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£89.59Trumpet Concerto with Brass Band (Andrew Batterham)
Andrew Batterham's tour de force Trumpet Concerto showcases the incredible spectrum of emotions the trumpet can convey, in the hands of a dedicated performer. The music ranges from Classical to minimalism, ballads to fanfares, culminating in a wild dance full of stamina and energy. Commissioned by ABC Classic through the ABC Fresh Start Fund, Concerto was premiered by David Elton, Principal Trumpet with the Sydney Symphony Orchestra (previously with London Symphony Orchestra). This brass band version was premiered by David and Victoria Brass, conducted by Matt van Emmerik. The original trumpet with strings, and trumpet with piano versions are available from Wirripang publishers. To view a video of David Elton performing the work with Victoria Brass, please visit https://www.youtube.com/watch?v=zImGHAL9mIE PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level for Band: 1st Section + Instrumentation: Trumpet Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£29.86For Uncommon Valor (Brass Band) Andrew E. Lawson trs. Andrew Wainwright
A rousing fanfare for brass and percussion, this work by Andrew E. Lawson was the winner of the prestigious Dallas Winds Fanfare Competition 2019. Here it is has been transcribed for brass band by Andrew Wainwright. The composer writes: 'In honor of the 1,177 crewman killed among the battleship USS Arizona, For Uncommon Valor is inspired by the story of the brave men, women, and children who witnessed, fought, and endured the tragic events of December 7, 1941 at Pearl Harbor, and across the Hawaiian Island of Oahu. The story of Pearl Harbor, however, does not end with a sunken battleship, or a defeated nation. A mighty nation, 'the sleeping giant', awoke to face the challenge at hand and claim victory for those who could not claim it for themselves. The uncommon valor displayed by the men and women of the Pacific Fleet brought forth the greatest fighting force ever seen and put on display for all to see, the strength and resilience of the American people.' To view a video of Dallas Brass Band performing the work please visit: www.youtube.com/watch?v=hk-skGoNnro Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£89.95TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score and Parts) - Gregson, Edward
The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson
Estimated dispatch 7-14 working days
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£44.95
TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score only) - Gregson, Edward
The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson
Estimated dispatch 7-14 working days
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£59.95Essay (Brass Band - Score and Parts) - Gregson, Edward
This work was specially commissioned as the test piece for a new brass band competition in 1971, held at the Royal Albert Hall, London. It is in three movements, the titles of which all have literary connotations. The first movement, Dialogue takes the form of 'conversations' between the instruments, based on the opening melody announced in unison on cornets and euphoniums. A second theme is introduced on the flugel horn and developed alongside this, creating a sonata form shell.The second movement, Soliloquy is dedicated to the memory of Gilbert Vinter - a composer who did so much in the 1960s to bring the brass band into the modern world. The movement is poignant in mood, which is depicted by a cornet solo announced after a brief introduction. The middle section builds to a powerful climax, at which point the opening theme of the first movement is heard again. Tranquillity returns however, with a solo trombone now playing the original theme with other instruments adding decorative accompanying patterns.The final movement, Epigram, creates strong rhythmic contrasts and exploits the more virtuoso character of the brass band. The middle section, with its changing time patterns and open expansive melody, suggests a 'big-country' style. A rhythmically charged coda concludes the work in exciting fashion.Duration: 12.00
Estimated dispatch 7-14 working days
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£29.95
Essay (Brass Band - Score only) - Gregson, Edward
This work was specially commissioned as the test piece for a new brass band competition in 1971, held at the Royal Albert Hall, London. It is in three movements, the titles of which all have literary connotations. The first movement, Dialogue takes the form of 'conversations' between the instruments, based on the opening melody announced in unison on cornets and euphoniums. A second theme is introduced on the flugel horn and developed alongside this, creating a sonata form shell.The second movement, Soliloquy is dedicated to the memory of Gilbert Vinter - a composer who did so much in the 1960s to bring the brass band into the modern world. The movement is poignant in mood, which is depicted by a cornet solo announced after a brief introduction. The middle section builds to a powerful climax, at which point the opening theme of the first movement is heard again. Tranquillity returns however, with a solo trombone now playing the original theme with other instruments adding decorative accompanying patterns.The final movement, Epigram, creates strong rhythmic contrasts and exploits the more virtuoso character of the brass band. The middle section, with its changing time patterns and open expansive melody, suggests a 'big-country' style. A rhythmically charged coda concludes the work in exciting fashion.Duration: 12.00
Estimated dispatch 7-14 working days
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£44.79Abberline (Euphonium Solo with Brass Band) Karl Whelan
Inspired by the infamous investigation into Jack the Ripper, Abberline follows Detective Inspector Frederick Abberline through the mist-shrouded streets of Victorian London in his desperate pursuit of a killer who remains forever just out of reach. Scored for brass band and solo euphonium, the piece blends atmospheric textures, shifting musical identities, and virtuosic demands to capture a narrative that is as haunting as it is unresolved. The piece opens in a world of shadows - the foggy alleys of Whitechapel - where tension simmers beneath the surface. The euphonium enters cautiously, as if stalking unseen figures, echoing the danger and uncertainty that cloaked the city in fear. This eerie calm is broken suddenly: the Ripper strikes. The moment is brief but brutal, leaving only silence and horror in its wake. From here, the music shifts into an uneasy, angular waltz: the figure of Abberline takes center stage, portrayed by the soloist as he investigates the aftermath. The waltz is melodically off-kilter and harmonically unstable, capturing both the grotesque nature of the crime and the detective's mental burden. The scene then returns to the streets - but this time, the musical material is more intricate, fragmented, and tense. The threat has deepened, and again the silence is shattered by violence. A second, slightly altered waltz follows, further reflecting Abberline's obsessive descent into the case. In the final section, the chase begins in earnest. Themes from earlier return in quick succession, intensified and overlapping as time runs out. The ancient Dies Irae chant is woven into the texture, evoking fate and judgment. In a final, erratic surge, the euphonium and band race toward an ending that is breathless and unresolved - a reflection of history's unanswered questions and the ghost that always stayed one step ahead. To view a rolling score video of the work please visit www.youtube.com/watch?v=29W2ZPhLHJQ Duration: approx. 7.30 minutes This PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet 1-2 & 3-4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium (tutti) Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£33.59Veni, Sancte Spiritus (Brass Band) Vaughan Williams arr. Geoffrey Nobes
Originally conceived as a ceremonial work for the Band of the Royal Air Force Regiment, Veni, Sancte Spiritus was written for a Thanksgiving Service at St Clement Danes Church - the Central Church of the RAF in London. This evocative piece was inspired by the church's thousand-year-old architecture and resonant acoustic, creating a soundscape that is both reverent and atmospheric. In adapting the work for brass band, the composer introduces Vaughan Williams's hymn tune Down Ampney, seamlessly woven into the final sections of the piece. This lyrical addition enhances the spiritual tone of the music, aligning perfectly with the hymn text 'Come Down, O Love Divine', and lending the work its new title and emotional depth. Perfect for concert, ceremonial, or liturgical use, Veni, Sancte Spiritus offers a profound and reflective experience for performers and audiences alike. Duration: approx. 4.00 minutes Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani
In Stock: Estimated dispatch 1-3 working days
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£33.59Bethlehem Down (Brass Band) Peter Warlock arr. Karl Whelan
Originally composed in 1927 by Peter Warlock with a hauntingly beautiful text by Bruce Blunt, Bethlehem Down is a Christmas carol unlike any other - serene, contemplative, and deeply moving. Written under unconventional circumstances (as an entry in a newspaper competition to fund a festive drinking session), the carol has become a timeless masterpiece of English choral music, celebrated for its emotional depth and harmonic subtlety. This brass band arrangement by Karl Whelan captures the quiet intensity and modal richness of Warlock's original, thoughtfully adapted for the warm, lyrical textures of a full brass ensemble. Flowing inner lines, gentle dissonances, and soft dynamics are carefully preserved, allowing the ensemble to explore a wide expressive range while maintaining the dignity and introspective tone of the piece. Ideal for concerts, church services, or as a moment of reflection within a festive programme, Bethlehem Down offers a powerful contrast to more jubilant seasonal works. A compelling choice for bands seeking a more intimate and profound interpretation of the Christmas story. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=hN4-DBtsSpc Duration: approx. 4.00 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£33.59O Little Town (St Louis) (Brass Band) Redner arr. Fendall Hill
This arrangement of O Little Town of Bethlehem is based on the beloved carol text by Phillips Brooks (1835-1893), set to the familiar St. Louis tune composed by Lewis Redner in 1868. Originally written for a Christmas Sunday school service, the melody famously came to Redner in a dream the night before it was needed - an origin story that mirrors the spontaneous inspiration behind this brass band setting. Fendall Hill's arrangement was prepared for Sovereign Brass (Wednesbury, England) and included in their 2023 Christmas CD. Lyrical and reverent, this version captures the timeless beauty of the carol while offering a fresh voice for modern brass ensembles. To view a rolling score video featuring Sovereign Brass's CD recording please visit: https://www.youtube.com/watch?v=HaMTVQl57ug Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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