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  • £30.00

    The Djebels - Ian Vlemmiks

    Brass Band - Soprano Cornet, Solo Cornet, Repiano Cornet/Flugelhorn, 2nd Cornet, 3rd Cornet, Flugelhorn, Solo Horn, 1st Horn, 2nd Horn, 1st Baritone, 2nd Baritone, 1st Trombone, Bass Trombone, 2nd Trombone, Euphonium, Eb Bass, Bb Bass, Bass Drum, Side Drum. A rousing opening section with impressive countermelodies lead to a middle section in the relative major. Here, the tune is put into the bass parts with some interjections from the upper parts. The final section is a stately chorale reminiscent of Elgar at his finest! Straightforward phrasing and relatively straightforward parts make this accessible to the majority of bands.

    Estimated delivery 10-14 days
  • £33.95

    Softly, As I Leave You - Alfred de Vita arr. Alan Catherall

    Made popular by many singers over the years, this lovely song was first arranged for the Childs brothers as a solo, and later a duet, by Alan Catherall. It was first performed in the duet version at the Royal Albert Hall, London, in October 1985, conducted by their late father, John Childs. Also available with piano Brass Band Set comprises: Detailed condensed conductor score Solo B-flat Euphonium B-flat Euphonium Duet (2) E-flat Soprano Cornet Solo B-flat Cornet (4) 2nd B-flat Cornet (2) 3rd B-flat Cornet (2) B-flat Flugelhorn* Solo E-flat Horn* 1st E-flat Horn* 2nd E-flat Horn 1st B-flat Baritone 2nd B-flat Baritone 1st B-flat Trombone 2nd B-flat Trombone Bass Trombone B-flat Euphonium (2) E-flat Bass (2) B-flat Bass (2) 1st Percussion 2nd Percussion 3rd Percussion (Drum Kit) * Alternative parts for use as solo or duet provided. There is no Repiano Cornet part.

    Estimated delivery 7-10 days
  • £39.99 £39.99
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    Dardanella | Bernard & Black arr. Dario Salvi

    'Oh Sweet Dardanella, I love your harem eyes. I'm a lucky fellow, to capture such a prize'Dardanella was written in 1919 and became one of the most popular songs of the 1920's selling 13 million copies, going on to become a huge jazz standard covered by the likes of Louis Armstrong and Bing Crosby amongst others.This arrangement for Brass Band by Dario Salvi takes us back to the most famous version of 1920 sung by Vernon Dalhart and Gladys Rice, where the opening calls to mind the sounds of a fairground.Dario's arrangement moves between styles with an almost clockwork sound at one point changing to laid back swing beat at another, all supporting this cheerful melody. An excellent programme filler.Instrumentation:Soprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd Baritone1st, 2nd and Bass TromboneSolo and 2nd EuphoniumEb and Bb BassesPercussion parts:Drum KitXylophoneISMN: 979-0-708127-87-1

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  • £29.99 £29.99
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    Gymnopedie No 1 | Satie arr. Leigh Sharpe

    The Gymnopedies by Erik Satie are three piano compositions of extraordinary beauty. Gentle, eccentric pieces which defied the classical tradition. The name Gymnopedie is thought to be a reference to Satie’s joke at a party when, concerned by his lack of formal qualifications, on being asked his profession, he replied Gymnopaedist – which means – ‘naked athlete’.Instrumentation:Soprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st Baritone1st, 2nd and Bass TromboneSolo and 2nd EuphoniumEb and Bb BassesPercussion parts:1: Glockenspiel2: CymbalsISMN: 979-0-708127-86-4

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  • £34.99 £34.99
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    La Calinda | Delius arr. Leigh Sharpe

    Taken from the opera ‘Koanga’ by Frederick Delius. Koanga is the hero of the opera, an African prince and voodoo priest stolen away and now working as a slave on a Mississippi plantation who falls in love with a fellow slave; Palmyra.This piece is a faithful arrangement of Delius’s masterpiece for Brass Band, and features a well loved and catchy lyrical theme. La Calinda is not a simple piece to play, but well worth investing in.An excellent concert piece.Instrumentation:Soprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd Baritone1st, 2nd and Bass TromboneSolo and 2nd EuphoniumEb and Bb BassesTimpaniPercussion:1.Tambourine, Floor Tom2.Glockenspiel3.VibraphoneISMN: 979-0-708127-91-8

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  • £29.99 £29.99
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    Marble Halls | Balfe arr. Kevin Bell

    ‘I Dreamt I Dwelt in Marble Halls’, otherwise known as ‘The Gypsy Girl’s Dream’ is a popular aria from the opera 'The Bohemian Girl' by Michael William Balfe. There have been countless recorded versions of the song, most notably recently by Irish singer Enya.This arrangement for Brass Band beautifully captures the lyrical quality of the song.After a gentle beginning the arrangement weaves between solo cornets taking the lead and full tutti band with broad harmonies. The continual pulse of this piece, which is in time, also allows space for rubato evoking the original writing as an aria. A vocal number lending itself very well to the brass band idiom.Instrumentation:Soprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd Baritone1st, 2nd and Bass TromboneEuphoniumEb and Bb BassesPercussion parts (4):1: Timpani2: Sus Cym, Triangle3: Glockenspiel4: Tubular BellsISMN: 979-0-708127-82-6

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  • £49.99 £49.99
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    Poppyfields | Kevin Bell

    It is 4.15am on 8th August 1918, and a British soldier waits for the whistle which will send him ‘over the top’ and into battle. Beginning with the Battle, entering a dream-like section as our hero advances forwards, followed by random skirmishes, before Battle ends and we enter a lyrical reflective section where the soldiers thoughts turn to home. Finally a lone cornet heralds a tribute to the Fallen, and answered by the euphonium, calls for hope for a new dawn and a better world. There is an optional narration from our soldier before the piece starts, and also his reflections of war and home after the battle is over, however the piece is written to be played with or without narration. This piece by Kevin Bell has it all: excitement, surprise, reflection and hope. Instrumentation: Soprano, Solo, Repiano, 2nd and 3rd Cornets Flugelhorn Solo, 1st and 2nd Tenor Horns 1st and 2nd Baritone 1st, 2nd and Bass Trombone Solo and 2nd Euphonium Eb and Bb Basses Timpani Percussion 1: Bass Drum, Xylophone, Glockenspiel, Sus cymbal Percussion 2: Drum kit, Acme Thunderer (whistle) ISMN: 979-0-708127-89-5

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  • £32.00

    Harlequin Dances - Keiron Anderson

    Brass Band - Soprano Cornet, Solo Cornet, Repiano Cornet, 2nd Cornet, 3rd Cornet, Flugelhorn, Solo Horn, 1st Horn, 2nd Horn, 1st Baritone, 2nd Baritone, 1st Trombone, 2nd Trombone, Euphonium, Eb Bass, Bb Bass, Timpani, Percussion 1, Xylophone. Harlequin dances is a stunning original composition showcasing a variety of dance styles. The piece starts with a mambo-like section, then moves into a more romantic ballad-type movement. This then winds up into a Viennese waltz which uses cheeky glissandi, then onto a very clever tempo shift and back to a recap of the mambo music which races along to a thrilling climax.

    Estimated delivery 10-14 days
  • £34.99 £34.99
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    A Carol Fantasy | Chris Ellis

    An interesting and unusual take on a lesser known Christmas piece.‘I have played many music selections in my time featuring Christmas music, but the funny thing is they all seem to use the same tunes! Jingle Bells, Rudolph…. but I didn’t want to produce another of those!An interesting thought – all Christmas selections seem to be in 4 beats in a bar and Major keys, all bright and festive. Why not try something different?Carol Fantasy uses 3 beats in a bar, and is written in a Minor key!Some of the classics are there, We Three Kings, Coventry Carol, and We Wish you a Merry Christmas, but they are all stitched together using the lesser known Bell Carol. This could well be the only Christmas selection with a Jazz waltz feel!ChrisEnjoy a different, refreshing and enjoyable slant on Christmas music!InstrumentationSoprano CornetSolo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd BaritonesEuphonium1st, 2nd and Bass TromboneEb and Bb BassTimpaniDrum KitXylophoneISMN: 979-0-708127-40-6

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  • £29.99 £29.99
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    Galanthia | Turpin arr. William Hill

    A bright bold and upbeat march – another great crowd please. The best known composition of the prolific William Turpin who lived in London at the turn of the 19th Century. Instrumentation: Soprano, Solo, Repiano, 2nd and 3rd Cornets Flugelhorn Solo, 1st and 2nd Tenor Horns 1st and 2nd Baritone 1st, 2nd and Bass Trombone Euphonium Eb and Bb Basses Snare Drum

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