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£33.00
Out of Africa - Barry, J - Barry, D
The great irony of John Barry's Academy Award-winning score for Out of Africa (which also took the Oscar as Best Picture) is that it almost never was - director Sydney Pollack had originally envisioned the film with native African music, going as far as laying the indigenous score down as he was editing. But the weight of John Barry's arguments held sway, and the composer delivered on his intent: a lush, romantic masterpiece for the ages. This romantic film is marked by its many breathtaking views of unspoiled African landscapes. John Barry's main title theme masterfully captures the moods and feels of the film. A terrific arrangement by his namesake!4th section +
In stock: Estimated dispatch 1-3 days
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£60.00Suite from 49th Parallel - Ralph Vaughan Williams arr. Phillip Littlemore
Vaughan Williams was in his late sixties when an opportunity to write for the cinema materialised. He was approached by his former pupil Muir Mathieson, the director of music for the Ministry of Information, to write the score for the film 49th Parallel .The plot for 49th Parallel is set in the early part of World War II, when a German U-Boat sinks allied shipping in the Gulf of St. Lawrence and then tries to evade capture by the Canadian Military by sailing up to Hudson Bay. A handful of crew disembark to look for supplies and no sooner have they reached shore when the U-Boat is spotted by the Canadian Armed Forces and sunk. Leaving the shore party stranded in Canada they have no other option but to head for the neutral United States and, as their ill-fated journey unfolds, they meet a variety of characters whom they alienate due to their reprehensible actions. They These include a pacifist in the Canadian wilds played by Leslie Howard, a Hutterite leader, and a French-Canadian fur trapper, played by Laurence Olivier. The film premiered in the UK in October 1941 and in March 1942 for the US, when it was retitled The Invaders .The brass band suite to 49th Parallel, devised by Paul Hindmarsh and arranged by Phillip Littlemore, takes the Prologue from the cinematic score as its starting point. Stretches of pastoral musical themes depict the Canadian landscape before the atmosphere is broken with a menacing rendition, albeit briefly, of the Lutheran chorale Ein Feste Burg depicting the surfacing of the German U-Boat in the Gulf of St. Lawrence. This gives way to the mechanical, jaunty section Control Room Alert with its persistent drive and energy. A brief interlude of The Lake in the Mountains leads into the most recognised piece of music of from the film, the Prelude, which accompanied both the opening and closing credits, and adds a most fitting conclusion to this suite.The suite has been recorded by the Tredegar Town Band, under their musical director Ian Porthouse, on the Albion Records CD Vaughan Williams on Brass
Estimated dispatch 5-7 working days
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£44.95Metropolis 1927 (Brass Band - B4 Score only)
Fritz Lang's 1927 science fiction epic Metropolis is considered to be a masterpiece of cinematic vision and a high point of German Expressionist filmmaking. Set in a future dystopian world the film introduces the viewer to two contrasting communities living in the vast city of Metropolis. Those above ground live a life of privilege and pleasure serviced by the underground-dwelling drone workers whose role is to maintain and operate the banks of machines which provide the city's power.Lang's film, which can be considered a type of 20th century morality play, draws upon a range of themes and influences from Marxist ideals and social satire to overt religious symbolism.The music does not attempt to precis the plot, such as it is, but simply reflects my musical responses to Lang's noirish visual style and set designs - the brooding machine rooms, the decadent nightclubs, the gothic cathedral and so on - paradoxically a world of terrifying beauty.Metropolis 1927 was commissioned by Bramwell Tovey and The National Youth Brass Band of Great Britain with funds provided by The Arts Council of England. The first performances took place in the Winter Gardens, Weston-super-Mare on Saturday 19th April and in the Cheltenham Town Hall on Sunday 20th April 2014.This revised version was premiered by The Black Dyke Band, conductor Nicholas Childs, at the 38th European Brass Band Championships in the Konzerthaus Freiburg, Germany, on Saturday 2 May 2015.Peter Graham
Estimated dispatch 7-14 working days
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£124.95Metropolis 1927 (Brass Band - Score and Parts)
Fritz Lang's 1927 science fiction epic Metropolis is considered to be a masterpiece of cinematic vision and a high point of German Expressionist filmmaking. Set in a future dystopian world the film introduces the viewer to two contrasting communities living in the vast city of Metropolis. Those above ground live a life of privilege and pleasure serviced by the underground-dwelling drone workers whose role is to maintain and operate the banks of machines which provide the city's power.Lang's film, which can be considered a type of 20th century morality play, draws upon a range of themes and influences from Marxist ideals and social satire to overt religious symbolism.The music does not attempt to precis the plot, such as it is, but simply reflects my musical responses to Lang's noirish visual style and set designs - the brooding machine rooms, the decadent nightclubs, the gothic cathedral and so on - paradoxically a world of terrifying beauty.Metropolis 1927 was commissioned by Bramwell Tovey and The National Youth Brass Band of Great Britain with funds provided by The Arts Council of England. The first performances took place in the Winter Gardens, Weston-super-Mare on Saturday 19th April and in the Cheltenham Town Hall on Sunday 20th April 2014.This revised version was premiered by The Black Dyke Band, conductor Nicholas Childs, at the 38th European Brass Band Championships in the Konzerthaus Freiburg, Germany, on Saturday 2 May 2015.Peter Graham
Estimated dispatch 7-14 working days
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£30.00Pure Imagination - Leslie Bricusse/Anthony Newley arr. Phillip Littlemore
The 1971 film musical Willy Wonka and The Chocolate Factory starred Gene Wilder in the title role. The music was written by composer/actor Anthony Newley, with lyrics provided by Leslie Bricusse, for which it received an Oscar nomination for Original Song Score.There are several well-known songs from the film, but perhaps the most famous is Pure Imagination, which is sung by Willy Wonka as the five children and their parents enter the Chocolate Room in Wonka's factory. It has been arranged as a trombone solo and has a simple jazz-like accompaniment.Duration: c. 3'00"Difficulty: Suitable for all (band accompaniment)
Estimated dispatch 5-7 working days
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£45.00Believe (From 'The Polar Express') - BRASS BAND
ABOUT THIS PIECE: "Believe" is a song performed by Josh Groban. The lyrics and music written by Glen Ballard and Alan Silvestri. The song is from the 2004 film The Polar Express and is included on the film soundtrack. ENSEMBLE: Full brass bandWHEN YOU BUY THIS PRODUCT, YOU GET: Printed full score and parts for full brass bandLEVEL: This piece is ideal for all bands. LISTEN HERE:
Estimated dispatch 5-7 working days
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£40.00
Mars Attacks - Elfman, D - Phillips, L
Tim Burton weaved his usual brand of zaniness throughout this film and his regular composer, Danny Elfman, created a humorous parody of early B movie sci-fi scores by his use of choir and two theremins - an early synthesizer (optional choir and synth. parts supplied). This arrangement features the music that accompanies the film's horrific opening, a heard of burning cattle stampeding past a shocked family; the scoring here is dissonant and over-the-top with horror value. This is followed by Elfman's quirky Main Title Theme which sees the Martian invasion force enroute to Earth - wicked and fiendish fun ensues.2nd section +
In stock: Estimated dispatch 1-3 days
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£44.95Deliverance (from War of the Worlds Suite) (Soprano Cornet or Tenor Horn Solo with Brass Band)
Deliverance is the fourth movement of the suite War of the Worlds which was commissioned by the Senzoku Gakuen College of Music Saxophone Orchestra and first performed by them in the Maeda Hall, Japan on June 29 2012, the composer conducting. The music is dedicated to Professor Shin-ichi Iwamoto. The transcription for brass band was first performed by the Brighouse & Rastrick Band, conductor David King, in the Bridgewater Hall Manchester on September 8 2012.The suite takes inspiration from the 1953 film script adaptation of the famous HG Wells novel and key scenes from the film are set as individual movements: Deliverance - survivors seek sanctuary in the Church of Santa Maria, still standing among the burning ruins of Los Angeles, and pray for deliverance from the invaders.Each movement of War of the Worlds is available separately allowing for a variety of "mini-suite" combinations eg: Movements 1,2 and 5 or 3,4 and 5 etc.
Estimated dispatch 7-14 working days
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£44.95Reflections (Flugel and Tenor Horn Duet with Brass Band)
Duet for Flugel and Tenor Horn or Two Bb Cornets from War of the Worlds SuiteEach movement of War of the Worlds is available separately allowing for a variety of "mini-suite" combinations eg: Movements 1,2 and 5 or 3,4 and 5 etc. For movements 1, 4 and 5 see the BB Concert Music tab. Complete suite also available.Reflections is the second movement of the suite War of the Worlds which was commissioned by the Senzoku Gakuen College of Music Saxophone Orchestra and first performed by them in the Maeda Hall, Japan on June 29 2012, the composer conducting. The music is dedicated to Professor Shin-ichi Iwamoto. The transcription for brass band was first performed by the Brighouse & Rastrick Band, conductor David King, in the Bridgewater Hall Manchester on September 8 2012.The suite takes inspiration from the 1953 film script adaptation of the famous HG Wells novel and key scenes from the film are set as individual movements: Reflections - here mankind contemplates a life forever changed as the invaders progress their colonisation of Planet Earth.
Estimated dispatch 7-14 working days
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£45.00strange geometry
Descriptionstrange geometrywas commissioned by Morgan Griffiths and the Hammonds Saltaire Band for their performance at the Brass in Concert Championships of 2015.As a bit of a space/sci-fi geek, as well as a musician, two events during the summer of 2015 had a particular effect on me. The first was the tragic early death in a plane crash of the famous film composer James Horner. Horner's music, particularly in films like 'Star Trek II: The Wrath of Khan', 'Avatar', 'Apollo 13' and even his debut in Roger Corman's 1980 budget film 'Battle Beyond the Stars', defined for a generation the sound of sci-fi at the cinema. Along with John Williams he created the vocabulary for those who wish to express other-worldly wonder in music and his inventive talent will be much missed in an industry where originality has become something of a dirty word in recent years.The second event was the epic flyby of Pluto by the NASA New Horizons spacecraft. There are many reasons to find this mission inspiring - for example, the scientists and engineers behind it created a craft that has travelled at 37,000 mph for nine years and three billion miles to arrive within seventy-two seconds of the predicted time for the flyby. That they achieved this with such accuracy is an outstanding tribute to humanity's ingenuity and insatiable curiosity. However, the most exciting aspect of the mission was the clear, high resolution pictures of this unthinkably remote and inhospitable world beamed back to mission control. The best previous image of Pluto was an indistinct fuzzy blob - suddenly we could see mountains made of ice, glaciers of methane and carbon monoxide and nitrogen fog - features previously unimagined on a world thought to be a slightly dull ball of cold rock. The BBC's venerable astronomy programme 'The Sky at Night' waxed lyrical about these newly discovered features, referring to "the surprising discoveries of mountains and strange geometry on the surface of this cold distant world".I like to think that Horner would have been as inspired as I have been by this real-life science story, and this piece uses some of the vocabulary of the sci-fi movie soundtrack in a tribute to the memory of a great musician and to the inspirational geeks at NASA who have boldly taken us where no-one has gone before.Note: This work comes with a B4 portrait score. Listen to a preview and follow the music below!Performance Notes:The cornet section should play this piece standing up in a roughly semicircular arrangement around the outside of the band facing towards the audience, starting with solo cornets 1&2 to the conductor's left (roughy behind the normal repiano cornet seat) then 2nd cornets, repiano, soprano, 3rd cornets and finishing with solo cornets 3&4 standing roughly behind the normal 2nd trombone seat. If time and logistics permit, the trombones should occupy the first three solo cornet seats, although this is optional. A suggested band layout (with percussion) is given here.Solo cornets 1&2, repiano cornet, 2nd cornets, 3rd cornets, flugel, solo and 1st horn, 1st baritone and euphoniums will require fibre straight mutes - ideally NOT metal ones. Soprano cornet, all solo cornets, 3rd cornets and all trombones will require cup mutes - ideally the cornet mutes should be the adjustable cup type and these should have the cup adjusted quite tight to the bell to give a 'closed' sound. Soprano cornet, solo cornet 3&4 and repiano cornet will require harmon mutes - TE indicates 'Tube Extended', TR indicates 'Tube Removed'. Soprano and repiano cornets will also require metal straight mutes. Vibrato should only be used very sparingly throughout, and never in muted passages.Percussion Requirements:Percussion 1: tubular bells, concert bass drum (not a kit pedal drum), tam tam, clash cymbals, 3 x tom toms, 1 x suspended (clash) cymbal and snare drum.Percussion 2: vibraphone (bowed and with mallets), bass drum and tam tam (shared with perc. 1), additional suspended (clash) cymbal and snare drum.Percussion 3: glockenspiel, 4 x timpani (ideally 23", 25", 28" and 30")Approximate duration 5'50"
Estimated dispatch 7-14 working days
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