Results
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£45.00Diversions after Benjamin Britten (Brass Band - Score only)
Suite by Lucy Pankhurst, Simon Dobson, Paul McGhee and Gavin HigginsHaving devised a collective centenary tribute for Michael Tippett at the 2006 RNCM Festival of Brass (Variations on a Theme of Michael Tippett by five eminent composers of brass band music, PHM002), I commissioned this companion piece as a Benjamin Britten tribute for the 2013 festival. In the late 1970s, while researching a book about the English composer, and Britten's first teacher, Frank Bridge (1879 - 1941), I came across a copy of the printed score of Benjamin Britten's Variations on a Theme of Frank Bridge (Op.10) for string orchestra, in which Britten had written descriptive titles for each of the variations suggesting appropriate character traits of his much loved mentor and guide. The character variations are cast in march, song and dance forms.Taking inspiration from Britten's youthful tribute, I invited four award-winning composers, who have all made significant contributions to the brass band medium, to create their own personal reflections on four aspects of Britten's character and music, designed to form a suite of Diversions after Benjamin Britten, but which can also be played separately.Lucy Pankhurst's hauntingly lyrical Prelude: His Depth refers to the emotional and symbolic subtexts that underpin Britten's operas, taking its musical cue from Britten's many arrangements of folk songs. The flugel horn takes a prominent role throughout.Simon Dobson's breathless Scherzo: His Vitality reminds us with its rapid passage work and leaping bass 'groove' that Britten loved tennis and fast cars in his younger days.Paul McGhee's evocative interpretation of the March: His Sympathy represents Benjamin Britten's pacifism, as the composer writes: 'We view the music through the eyes of a pacifist. Whilst war and violence surround us, we do not engage in it and though it continues to happen around us. With the use of muted effects in most of the band throughout the piece, the flugel horn is the lone voice of reason, standing firm against the mechanical and destructive society in which it is forced to live. As the machine of war continues around the lone voice, the voice is gradually dismissed and mocked as the war machine rumbles on into the distance.'In an extended finale, entitled Toccata: His Skill, Gavin Higgins celebrates Benjamin Britten's consummate creativity. For the RNCM Festival of Brass premiere, the four contrasting movements were framed and connected by Britten's Fanfare for St. Edmundsbury for three trumpets, with the trumpet soloists spaced round the hall. I am grateful to the Britten Estate and publishers Boosey & Hawkes for giving permission for the elements of Britten's fanfare to be incorporated in the collective work.- Paul HindmarshDuration: 19.30
Estimated dispatch 7-14 working days
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£14.75Jingle Boogie-Woogie Bells (Brass Band - Ukraine Charity Release) Ovcharenko
This piece was arranged by Halyna Ovcharenko, a Ukrainian composer who was born in Lugansk, a Ukrainian city that is currently under occupation by the Russian Federation. All the proceeds from this sale will go towards the 'A family for every orphan' appeal, which is providing emergency relief services to thousands of children and families in Ukraine. For more information about the charity please visit https://afamilyforeveryorphan.org/ukraine/ Halyna Ovcharenko has been composing music since she was 11. Many of her compositions of various genres have received international awards, but she discovered the world of brass band music with its specific timbre and huge range of musical colors only recently, in 2022, while composing her Vyshyvanka for Grimethorpe Colliery Band. Halyna comments: "I enjoyed my experience. Since then I have had an appetite to write more for brass bands, and here we are - an arrangement of a traditional English Christmas song which I have done especially to raise money for Ukrainian orphans. Their heroic parents stood for my Lugansk, for our Ukraine and for the whole World. I hope that the World will make these children feel that they are not left alone, giving them love, care and joy." The picture on the front cover was drawn by Victoria Lebed, a Ukrainian girl. This PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£81.12All Tuned Up - 120 Famous Tunes for All Occasions (Brass Band Set-US Sizes) PDFs
This unique new resource from BrookWright Music will be an essential part of every band's library! All Tuned Up is designed to cater for ensembles for occasions throughout the year. Tunes are drawn from genres including Classical, Hymns, Folk and Patriotic amongst many others to form a comprehensive book that will cover a wide variety of events such as Weddings, Funerals, Graduation Ceremonies, Parties, Proms, Remembrance, Street Playing and Thanksgiving. Playable by as few as five players but also designed to work for full brass band or wind band, it features flexible parts in a wide variety of transpositions. These excellent arrangements have been expertly created by Andrew Wainwright, David E. Jones, Dean H. Jones and Steven Ponsford. The general harmonic format of All Tuned Up is in five parts, although additional notes have been included to thicken the harmony where more players are available. Therefore, the book will work equally well with larger groups, including full brass bands and wind bands. To view a promotional video please visit www.youtube.com/watch?v=nmodRrXQRRs At the end of the Part 1 Bb book are four a capela tunes for Remembrance/Memorial occasions. This PDF download is for US sizes: Full Score - Letter Size - 11" x 8.5" Band Parts - 7" x 5" Physical copies of the books available from: UK - Individual Books Full Set Brass Band Set USA - www.solidbrassmusic.com/product/all-tuned-up-ensemble-books The Brass Band set includes: Full Score Part 1 Eb (optional) - Soprano Cornet Eb Part 1 Bb - Cornet Bb, Flugel Part 2 Bb - Cornet Bb, Flugel Part 2 Eb - Tenor Horn Part 3 Bb - Baritone, Trombone, Euphonium Part 3 Eb - Tenor Horn Part 4 Bb - Euphonium, Baritone Part 5 C (Bass Clef) - Bass Trombone Part 5 Eb - Bass Eb Part 5 Bb - Bass Bb Percussion (optional) - Various
In Stock: Estimated dispatch 1-3 working days
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£30.00Concerto for Two Trumpets & Brass Band - Bb or Eb Duet & Brass Band Sheet Music Full Score & Parts- LM601
COMPOSER: Antonio VivaldiTRANSCRIBED : Daniel S. AugustineThe great duet from Vivaldi is now available for two players with brass band accompanimentThe soloists can be two Eb soprano cornets, 2 Bb Cornets or one of each.A chance to let your soloists shine with authentic backing transcribed from Vivaldi original score.Definitely one for your next concert.Concerto for Two Trumpets in C Major, double concerto for trumpets and strings byAntonio Vivaldi, one of the few solo works of the early 1700s to feature brass instruments. It is the only such piece by Vivaldi.The rarity of Vivaldi'sConcerto for Two Trumpetsstems from the difficulties inherent in the Baroque trumpet. At the time, trumpets were natural, or valveless. The instrument's range was quite restricted, and much depended on the performer's lip control, as with the modern bugle.As with the great majority of Vivaldi's concertos, this one begins with a quick and sparkling movement to catch the attention of the audience and to showcase the bright tones of the solo trumpets. This is followed by a languid and very brief second movement, with fanfare-like passages from the soloists overlaying sustained string tones. For the final movement, Vivaldi returned to brilliant mode with quick energy and intricate passages for the soloists.
In Stock: Estimated dispatch 3-5 working days
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£50.00Solemn Procession (Brass Band - Score and Parts) - Strauss, Richard - Hindmarsh, Paul
Richard Strauss (1864 - 1949) was a famous conductor and composer when he wrote Feierlicher Einzug der Ritter des Johanniter-Ordens (Solemn Entrance of the Knights of the Order of Saint John) in 1909. One of only a handful of his works written exclusively for winds, Strauss composed Feierlicher Einzug for the investiture ceremonies of the Order of St. John, a Christian military order that was founded in Jerusalem in 1023 to care for poor, sick, or injured pilgrims journeying to the Holy Land.Strauss scored Feierlicher Einzug (TrV 224) for a large ensemble of fifteen trumpets, four horns, four trombones, two tubas and timpani. He saw enough potential in its stately character and majestic conclusion to produce a version for symphony orchestra with organ and it has been arranged for a variety of brass ensembles with or without organ since then.This version for British style brass band was adapted from the original in 1990 by Paul Hindmarsh for the exclusive use of Besses o' th' Barn Band, of which he was then the musical director. Now that the music of Richard Strauss published in his lifetime is in the public domain, Solemn Procession, as it has been rendered in English, can be enjoyed by all brass bands and their audiences.- Paul HindmarshDuration: 6.00
Estimated dispatch 7-14 working days
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£124.95Dynasty (Brass Band - Score and Parts) - Graham, Peter
Dynasty takes the form of a Symphonic Poem, a musical form first introduced to a contest audience at the Crystal Palace in 1913 by Percy Fletcher in his work Labour and Love.Using key passages from the autobiography of Harry Mortimer, On Brass, as the source for the narrative, the work opens with a four-note leitmotif (Harry's theme, "as if descending from the heavens"), and the timeline unfolds as follows:Harry - One's destiny decided at birth "I'll make him the best cornet player in England"War - Why do the nations so furiously rage together? Fred volunteers for military serviceTheatre - And suddenly "I dashed to the rescue like a hero in the silent movies I was about to get to know so well"Journey - Comfort Ye A new life and new challengesTogether - Come unto me "A golden age"Farewell - For behold, darkness "Fred's death surely marked the passing of an era"Amen - The Trumpet shall soundListeners familiar with brass band repertoire will recognise a few pertinent quotes within the piece.In my imagination Harry is joined by Fred on cornet and the euphoniums of Alex and Rex for the quartet cadenza from Sovereign Heritage by Jack Beaver in Together.The Amen section from Handel's Messiah provides the basis for a contrapuntal flight of fancy as the work moves towards a conclusion. Other less overt fragments contribute to the story.Dynasty was co-commissioned by the British Open Brass Band Championships for the September 2019 contest, and the Brass Band Committee VLAMO for the Belgian Brass Band Championships 2019.- Peter GrahamDuration: 17.00
Estimated dispatch 7-14 working days
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£95.00A Wartime Sketchbook (Brass Band - Score and Parts) - Walton, William - Hindmarsh, Paul
Early in 1941 William Walton, 39, received his call-up papers. He was by then one of the most eminent of British composers and was exempted from military service on condition that he provided music for films deemed to be of 'national importance'. Scoring Lawrence Olivier's Shakespeare epic Henry V in 1943 was the most substantial of these wartime projects. His role in patriotic films from 1941 and 42 like The Foreman went to France, Next of Kin, Went the day Well and The First of the Few was to provide appropriate title music and some underscoring at key moments. Walton extracted the most substantial portions of the latter as the popular Spitfire Prelude and Fugue for orchestra. The remaining music remained unpublished until 1990, when Christopher Palmer assembled the highlights into A Wartime Sketchbook. I was intrigued to hear these examples of Walton's wartime music and having discovered that they would fit naturally and idiomatically onto the brass band, I arranged six of the numbers into a suite for Besses o' th' Barn Band, which I was conducting at the time.In 1995 the brass band suite was recorded by the famous Black Dyke Mills Band as part of an all Walton album which I produced for the ASV label (ASV CD WHL 2093). This award- winning CD also included Walton's First Shoot, in the edition by Elgar Howarth, my transcription of movements from Music for Children and two substantial brass versions by Edward Watson of the suite from Henry V (with narrator) and the March and Siegfried Music from The Battle of Britain music.Prologue: This is the stirring title music from Went the day Well, a screen play by Graham Greene about a German airborne invasion of an English village. The main theme leads toBicycle Chase: Characteristic musical high-jinks for J.B.Priestley's The Foreman went to France.Refugees: From the same film, this is a poignant accompaniment to the long march of refugees. As Ernest Irving, the film's musical director, put it, "this really makes your feet sore and your knees sag."Young Siegfrieds: This lively movement comes from the music that Walton composed for The Battle of Britain in 1968, with the assistance of Malcolm Arnold, but which the film's producer rejected. It portrays first the Berliners, cheerfully ignoring the black-out and then, in the trio, the Young Siegfrieds of the Luftwaffe, courtesy of a parody of Siegfried's horn call from Wagner's opera.Romance: A soldier and a Dutch refugee snatch a few tender moments together in Next of Kin.Epilogue: At the end of The Foreman went to France, the French look forward with hope and optimism to eventual liberation.- Paul HindmarshDuration: 14.00
Estimated dispatch 7-14 working days
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£40.00
A Wartime Sketchbook (Brass Band - Score only) - Walton, William - Hindmarsh, Paul
Early in 1941 William Walton, 39, received his call-up papers. He was by then one of the most eminent of British composers and was exempted from military service on condition that he provided music for films deemed to be of 'national importance'. Scoring Lawrence Olivier's Shakespeare epic Henry V in 1943 was the most substantial of these wartime projects. His role in patriotic films from 1941 and 42 like The Foreman went to France, Next of Kin, Went the day Well and The First of the Few was to provide appropriate title music and some underscoring at key moments. Walton extracted the most substantial portions of the latter as the popular Spitfire Prelude and Fugue for orchestra. The remaining music remained unpublished until 1990, when Christopher Palmer assembled the highlights into A Wartime Sketchbook. I was intrigued to hear these examples of Walton's wartime music and having discovered that they would fit naturally and idiomatically onto the brass band, I arranged six of the numbers into a suite for Besses o' th' Barn Band, which I was conducting at the time.In 1995 the brass band suite was recorded by the famous Black Dyke Mills Band as part of an all Walton album which I produced for the ASV label (ASV CD WHL 2093). This award- winning CD also included Walton's First Shoot, in the edition by Elgar Howarth, my transcription of movements from Music for Children and two substantial brass versions by Edward Watson of the suite from Henry V (with narrator) and the March and Siegfried Music from The Battle of Britain music.Prologue: This is the stirring title music from Went the day Well, a screen play by Graham Greene about a German airborne invasion of an English village. The main theme leads toBicycle Chase: Characteristic musical high-jinks for J.B.Priestley's The Foreman went to France.Refugees: From the same film, this is a poignant accompaniment to the long march of refugees. As Ernest Irving, the film's musical director, put it, "this really makes your feet sore and your knees sag."Young Siegfrieds: This lively movement comes from the music that Walton composed for The Battle of Britain in 1968, with the assistance of Malcolm Arnold, but which the film's producer rejected. It portrays first the Berliners, cheerfully ignoring the black-out and then, in the trio, the Young Siegfrieds of the Luftwaffe, courtesy of a parody of Siegfried's horn call from Wagner's opera.Romance: A soldier and a Dutch refugee snatch a few tender moments together in Next of Kin.Epilogue: At the end of The Foreman went to France, the French look forward with hope and optimism to eventual liberation.- Paul HindmarshDuration: 14.00
Estimated dispatch 7-14 working days
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£80.00The Unfortunate Traveller (Brass Band - Score and Parts) - Holst, Imogen - Hindmarsh, Paul
Imogen Holst (1907-1984) submitted The Unfortunate Traveller (1929) as her final work as a student portfolio at the Royal College of Music, where her composition teacher was Gordon Jacob. The title was taken from Thomas Nashe's famous 1594 picaresque novel of the same title. The Suite was first performed on 12 February 1933 at her Majesty's Theatre, Carlisle, by the St. Stephen's Band, with the composer conducting. Te concert was given in memory of Holst's uncle, Dr. H.A. Lediard. Holst had been impressed with the band's performance of his A Moorside Suite at the 1928 National Brass Band Championships (The Crystal Palace, South London) and was keen to work with them. Writing in Imogen Holst, a life in music, Christopher Grogan indicates that it was Gustav Holst's suggestion to include his daughter's work in the programme, quoting Imogen Holst's remarks made in interview to The Daily Mail as follows: "....it is the first time, so far as I know, that a woman has conducted a brass band at a public concert....It has been a delight to rehearse the St. Stephen's Band. It was their performance at the Crystal Palace Festival that inspired me to write this Suite, which I have dedicated to them."Imogen Holst accompanied her father to the Crystal Palace in 1928 to hear the performances of A Moorside Suite, and was so excited by the played and, audibly, by her father's music that she decided to write a brass band piece for her final examination. Te result was The Unfortunate Traveller (1929). However, it was not possible for her to present a brass band work for examination. She arranged it for string orchestra so that it could be played before she left the RCM in July 1930. Following the premiere of the original in 1933, the manuscripts did not resurface until 1969 Imogen found them among her late mother's effects. Although she requested score and parts be destroyed, they ended up in the possession of Manchester composer John Golland, who marked up the score presumably with the intention of creating a new performing edition. The original scoring reveals a lack of experience with what can be a tricky medium.With the agreement of the Holst Foundation, a revised edition, with additional percussion, was prepared in 2011 since when the work has been fortunate to travel round the world as a concert and contest piece. The original includes drums in the March only. The title was taken from Tomas Nashe's famous 1594 picaresque novel of the same title. Several Morris Dance tunes are introduced during the course of the four short movements, including Bonnie Green Garters, Shepherd's Hey, The Rose and The Wind Blaws Cauld. Quirky twists and turns of harmony and spirited rhythms that remind us how much Imogen Holst loved tradition English dance music.In September 2025, I made a performing edition of the composer's arrangement for string orchestra. The manuscript lacks the final movement, which I arranged in a similar style, ie. without extending the upper ranges. Making this edition raised some issues regarding the accuracy of my band version and some of the solutions I used to smooth out the voicing. I have used the composer's second thoughts to refine my performing edition and to correct a textual errors.- Paul HindmarshDuration: 10.00
Estimated dispatch 7-14 working days
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£40.00
The Unfortunate Traveller (Brass Band - Score only) - Holst, Imogen - Hindmarsh, Paul
Imogen Holst (1907-1984) submitted The Unfortunate Traveller (1929) as her final work as a student portfolio at the Royal College of Music, where her composition teacher was Gordon Jacob. The title was taken from Thomas Nashe's famous 1594 picaresque novel of the same title. The Suite was first performed on 12 February 1933 at her Majesty's Theatre, Carlisle, by the St. Stephen's Band, with the composer conducting. Te concert was given in memory of Holst's uncle, Dr. H.A. Lediard. Holst had been impressed with the band's performance of his A Moorside Suite at the 1928 National Brass Band Championships (The Crystal Palace, South London) and was keen to work with them. Writing in Imogen Holst, a life in music, Christopher Grogan indicates that it was Gustav Holst's suggestion to include his daughter's work in the programme, quoting Imogen Holst's remarks made in interview to The Daily Mail as follows: "....it is the first time, so far as I know, that a woman has conducted a brass band at a public concert....It has been a delight to rehearse the St. Stephen's Band. It was their performance at the Crystal Palace Festival that inspired me to write this Suite, which I have dedicated to them."Imogen Holst accompanied her father to the Crystal Palace in 1928 to hear the performances of A Moorside Suite, and was so excited by the played and, audibly, by her father's music that she decided to write a brass band piece for her final examination. Te result was The Unfortunate Traveller (1929). However, it was not possible for her to present a brass band work for examination. She arranged it for string orchestra so that it could be played before she left the RCM in July 1930. Following the premiere of the original in 1933, the manuscripts did not resurface until 1969 Imogen found them among her late mother's effects. Although she requested score and parts be destroyed, they ended up in the possession of Manchester composer John Golland, who marked up the score presumably with the intention of creating a new performing edition. The original scoring reveals a lack of experience with what can be a tricky medium.With the agreement of the Holst Foundation, a revised edition, with additional percussion, was prepared in 2011 since when the work has been fortunate to travel round the world as a concert and contest piece. The original includes drums in the March only. The title was taken from Tomas Nashe's famous 1594 picaresque novel of the same title. Several Morris Dance tunes are introduced during the course of the four short movements, including Bonnie Green Garters, Shepherd's Hey, The Rose and The Wind Blaws Cauld. Quirky twists and turns of harmony and spirited rhythms that remind us how much Imogen Holst loved tradition English dance music.In September 2025, I made a performing edition of the composer's arrangement for string orchestra. The manuscript lacks the final movement, which I arranged in a similar style, ie. without extending the upper ranges. Making this edition raised some issues regarding the accuracy of my band version and some of the solutions I used to smooth out the voicing. I have used the composer's second thoughts to refine my performing edition and to correct a textual errors.- Paul HindmarshDuration: 10.00
Estimated dispatch 7-14 working days
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