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  • £22.50

    Scottish Folk Variants (Euphonium Solo with Brass Band - Score only) - Bulla, Stephen

    This solo was written for the ISB120 event in June 2011 especially for Derick Kane and The International Staff Band. The material for the solo is indicative of Derick's Scottish roots and features in turn, 'The dashing white sergeant', 'My bonnie lies over the ocean', 'Skye boat song' and 'Bonnie Dundee'.

    Estimated dispatch 7-14 working days
  • £42.95

    BENEDICTUS (from The Armed Man (A Mass for Peace)) (Euphonium Solo with Brass Band) - Jenkins, Karl - Small, Tony

    Recorded on Polyphonic QPRL224D Master Brass (Volume Seventeen)

    Estimated dispatch 7-14 working days
  • £56.00

    Always Being in a Good Shape (Gang guet im Schuss) (Bb or Eb Solo with Brass Band - Score and Parts) - Ringgenberg, Rudolf

    Country Dance for a Solo instrument in Bb or Eb. Solo parts included for Bb Cornet, Eb Cornet, Eb Horn and Bb Euphonium

    Estimated dispatch 7-14 working days

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  • £95.00

    Coconut Grove (Flexible Solo with Brass Band - Score and Parts) - Naulais, Jerome - Moren, Bertrand

    Solo for Cornet, Eb Horn, Trombone, Euphonium or ViolinDuration: 4.30

    Estimated dispatch 7-14 working days

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  • £99.00

    La Califfa (Flexible Solo with Brass Band - Score and Parts) - Morricone, Ennio - Moren & Mortimer

    Solo for Cornet, Eb Horn, Trombone, Euphonium or VoiceDuration: 3.30

    Estimated dispatch 7-14 working days

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  • £95.00

    My Way (Flexible Solo with Brass Band - Score and Parts) - Francois & Revaux - Kadlec & Moren

    Solo for Cornet, Eb Horn, Trombone, Euphonium, Violin, Viola or VioloncelloDuration: 3.45

    Estimated dispatch 7-14 working days

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  • £95.00

    Sunday Mood (Flexible Solo with Brass Band - Score and Parts) - Kadlec, Jirka - Moren, Bertrand

    Solo for Cornet, Eb Horn, Trombone, Euphonium, Violin, Viola or VioloncelloDuration: 3.00

    Estimated dispatch 7-14 working days

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  • £42.95

    WATCHING THE WHEAT (Flugel Horn Solo with Brass Band) - Davoren, Tom

    Instrumentation: Score; Flugelhorn; Solo E flat Horn; 1st E flat Horn; 2nd E flat Horn; 1 st B flat Baritone; 2nd B flat Baritone; 1st B flat Trombone; 2nd B flat Trombone; Bass Trombone; B flat Euphonium; E flat Bass; B flat Bass; Timpani; Percussion 1; Percussion 2; Percussion 3. Cornets are tacet throughout.

    Estimated dispatch 7-14 working days
  • £94.95

    Dances and Arias (Brass Band - Score and Parts)

    This work was commissioned by Boosey & Hawkes Band Festivals (with funds provided by the Arts Council of Great Britain) for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 7th October 1984.Dances and Arias is in one continuous movement, but as the title suggests is a series of alternating fast and slow sections as follows: Dance - Aria I - Dance (scherzo) - Aria II - Dance. The opening dance is energetic and introduces a four-note motif (on trombones) which is the basis for much of the melodic material in the work. Throughout, there is a continuous process of thematic cross-reference and transformation.The first aria unfolds a long melody on solo cornet, eventually continued by all the solo cornets, and dissolving into a shimmering harmonic background (muted cornets, horns and baritones) over which is heard a brief self-quotation on solo tuba. This leads into the second dance, a frenetic scherzo, followed by the second aria, in the style of a lament (solo euphonium, followed by two flugel horns). This builds to a powerful climax which subsides, leaving the percussion to introduce the final toccata-like dance. It transforms material from the opening before a coda brings the music to a triumphant close. The large percussion section is an integral part in the work and uses a wide variety of instruments including timpani, glockenspiel, vibraphone, xylophone, tubular bells, tom-toms, snare drum, bongos and tam-tam.

    Estimated dispatch 7-14 working days
  • £34.95

    Trusting Faith (Euphonium Solo with Brass Band - Score and Parts)

    This piece is based on the melody Faith is the victory (T.B. 128) and throughout the solo we follow a person's journey of faith. In the first movement, the bold and confident opening depicts a seemingly strong and certain faith, although perhaps a little naive and immature. The music suggests that if we are certain enough, then we will see our prayers immediately answered and will witness miracles. But what happens when we don't see those miracles happen, or our prayers seem unanswered? Doubt creeps in and the music quickly becomes a full struggle continuing through to the end of the moment.What do you do when you faith amounts to something other than what you thought it to be? The beginning of the second movement reflects this questions and starts hesitantly and full of doubt. Soon, a new melody is introduced, Trusting as the moments fly (T.B. 263). The words of the chorus remind us that true faith should bot be affected by fears or disappointments, that our trust in God should remain. Realising that a faith that holds firm, though being tested over time, becoming deeper and stronger, is a liberating truth. We no longer need to struggle in our strength alone, but can lean on God instead.When we lean on God, reset in his care, and feel. safe in his hands, then faith has really become our victory. We will then become strong disciples who can meet life's various challenges without wavering or being afraid. This is depicted in the final movement of the solo when both melodies, whose messages complement each other, are woven together in an explosive finale.

    Estimated dispatch 7-14 working days