Results
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£17.50I?ll Not Turn Back (Cornet and Euphonium Duet with Brass Band - Score only) - Bosanko, Ivor
A setting of the challenging song with the words 'I'll not turn back, whatever it may cost'. Written as a duet for Cornet and Euphonium, but can be played by two Cornets or two Euphoniums.
Estimated dispatch 7-14 working days
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£99.95Euphonium Concerto (Euphonium Solo with Brass Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 minutes.Includes: FantasyCapriccioRhapsody (for Luis)DiversionsDuration: 22.30
Estimated dispatch 7-14 working days
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£59.70Double Brass (Euphonium or Cornet and Euphonium Duet with Brass Band - Score and Parts) - Woodfield, Ray
Duet for Euphoniums or Cornet and Euphonium
Estimated dispatch 7-14 working days
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£44.95Panache (Euphonium Solo with Brass Band - Score and Parts) - Dewhurst, Robin
A superb euphonium solo from Robin Dewhurst, the easy listening light jazz style employed here is a perfect addition to the repertoire.?Panache?was commissioned by virtuoso Steven Mead. (Also available with piano accompaniment).
Estimated dispatch 7-14 working days
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£44.95The Red Novae (Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter
The title of this euphonium solo, The Red Novae, is derived from two sources; the description of a stellar explosion thought to be caused by the merger of two stars, and as a form of anagram of the dedicatee's name (Dave Thornton).The work offers the soloist an opportunity to exploit a variety of sound worlds including the use of optional electronics. (Supplied with treble and bass clef soloist parts).
Estimated dispatch 7-14 working days
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£44.95The Red Novae (Euphonium Solo with Brass Band - Score and Parts)
The title of this euphonium solo, The Red Novae, is derived from two sources; the description of a stellar explosion thought to be caused by the merger of two stars, and as a form of anagram of the dedicatee's name (Dave Thornton).The work offers the soloist an opportunity to exploit a variety of sound worlds including the use of optional electronics. (Supplied with treble and bass clef soloist parts).
Estimated dispatch 7-14 working days
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£44.95Judd: Euphonium Solo - Some Glad Sweet Day
September 2017 ReleaseEuphonium Solo - Some Glad Sweet Day (Bernard Tovey realised Bramwell Tovey)This solo was originally the work of Bramwell Toveys father Bernard Tovey, himself a fine Euphonium player. Bramwell Tovey has developed and gathered the original material and presented it for Euphonium Soloist, Derick Kane, to feature with the National Youth Brass Band of Great Britain in 2015. It employs the old song of the same title and provides a good challenge for the soloist.
Estimated dispatch 7-14 working days
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£65.00Second Suite in F - Brass Band Sheet Music Full Score & Parts - LM602 - Gustav Holst
COMPOSER: Gustav HolstTRANSCRIBED : Daniel S. AugustineA brand transcription from Holst's manuscript score for brass band.A very authentic version from the original for Military Band.Can be used as a testpiece in your next own choice contestSuitable for Section 3 bands upwardsSecond Suite in FOp. 28, No. 2 (1922)1. MarchThe "March" of the Second Suite begins with a simple five note motif between the low and high instruments of the band. The first folk tune is heard in the form of a traditional British brass band march using the morris-dance tune "Glorishears". After a brief climax, the second strain begins with a euphonium solo playing the second folk tune in the suite "Swansea Town". The theme is repeated by the full band before the trio. For the trio, Holst modulates to the unconventional subdominant minor of Bb minor and changes the time signature to 6/8, thereby changing the meter. Usually one would modulate to subdominant major in traditional march form. While Sousa, reputably the "king of marches", would sometimes change time signatures for the trio (most notably in "El Capitan"), it was not commonplace. The third theme, called "Claudy Banks",[2] is heard in a low woodwind soli, as is standard march orchestration. Then the first two tunes are repeated da capo.2. Song without Words "I'll Love My Love"Holst places the fourth folk song, "I'll Love My Love" in stark contrast to the first movement. The movement begins with a chord and moves into a solo over a flowing accompaniment. The solo is then repeated, forming an arc of intensity. The climax of the piece is a fermata, followed by a cornet pick-up into the final measures of the piece.3. Song of the BlacksmithAgain, Holst contrasts the slow second movement to the rather upbeat third movement which features the folk song "A Blacksmith Courted Me". There are many time signature changes (4/4 to 3/4) making the movement increasingly difficult because the accompaniment has a pick up on the up-beats of each measure. The band joins in on the melody around the body of the piece and are accompanied with the sound of a blacksmith forging metal with an anvil called for in the score. The final major chord has a glorious, heavenly sound, which opens way to the final movement.This chord works so effectively perhaps because it is unexpected.4. Fantasia on the "Dargason"This movement is not based on any folk songs, but rather has two tunes from Playford's Dancing Master of 1651. The finale of the suite opens with a solo based on the folk tune "Dargason", a 16th-century English dance tune included in the first edition of The Dancing Master. The fantasia continues through several variations encompassing the full capabilities of the band. The final folk tune, "Greensleeves", is cleverly woven into the fantasia by the use of hemiolas, with Dargason being in 6/8 and Greensleeves being in 3/4. At the climax of the movement, the two competing themes are placed in competing sections.As the movement dies down, a duet forms a call back to the beginning of the suite with the competition of low and high registers.The name 'dargason' may perhaps come from an Irish legend that tells of a monster resembling a large bear (although much of the description of the creature has been lost over time), the Dargason tormented the Irish countryside. During the Irish uprising of the late 18th century, the dargason is supposed to have attacked a British camp killing many soldiers. This tale aside, 'dargason' is more likely derived from an Old English word for dwarf or fairy, and the tune has been considered English (or Welsh) since at least the 16th century. It is also known as 'Sedony' (or Sedany) or 'Welsh Sedony'.
In Stock: Estimated dispatch 3-5 working days
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£34.95
I'LL NOT TURN BACK (Cornet and Euphonium Duet with Brass Band Set) - Ivor Bosanko
A setting of the challenging song with the words 'I'll not turn back, whatever it may cost'. Written as a duet for Cornet and Euphonium, but can be played by two Cornets or two Euphoniums.
Estimated dispatch 7-14 working days
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£84.95In League with Extraordinary Gentlemen (Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter
Concerto for EuphoniumIn League with Extraordinary Gentlemen combines two of composer Peter Graham's life interests - composition and 19th century popular fiction. Each of the concerto's three movements takes its musical inspiration from extraordinary characters who have transcended the original genre and have subsequently found mass audiences through film, television and comic book adaptations.The first movement follows a traditional sonata form outline with one slight modification. The order of themes in the recapitulation is reversed, mirroring a plot climax in the H.G. Wells novella The Time Machine (where the protagonist, known only as The Time Traveller, puts his machine into reverse bringing the story back full circle).The Adventure of the Final Problem is the title of a short story published in The Memoirs of Sherlock Holmes by Arthur Conan Doyle. This is an account of the great detective's final struggle with his long-time adversary Professor Moriarty at the Reichenbach Falls in Switzerland. The music takes the form of a slowed down lndler (a Swiss/Austrian folk dance) and various acoustic and electronic echo effects call to mind the alpine landscape. The final bars pose a question paralleling that of Conan Doyle in the story - have we really seen the last of Sherlock Holmes?The final movement, The Great Race, (available separately) follows Phileas Fogg on the last stage of his epic journey "Around the World in Eighty Days" (from the novel by Jules Verne). The moto perpetuo nature of the music gives full rein to the soloist's technical virtuosity. As the work draws to a conclusion, the frantic scramble by Fogg to meet his deadline at the Reform Club in Pall Mall, London, is echoed by the soloist's increasingly demanding ascending figuration, set against the background of Big Ben clock chimes.In League with Extraordinary Gentlemen was first performed in the brass band version by David Thornton and the Black Dyke Band, conductor Nicholas Childs, at the RNCM Concert Hall Manchester on January 30, 2009.
Estimated dispatch 7-14 working days
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