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£61.99The Olympic Theme (Hand In Hand) - Giorgio Moroder - Frank Bernaerts
Estimated dispatch 7-14 working days
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£10.00The Once and Future King
DescriptionThe Once and Future King is a suite of three movements; each movement was inspired by an Arthurian legend. The first movement, 'Tintagel', concerns the famous Cornish promontory said to be the birthplace of King Arthur. In Arthur's time, Tintagel was part of the court of King Mark of Cornwall and the music imagines a visit by the King of the Britons to his Cornish neighbour and the place of his birth, reflecting the ceremony and drama of such an occasion; the music is strongly antiphonal, contrasting the more strident fanfares of the cornets and trombones with the warmth of the saxhorns and tubas.The second movement, 'Lyonesse', takes its inspiration from the mythical land which once joined Cornwall to the Isles of Scilly. One legend claims that after the disastrous battle of Camlan where Arthur and Mordred were both killed, the remnants of Arthur's army were pursued across Lyonesse to Scilly, whereupon Merlin cast a spell to sink Lyonesse behind them and drown the pursuers. Some say the bells of the 140 churches inundated that day can still be heard ringing. All the material in this movement derives from two short motifs heard in counterpoint at the very beginning, which are intentionally dissonant and bitonal in character.The final movement, 'Badon Hill', takes its title from the legendary site of Arthur's last battle with the Saxons and is a lively toccata based on the medieval secular song L'Homme Armee ('The Armed Man'). The music uses a number of medieval devices including "hocketing" (passing melody from one voice to another). The actual site of Badon Hill is unknown but it has been associated with Badbury Rings in Dorset and a lot of evidence now points towards the town of Bath. Arthur's victory at Badon Hill was the last great victory for Celtic Britain over the Saxon invaders, but in the end only set the conquest back by a few decades. Arthur himself was dead by then, betrayed and defeated by his nephew Mordred, but it is said that Arthur only sleeps and will return in a time of dire need - hence the legend that Arthur's dying words were: Bury me in Britain, for I am the Once and Future King.Performance NotesWhere space and practicality permits the opening movement should be played with cornets and trombones standing behind the band facing the audience; they should retake their seats for the second and third movements.PercussionConcert Bass Drum (ideally NOT Kit/Pedal Bass Drum), Suspended Cymbal, pair of Clash Cymbals, Glockenspiel, Snare Drum, Tambourine, 2 x Timpani (Eb-G, Bb-D), 2 x Tom-toms, Triangle, Tam-Tam* (only if available), Tubular Bells *(only if available).MutesBaritones, all cornets and trombones will require metal straight mutes; all trombones and cornets will require cup mutes.*The Once and Future King was set as the test-piece for the 3rd section of the Swiss National Championships in 2007. The score was then slightly revised in July 2008, the main alteration being the exclusion of the tubular bells part for the Regional Championships of Great Britain in 2009. Some parts which were optional (or cued on other instruments) at the request of the Swiss Brass Band Association were restored to their original octaves and instruments. In 2015 the tubular bells part was restored in the optional Percussion 3 part; all parts in Percussion 3 are optional, although some are cued in the percussion 1 & 2 parts (and the cues should be played if only two players are available).Listen to a preview and follow along with the score below!
Estimated dispatch 7-14 working days
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£33.00
The One Note Bugler (Trumpeter) - Scull, HT - Rimmer, D
(Novelty)
In Stock: Estimated dispatch 1-3 working days
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£26.50
The Open Road - Greenwood, JA
Includes a full band set (no score)
In Stock: Estimated dispatch 1-3 working days
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£92.00The Opener - Hanspeter Kübler
Estimated dispatch 5-14 working days
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£32.99The Outer Planets (Brass Band) Joe Galuszka
The Outer Planets, by Joe Galuszka, was written in 2025 to commemorate the 50th anniversary of the European Space Agency (ESA), and is scored for brass band and percussion. Inspired by ESA's mission to explore the furthest reaches of our Solar System and beyond, the piece is a sonic tribute to the gas giants, the icy worlds that follow, and the pioneering future of space exploration. Across three movements, the music reflects not only past and present achievements, but also the bold vision of ESA's continuing journey - particularly the potential of the James Webb Space Telescope and future missions to unlock secrets of the outer planets. The opening movement, Giants of Gas, explores the immense scale, swirling storms, and dynamic atmospheres of Jupiter and Saturn. With brass-driven energy and a sense of galactic momentum, the music captures their turbulent majesty and the awe they inspire. The second movement, Dance of the Ice Giants, focuses on Uranus and Neptune, the two icy planets. Cooler in tone and mood, this section evokes a sense of alien beauty - glacial, mysterious, and haunting. Here, we pause in quiet reflection on these distant worlds and the silent wonder they hold. The final movement, Beyond Poseidon, imagines a future ESA mission - perhaps robotic, perhaps crewed - launching into the uncharted space beyond Neptune, pressing against the boundaries of the Solar System. The music builds towards a sweeping, cinematic close, looking outward with ambition, curiosity, and the pioneering spirit that has defined ESA for half a century. The Outer Planets celebrates the science, vision, and courage of ESA - honouring what has already been discovered, and anticipating the extraordinary discoveries yet to come. The listen to an audio demo of the work please visit https://soundcloud.com/joegaluszka/the-outer-planets-2025 Duration: approx. 3.30 mins Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£35.60 -
£19.60
THE OVERLANDER (Partitur/Score) - Traditional - Harper Tom
Estimated dispatch 7-14 working days
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£67.20
The Overseer - Peter Yorke
Estimated dispatch 5-14 working days
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£59.95The Pacemakers (Brass Band - Score and Parts) - Gregson, Edward
Concert OvertureThis work was commissioned in 1970 for a brass band championship sponsored by WD and HO Wills, whose slogan was The Pacemakers. The title was added after the work was finished and has nothing to do with the content or character of the piece which, as Paul Hindmarsh remarks, is 'arguably the most satisfying in purely musical terms of all of Gregson's early compositions for band'.The Overture is cast in a sonata form exposition, with a slow central section, giving the opportunity for expressive cornet and euphonium solos. The final section begins with a strict fugal exposition which leads to a recapitulation of the opening material and a powerful climax built on the opening pyramid of fifths, which remains unresolved.Duration: 11:00
Estimated dispatch 7-14 working days
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