Results
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£29.95Judd: Wade in the Water
Wade in the Water is a Negro Spiritual made popular in 1962 by the Ramsey Lewis Trio. Further versions followed in 1968 by Big Mama Thornton and in 1997 by Eva Cassidy. The song is thought to be a coded message for slaves escaping to freedom and tells the fugitive to walk in the water, instead of on the land, where tracking dogs cannot follow human scent. This version for brass band is in swing style.
Estimated dispatch 7-14 working days
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£35.00Ariel
DescriptionAll hail, great master! Grave sir, hail! I come To answer thy best pleasure, be 't to fly, To swim, to dive into the fire, to ride On the curled cloud. To thy strong bidding, task Ariel and all his quality. - William Shakespeare: The Tempest, Act 1, Scene 2Ariel was written for the Hammonds Band to open their programme at the 2019 Brass in Concert Championships at The Sage Concert Hall in Gateshead, where it received its premiere. The title is taken from the character in Shakespeare's play 'The Tempest'. Ariel is an immensely powerful "air spirit" or demon bound to serve Prospero, the exiled Duke of Milan, after being released by Prospero from imprisonment in a tree. In the play Ariel's magical abilities are used to help Prospero revenge himself on his enemies and reclaim his dukedom, whereupon Ariel finally regains his freedom.You can hear an audio preview and follow the score below: Performance notes:The cornets and horns are split into two "choirs" to be placed left and right of the band. It may be possible for the choirs to play their opening flourish offstage, and the optional repeated sections in the opening are to accommodate stage movement if required. Trombones form a third "choir" which should ideally stand centrally between basses and percussion, and the euphoniums and baritones should sit in front of the basses. The work requires four percussionists, although if four are not available the 2nd part may be omitted.Percussion 1: Kit - bass drum, snare, 3 x toms, hi-hat, suspended cymbal - and 3 x temple blocksPercussion 2: Tam tam and orchestral bass drum.Percussion 3: Glockenspiel and timpaniPercussion 4: Tubular bellsSoprano, solo cornets and 3rd cornets require cup mutes. Solo trombone requires a cup mute, second trombone requires a metal straight mute.
Estimated dispatch 7-14 working days
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£29.95
WADE IN THE WATER (Brass Band Set) - Leonard Ballantine
Wade in the Water is a Negro Spiritual made popular in 1962 by the Ramsey Lewis Trio. Further versions followed in 1968 by Big Mama Thornton and in 1997 by Eva Cassidy. The song is thought to be a coded message for slaves escaping to freedom and tells the fugitive to walk in the water, instead of on the land, where tracking dogs cannot follow human scent. This version for brass band is in swing style.
Estimated dispatch 7-14 working days
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£30.00Eriskay Love Lilt (with brass band) - Trad
Eriskay Love Lilt is a traditional Gaelic melody from the Western Isles of Scotland, sensitively arranged here by Andrew Duncan as a cornet solo with brass band accompaniment.This arrangement was written in 2001 for Phillip McCann and was first played by him with the Hepworth Band at the 2002 Leek Music Festival in Derbyshire, England. It has also since been recorded by Eleanor Ferguson with the Whitburn Band on Reflections of Freedom.Andrew Duncan comments: The Isle of Eriskay (Eirisgeigh) lies forty miles off the North West coast of Scotland in the North Atlantic. It is a small island, only two kilometres square and lies between the larger islands of South Uist and Barra. Eriskay is one of the islands which form the archipelago known as the Western Isles or Na h-Eileanan an Air. The Eriskay Love Lilt is a hauntingly beautiful tune which is typical of the greater number of traditional Gaelic melodies in that it is largely based on the Aeolian mode, the black notes on the piano.Also available with piano accompanimentor as a solo with brass ensemble (10-piece).
In Stock: Estimated dispatch 3-5 working days
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£76.99
The Universal Band Collection - Jacob de Haan
A collection of 5 short works in pop style which can be performed by any kind of compilation. The titles can be presented on the programme as separate works but the Universal Band Collection can also be performed as a complete suite. From a didactic point of view it is a suitable work to teach musicians something about the structure in music. For this purpose not only the big structure but also the small structure was kept very clear.Western Girl : A girl from the west of the USA rides her horse across the prairie, dreaming of her future. The rough structure: introduction - theme in a blues scale - the same thing in a different instrumentation - finale.Just a ballad : A balladin pop style with a rough A-B-A form. First there is the introduction of the main theme (A), then follows a tenor melody in minor with a rhythmical reference to the main theme (B). Finally there is the main melody, performed tutti with a different rhythm in the drums (A').Play the Game : An English saying meaning: play fairly. Playful music in up-tempo with a wink to China, where almost all games are manufactured nowadays. Once again an A-B-A structure here.San Diego : A Mexican fugitive enjoys his freedom in America but also remembers his place of birth with melancholy. A sad minor melody with a straight trendy beat appears twice. The second time it has a slightly different instrumentation, in which the muted trumpets represent the Mexican feeling.Final Dance : Eventually there is a dance with an introduction in renaissance style, followed by a fast dance in rock style. All this composed in a classical song structure: introduction, verse, bridge, chorus, shortened verse, bridge, chorus, chorus.
Estimated dispatch 5-14 working days
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£54.99Air & Calypso - Patrick Millstone
A classic melody with Latin-American overtones and numerous changes of tempo. This composition gives the conductor freedom to bring in various percussion instruments, is wonderful for creating a mood and the orchestration is full of stunning effects. Music that is a pleasure to play!
Estimated dispatch 5-14 working days
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£54.99Here comes Bobby the Bear - Andreas Ludwig Schulte
Rock music is always a success. And when it is supported verbally as it is done in this composition, the party can begin. Bobby is a friendly circus animal that has seen a lot of the world. There is nothing left to wish for and his freedom from worries radiates from this rock march by Andreas Ludwig Schulte.
Estimated dispatch 5-14 working days
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£60.99Playground - Dagmar Kildevann
In this composition the composer gives an impression of the village square where all the young people gather. In four movements he takes us along to his home town: 1. Folkdance - Moments of happiness, freedom from worries and optimism 2. Sunday Afternoon - a musical picture of a quiet day 3. Hide 'n Seek - time for sports and games 4. Saturday Night Fever - the sounds of a Saturday can also be heard on the square
Estimated dispatch 5-14 working days
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£124.95Diary of a Madman (Twenty-Fourth February) (Brass Band - Score and Parts) - Clarke, Nigel
From the beginning of history, warlords, emperors and dictators have risen up, some benign but many of them a scourge on humanity. Names that resonate to this day include Julius Caesar, Caligula, Genghis Khan, Ivan IV (The Terrible), Attila the Hun, Vlad IV (The Impaler), Hitler, Stalin, Mao Zedong, Pol Pot, all of whom were responsible for wanton destruction and the torture and death of millions of victims, either citizens of invaded countries and territories and or indeed, their own peoples.Diary of a Madman starts with a light-hearted march that gives the impression of toy tin soldiers parading in a brightly-coloured ceremonial pageant from a fairy tale, conveying peace and innocence. This spectacle is abruptly interrupted by a 'shock and awe' fanfare-like march, symbolising aggression and war. This theme grinds slowly to a halt, and an atmosphere of introspection, sadness and despair takes over. Rising above the smoky theatre of war, we then hear a distant cornet give a rendition of the Ukrainian Nation Anthem (The glory and freedom of Ukraine has not yet perished. Luck will still smile on us brother-Ukrainians). The solo cornet soon enters a fragile duet with a second cornet accompanied by dark undertones. One by one, we hear short shards of aggressive fanfare-like figures from various instruments in the band. The mood breaks - we hear strident fortissimo whole-tone scales representing pealing church bells, warning of danger. In contrast, we also hear pianissimo whole-tone scales announcing that the enemy's troops are falling back. A counter-offensive soon takes centre stage, and battles and skirmishes are heard, with short quotations from Mussorgsky's `Great Gates of Kyiv' symbolising the defenders' heroic struggle.All sides are victims of the Dictator's ambition! The slow central section offer us moments of melancholic beauty and utilises Henry Purcell's `When I am laid in earth' (`Dido's Lament' from Dido and Aeneas 1688). This music represents the loss of homes, dignity and loved ones. There are occasional hints at better times as the theme of the parading toy tin soldiers is heard from afar, like a distant memory.To announce the final push, we hear a church bell strike and an air raid siren signalling a ferocious musical counter-attack. After one final rendition of the Purcell theme, Diary of a Madman closes with a mood of triumph over tyranny.- Nigel Clarke
Estimated dispatch 7-14 working days
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£57.95
Diary of a Madman (Twenty-Fourth February) (Brass Band - Score only) - Clarke, Nigel
From the beginning of history, warlords, emperors and dictators have risen up, some benign but many of them a scourge on humanity. Names that resonate to this day include Julius Caesar, Caligula, Genghis Khan, Ivan IV (The Terrible), Attila the Hun, Vlad IV (The Impaler), Hitler, Stalin, Mao Zedong, Pol Pot, all of whom were responsible for wanton destruction and the torture and death of millions of victims, either citizens of invaded countries and territories and or indeed, their own peoples.Diary of a Madman starts with a light-hearted march that gives the impression of toy tin soldiers parading in a brightly-coloured ceremonial pageant from a fairy tale, conveying peace and innocence. This spectacle is abruptly interrupted by a 'shock and awe' fanfare-like march, symbolising aggression and war. This theme grinds slowly to a halt, and an atmosphere of introspection, sadness and despair takes over. Rising above the smoky theatre of war, we then hear a distant cornet give a rendition of the Ukrainian Nation Anthem (The glory and freedom of Ukraine has not yet perished. Luck will still smile on us brother-Ukrainians). The solo cornet soon enters a fragile duet with a second cornet accompanied by dark undertones. One by one, we hear short shards of aggressive fanfare-like figures from various instruments in the band. The mood breaks - we hear strident fortissimo whole-tone scales representing pealing church bells, warning of danger. In contrast, we also hear pianissimo whole-tone scales announcing that the enemy's troops are falling back. A counter-offensive soon takes centre stage, and battles and skirmishes are heard, with short quotations from Mussorgsky's `Great Gates of Kyiv' symbolising the defenders' heroic struggle.All sides are victims of the Dictator's ambition! The slow central section offer us moments of melancholic beauty and utilises Henry Purcell's `When I am laid in earth' (`Dido's Lament' from Dido and Aeneas 1688). This music represents the loss of homes, dignity and loved ones. There are occasional hints at better times as the theme of the parading toy tin soldiers is heard from afar, like a distant memory.To announce the final push, we hear a church bell strike and an air raid siren signalling a ferocious musical counter-attack. After one final rendition of the Purcell theme, Diary of a Madman closes with a mood of triumph over tyranny.- Nigel Clarke
Estimated dispatch 7-14 working days
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