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£30.00Psalm 150 - Brass Band - LM469 - Charles Stanford - Neil Lock
COMPOSER: Charles StanfordARRANGER: Neil LockTo celebrate the planned re-opening of St. Mary's Church, Liss, 2020In 1909, Charles Villiers Stanford composed the chant to which the last psalm in the book, Psalm 150, is now usually sung. This is a free arrangement of that tune for brass band, which can be used either as a stand-alone piece or as an encore, particularly at the end of a concert in a church. I use some of Stanford's original harmonies, but most of the chords are my own.At the beginning and end, imagine the band playing at one end of a cathedral. After the first, very loud phrase, we hear the sound reflected back from the far end. The fast main section is divided into six "verses" as follows:Praise him in the cornets and trumpets;Praise him in the horns and baritones;Praise him in the deepest basses,And praise him in the trombones;Praise him in the loud percussion,And in the euphoniums.This piece was first played in public as part of the Liss Band's first formal post-COVID concert, in St. Mary's Church, Liss on July 16th, 2022.Suitable for most bandsLM469ISMN : 9790570004690
In Stock: Estimated dispatch 3-5 working days
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£30.00Reminiscing Dance - Brass Band - LM983
COMPOSER: Chris AllenReminiscing Dance is the most traditional of all the brass band works I have written so far, but it contains beautiful melodies that should appeal to most audiences. The piece is similar in nature to 'The Three Bells',the central movement of Gordon Langford's Three Haworth Impressions, and is inspired by rural imagery and the idea of a widow recalling their precious experiences with their loved one. The general mood of the piece is one of happiness tinged with wistfulness and longing, beginning with a lilting,but not jolly triple time melody in the soprano cornet.This melody gives way to a more jovial tune at bar 56 which can afford to be played with more humour and freedom, but at bar 86 the atmosphere should darken again, with a subdued dynamic and smoother articulation.At bar 114, the upbeat music of the opening returns but bolder than before, to represent a feeling of anger that the opportunity to spend cherished time with a loved one has been stripped away by death. An intense countermelody in the euphoniums and baritones grinds painfully against the main tune in the cornets, before a soft close that suggests ultimately the dominant emotion of the piece is one of happy memories rather than loss.Chris Allen, December 2021
In Stock: Estimated dispatch 3-5 working days
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£55.00Teens At The Junkyard - Brass Band Full Score & Parts - LM995
COMPOSER: Chris AllenProgramme NotesWriting about beautiful rural scenes and seascapes seems to be a very British thing to do. The themes of the English Pastoral School seem especially alive and well in the brass band musical repertoire, featuring in popular works such as John McCabe's Cloudcatcher Fells and Ray Steadman-Allen's Seascapes among many others. McCabe's engrossing depictions of place in Cloudcatcher, Maunsell Forts and Scenes in America Deserta conviced me that music really can transport the listener to a different environment, but rather than describing a landmark or a pastoral scene, I decided to give some attention to an ugly, neglected place.In Square Enix's Life is Strange, an episodic adventure game released in 2015, two teens use the local junkyard as a place of escape from the drama of their lives, unbeknowst to the fact that their friend, recently missing, was murdered and buried in that very place. Inspired by these dark images, I sought to write music that reflected the strewn broken glass, the piles of trash, the stories left behind in the waste of the junkyard. In keeping with this theme of buried history, I unearthed a musical relic from the brass band repertoire, cannibalising themes from Eric Ball's Journey into Freedom. In fragmenting and distorting such a treasured work I hope to make the listener feel a process of wasting away of precious memories.The first movement should be spiky, clinical and bleak, with a similar character to that of Harrison Birtwistle's Grimethorpe Aria, and the second, an intense, reminiscing, lyrical slow section. The final movement is in a similar vein to Elgar Howarth's Songs for B.L., ending with a blazing finish as if standing upon the tallest pile of trash in the junkyard and looking down upon the chaos below.Chris Allen (2021)About the Composer:Chris Allen, 22, studied Music at the University of Birmingham, graduating with a 1st in his Bachelor's degree in 2020 and achieving a Distinction in his Master's in Composition in 2021. Chris won the University of Birmingham Music Society's Composition Competition in 2019 with his piece for brass band, The Sirens, and was published for the first time by Modrana Music after winning the Durham University Brass Band's inaugural composition competition with his suite, Three Images of North-East England. Both pieces have been performed in concert and recorded recently and Chris continues to write new, original works for brass band.Chris started playing the tenor horn at the age of 7 under the tutelage of Don Blakeson, first joining the Melton Band and then moving onto Hathern Band,conducted by David Newman. Upon moving to university in Birmingham,Chris studied performance on the tenor horn with Owen Farr for a year,started playing with the University of Birmingham Brass Band, under thebaton of Stuart Birnie, and began writing and occasionally conducting his ownworks for brass band. However, his work is not confined to this ensemble,and as part of his studies, he has written for the Ligeti Quartet and theBirmingham Contemporary Music Group.
In Stock: Estimated dispatch 3-5 working days
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£55.00Der Yid - Paul Voet
Jews in Eastern Europe always had their typical music. Links with gipsy music are never far away. Starting with 3 cadenzas, each for cornet, euphonium and tenorhorn the band has to deal with a difficult and very fast theme of 'Der yid in Yerusholayim'. Virtuosi horns, baritone and flugelhorn often answer the main theme by cornets and euphoniums. Quick drum patterns accompany the whole movement. Growing to a raging climax at the end all possible is asked from the bandsmen as to technique and endurance.
Estimated dispatch 10-14 working days
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£121.00Decennium - Eric Swiggers
'Decennium' was composed in 2003 as a commission by the municipality of Berheze for its tenth anniversary. The composition describes the history of this town in the Province of Brabant, consisting of 6 different villages: Heesch, Heeswijk, Dinther, Nistelrode, Loosbroek and Vorstenbosch. The composition starts with a slow introduction, Adagio Misterioso, suggesting the atmosphere in long-ago days when the area consisted mainly of swamps, meres and low woods. (The word 'Bern' is a synonym of 'Born' meaning source or water, whereas 'Hese' is derived from 'Haisjo' meaning brushwood ). Above the dark sounds we hear far away trumpet signals announcing the Middle Ages. After a piercing crescendo, we hear the full sound of festive trumpets. A medieval dance, as was to be heard in the Heeswijk castle, follows. This dance gets a more and more stirring character and finally turns into a merry popular dance ending with a burst of laughter reproduced by descending scales with the muted trombones and trumpets. A slow transition with a quotation from a Gregorian plainsong (Domine Deus) and church bell ringing, referring to the Abbey of Berne, brings us to a romantic Larghetto. This part describes the quiet rural life in a beautiful natural surrounding. The last dying note contrasts with the threatening ostinato, referring to the rise of the industrialization, which provoked quite some resistance with the local people. Once more we hear the 'Domine Deus' but much more powerful this time. When the resistance calms down, the work concludes with an Alla Marcia. The first notes of the main theme could be heard all through the composition and now we hear the complete main theme again. The new town is born. A festive conclusion refers both to the tenth anniversary and the optimism and confidence as to the future.
Estimated dispatch 10-14 working days
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£72.00Three Pictures for Band - Oliver Waespi
This composition consists of three sound pictures. Numerous associations mutually link those parts as far as motifs and harmony are concerned. The motif of the ascending and descending fourth plays an important role in many a theme. There are many fourth chords by means of which I try to put a harmonic and unifying stamp on the composition as a whole. Moreover there are similar or identical, though varied, motifs in the successive parts. The first part 'Cortege' (Procession) describes the dignified majestic procession by means of simple, precise rhythms. At first, the music is scarcely audible, as if coming from a distance; it gradually comes nearer until it reaches its climax in large chords, before fading away again. At each quarter note one could imagine a step. The second part 'Dialogue' consists in broad outlines of dialogues between the different orchestral groups. Some instruments are asking questions, others are giving answers. After a rather sad passage, the music turns into a climax followed by a second passage that brings comfort and leads to a quiet ending. In the third part, there is a sudden movement coming up in the shape of 'Waves'. The principle of the wave, successively swelling and decreasing, dominates the entire musical structure of this part, even in the separate motifs.Oliver Waespi
Estimated dispatch 10-14 working days
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£18.00Scarborough Fair
DescriptionScarborough Fair is a traditional English ballad about the Yorkshire town of Scarborough. The song relates the tale of a young man who instructs the listener to tell his former love to perform for him a series of impossible tasks, such as making him a shirt without a seam and then washing it in a dry well, adding that if she completes these tasks he will take her back. Often the song is sung as a duet, with the woman then giving her lover a series of equally impossible tasks, promising to give him his seamless shirt once he has finished.As the versions of the ballad known under the title Scarborough Fair are usually limited to the exchange of these impossible tasks, many suggestions concerning the plot have been proposed, including the theory that it is about the Great Plague of the late Middle Ages. The lyrics of "Scarborough Fair" appear to have something in common with an obscure Scottish ballad, The Elfin Knight which has been traced at least as far back as 1670 and may well be earlier. In this ballad, an elf threatens to abduct a young woman to be his lover unless she can perform an impossible task.As the song spread, it was adapted, modified, and rewritten to the point that dozens of versions existed by the end of the 18th century, although only a few are typically sung nowadays. The references to the traditional English fair, "Scarborough Fair" and the refrain "parsley, sage, rosemary, and thyme" date to 19th century versions. A number of older versions refer to locations other than Scarborough Fair, including Wittingham Fair, Cape Ann, "twixt Berwik and Lyne", etc.The earliest notable recording of it was by Ewan MacColl and Peggy Seeger, a version which heavily influenced Simon and Garfunkel's later more famous version. Amongst many other recordings, the tune was used by the Stone Roses as the basis of their song "Elizabeth my Dear".
Estimated dispatch 7-14 working days
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£25.00Christmas Concerto
DescriptionThis arrangement of Corelli's famous "Christmas Concerto" features soprano cornet, two solo cornets and solo euphonium. Arcangelo Corelli was one of the first masters of the baroque period, a skilled violinist much admired by fellow composers like Bach and Handel. He was born in Fusignano, near Ferrara in Northern Italy in 1653. He studied in nearby Bologna where he became an extremely competent violinist. By the 1670s he was working in Rome and building a reputation as a composer at the important and powerful Papal court. By the late 1600s he was widely famous all over Europe, regularly invited to important courts and palaces. Although he had a huge influence on the virtuoso writing of later composers, his writing for string instruments was designed to be playable by average, often amateur players.His set of Concerti Grossi known as Opus 6 was not published in his lifetime. We think they were written around 1690, and they were first published in Amsterdam in 1714, a year after Corelli's death. A 'Concerto Grosso' is a concerto for a group of soloists (the "concertino" group) accompanied by an ensemble (the "ripieno" group) and was an important form in the Baroque era. Handel's very successful examples were modelled on Corelli's example. Number 8 from the Opus 6 set was commissioned by the Venetian Cardinal Pietro Ottoboni and bears the inscriptionFatto per la notte di Natale('made for the night of Christmas'). It was used as part of the soundtrack for the 2003 film 'Master and Commander: The Far Side of the World".Performance Notes.In this arrangement the 'Concertino' group are the soprano cornet, solo cornets 1 & 2 and the solo euphonium. If logistics allow they should stand either at the front of or some distance away from the band. There is no percussion in this arrangement. All tutti cornets will require cup mutes.Duration approximately 3'15".You can listen to a preview while following the score below:
Estimated dispatch 7-14 working days
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£30.00La Musica Notturna Delle Strade di Madrid
DescriptionLuigi Boccherini was born in Lucca, Italy, into a musical family. His father, a cellist and double-bass player, sent him to study in Rome at a young age. In 1757 they both went to Vienna, where the court employed them as musicians in the Burgtheater. In 1761 Boccherini went to Madrid, entering the employ of Prince Luis Antonio of Spain, younger brother of King Charles III. There he flourished under royal patronage, until one day when the King expressed his disapproval at a passage in a new trio, and ordered Boccherini to change it. The composer, no doubt irritated with this intrusion into his art, doubled the passage instead, which led to his immediate dismissal. Then he accompanied Don Luis to Arenas de San Pedro, a little town in the Gredos mountains, where Boccherini wrote many of his most famous works. Although neglected after his death and throughout the 19th and early 20th century (he was known mockingly as 'Haydn's Wife' for a time), Boccherini's music has been rediscovered in recent decades.La Musica Notturna delle Strade di Madrid('Night Music of the Streets of Madrid') is a string quintet of seven short movements composed during Boccherini's exile in Arenas, no doubt to remind him and his prince of happier times. The music is reminiscent of "the gaiety and bustle of Spain's capital, recalling the sound of the city's church bells ringing for evening prayer, the popular dances that were the delight of its young people, and the blind beggars singing their typical songs". This arrangement excludes the first and last two movements, comprising the middle four:Il Tamburo di Soldati(The Soldier's Drum)Minuetto dei Ciechi(The Minuet of the Blind Beggars)Il Rosario(The Rosary)Passe Calle(The Passacaglia of the Street Singers)The music was featured in the Russell Crowe filmMaster and Commander: The Far Side of the World(2003) set during the Napoleonic Wars and featuring the adventures of the Royal Navy ship HMS Surprise and her captain Jack Aubrey as they pursue the French ship Acheron into the Pacific Ocean.You can listen to an audio preview while following the score in the video below!Duration approximately 5'00".
Estimated dispatch 7-14 working days
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£15.00Dragon Dances
DescriptionDragon Dances was commissioned by Owen Farr, who is also the work's dedicatee, gave the first performance with the Cornwall Youth Band conducted by Richard Evans on 5 April 2010 and has recorded it on his solo CD "A New Dawn" accompanied by the Cory Band conducted by Philip Harper.Being a Welsh composer, writing music for a Welsh soloist, I was naturally keen to reflect this in the music, and I drew inspiration from two particularly Welsh concepts - "hiraeth" and "hwyl". "Hiraeth" is a word that has no direct translation into English, but an approximation would be 'yearning for home'. Like the other celtic nations, Wales has a widespread diaspora of people who left to seek new lives out in the empire and "hiraeth" is a way of summing up the homesickness felt by these exiles, some of whom return each year for a special ceremony at the Royal National Eisteddfod. "Hwyl" is an even more complicated word, variously meaning ecstatic joy, fervour, equable temperament and even the characteristic sing-song oration style of the great Welsh Methodist preachers.I have attempted to make the music reflect both of these, with the melancholy first part of the work inspired by the hymns and solo songs for which Wales is famous, and the second part having a much more dance-like, joyful quality.Performance Notes:2 solo cornets, 2nd and 3rd cornets require cup mutes. 2 solo cornets require harmon mutes with tubes removed (marked 'TR' in the score).1st horn and 1st baritone require straight mutes, preferably fibre. 1st trombone requires a straight mute, 2nd and bass require cup mutes.Percussion instruments required are vibraphone, glockenspiel, timpani, snare drum, suspended cymbal and tam tamWatch/Listen to the score below:
Estimated dispatch 7-14 working days
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