Concertante is unashamedly romantic in idiom and is cast in three movements: Prelude, Nocturne and Rondo.The Prelude is in sonata form with a contracted recapitulation. There are two main themes, the first announced after the opening flourish on piano. The second theme is lyrical in character and the interplay between these two themes forms the main focus of the movement.The pensive Nocturne opens with an introduction from the band which contains hints of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'blues' character in its flattened third and seventh notes of the scale. The band enters with the chorale theme already heard in the introduction. Eventually the first theme returns, this time from piano and band and building to a powerful climax before subsiding to a peaceful ending.The Rondo is full of energetic rhythms and changing time patterns. The main theme is 'giocoso' in character and in the first episode there is more than a hint of the tune 'Onward Christian Soldiers' in what amounts to a good humoured parody. Before the final coda there is a long piano cadenza underlying the virtuoso element of the work.The work had a number of public performances leading up to a memorable one in the Royal Albert Hall in 1989 as part of the Gala Concert that used to be held after the National Brass Band Championship in the Royal Albert Hall. That year, the 'centre band' in the massed bands concert were the GUS Band (then known for sponsorship reasons as 'Rigid Containers Group Band'!) conducted by my great friend and champion, Bramwell Tovey, with myself as the soloist.- Edward GregsonDuration: 18.00

    Estimated dispatch 7-14 working days

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  • £44.95

    Endeavour (Brass Band - Score and Parts) - Cordner, Martin

    Originally written for the USA Eastern Territory 'Future all-stars' programme, this work is abounding in energy and drive. The?contemporary song 'I'll do my best' is complemented by the more traditional 'Mercy still for me'.

    Estimated dispatch 7-14 working days
  • £22.50

    Endeavour (Brass Band - Score only) - Cordner, Martin

    Originally written for the USA Eastern Territory 'Future all-stars' programme, this work is abounding in energy and drive. The?contemporary song 'I'll do my best' is complemented by the more traditional 'Mercy still for me'.

    Estimated dispatch 7-14 working days
  • £34.95

    The Adventurers (Brass Band - Score and Parts) - Cordner, Martin

    The Adventurers was commissioned by Hempstead Citadel Band (USA) for its anniversary celebrations in 2013. With a respectful nod to film music composers such as Broughton and Williams The Adventurers portrays, in an action movie style, the joys and challenges of the Christian journey. In three movements, it features familiar songs; He leadeth me! O bless?d thought; By his hand (an acknowledgement to composer and songwriter Thomas Mack who is a long-serving member of Hempstead Citadel Band); and Lead me, lest I stray. The message of the music is clear: that in order for life to be lived as an adventure, it is best walked with and ed by Jesus Christ, the ultimate adventure-maker.

    Estimated dispatch 7-14 working days
  • £17.50

    The Adventurers (Brass Band - Score only) - Cordner, Martin

    The Adventurers was commissioned by Hempstead Citadel Band (USA) for its anniversary celebrations in 2013. With a respectful nod to film music composers such as Broughton and Williams The Adventurers portrays, in an action movie style, the joys and challenges of the Christian journey. In three movements, it features familiar songs; He leadeth me! O bless?d thought; By his hand (an acknowledgement to composer and songwriter Thomas Mack who is a long-serving member of Hempstead Citadel Band); and Lead me, lest I stray. The message of the music is clear: that in order for life to be lived as an adventure, it is best walked with and ed by Jesus Christ, the ultimate adventure-maker.

    Estimated dispatch 7-14 working days
  • £43.00

    Fugatango (Brass Band - Score and Parts) - Waterman, Steve

    Composer and Internationally reknown jazz trumpeter Steve Waterman writes... "When Roger Argente approached me to write a composition for his Spanish flavoured brass project he made the suggestion that a Tango, although more Argentinian than Spanish, would fit in well with the overall concept. I have always been a very big fan of the music of Argentinian composer Astor Piazzolla and particularly the way that the Tango could be combined with jazz. A favourite recording of mine is of Piazzolla himself performing (on the bandoneon) with the jazz saxophonist Gerry Mulligan. As the composing progressed, a fugato also emerged hence the title Fugatango." Originally "Fugatango" featured a french horn improvised introduction section. This new brass band version allows the flugelhorn to enjoy the moment with a wonderful 8 bar solo section, now notated. Later in the work the solo trombone is given a solo section. Duration: 5.30. Suitable for 3rd Section Bands and above.

    Estimated dispatch 7-14 working days
  • £44.95

    Joy Through The Ages (Brass Band - Score and Parts) - Evans, Howard J.

    This work was written for the 125th anniversary of Boscombe Band, celebrated in November 2011, and is the title track of the band' album released in the same year. The music is celebratory in nature and is dedicated to all those who have served in the band during its 125 year history. The theme of the work is a song by Charles Hutchison Gabriel which was the favourite of the band's librarian, Gerald Whittingham, who was 'promoted to Glory' after a long battle with a brain tumour. The title comes from the last verse, 'When with the ransomed in Glory, his face I at last shall see, 'twill be my joy through the ages, to sing of his love for me'.

    Estimated dispatch 7-14 working days