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  • £82.95

    Benvenuto Cellini (Brass Band - Score and Parts) - Berlioz, Hector - Wright, Frank

    Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.

    Estimated dispatch 7-14 working days

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  • £46.20

    Ave Verum, KV.618 (Brass Quartet with Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Smith, Sandy

    For Brass Quartet (Flugel Horn, Eb Horn, Baritone and Euphonium) with Brass Band

    Estimated dispatch 7-14 working days

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  • £59.95

    The Pacemakers (Brass Band - Score and Parts) - Gregson, Edward

    Concert OvertureThis work was commissioned in 1970 for a brass band championship sponsored by WD and HO Wills, whose slogan was The Pacemakers. The title was added after the work was finished and has nothing to do with the content or character of the piece which, as Paul Hindmarsh remarks, is 'arguably the most satisfying in purely musical terms of all of Gregson's early compositions for band'.The Overture is cast in a sonata form exposition, with a slow central section, giving the opportunity for expressive cornet and euphonium solos. The final section begins with a strict fugal exposition which leads to a recapitulation of the opening material and a powerful climax built on the opening pyramid of fifths, which remains unresolved.Duration: 11:00

    Estimated dispatch 7-14 working days

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  • £22.00

    Lullaby (Score & Parts) - Philip Doe

    Lullaby is a beautiful euphonium duet with band accompaniment. The solo and contrapuntal writing, combined with a rich accompaniment from the band, offers peace and serenity.Brass Band Grade 3: Youth and 4th SectionDuration: 4 minutes

    In stock: Estimated dispatch 1-3 days
  • £28.50

    Lazy Summer Afternoons (Bb Euphonium Solo) - Kevin Ackford

    Score & Parts Written for Heather Entwistle-Edwards a friend of Kevin's from his school days. Let your audience sit back and relax with thoughts of sitting in the sunshine with a nice cold drink on a hot summer's afternoon while listening to this dreamy melody. Playable by all standard of bands. Duration approx. 3:20

    Estimated dispatch 5-7 days
  • £72.00

    Fantasie Concertante (Parts only) - Philip Wilby

    This exciting new concerto is a welcome addition to the repertoire of french and tenor horn players alike. Like the 18th-Century Serenade form there are five movements, arranged symmetrically around a slow movement - Soliloquy - which separates movements entitled Burlesque (two) and Valse Caprice (three) respectively. The first and last movements share common material of a more symphonic stature, and the concerto ends with a brisk fugato. The solo horn is (in the band version) accompanied by a quintet of solo players (two cornets, euphonium, trombone, and tuba) who provide the lion's share of the counterpoint and contrast with the main body of musicians who provide musical punctuation in the more sonorous tutti sections. The first movement, Don Quixote's Dream, contains references to Cervantes' famous hero, the Spanish nature of his stories, and the ambling gait of his horseback adventures.

    Estimated dispatch 5-7 working days
  • £37.95

    Two Operatic Encores (Score and Parts) - Bram Gay

    Two encores in one publication! Donizetti's 'Una Furtiva Lacrima' ('A Secret Tear') is arranged as a trombone or euphonium solo while Puccini's 'Signore ascolto' - Liu's Aria from his final opera Turandot - provides cornet soloists with a delicate showpiece.

    Estimated dispatch 5-7 working days
  • £74.99

    Euphonium Fantasia (Euphonium Solo with Brass Band - Score and Parts)

    This challenging composition by Stephen Bulla, based on 17th century chorale 'Westminster Abbey' by Henry Purcell, puts high demands on both soloist and accompanying band.Duration: 7:45

    Estimated dispatch 7-14 working days
  • £34.95

    Trusting Faith (Euphonium Solo with Brass Band - Score and Parts)

    This piece is based on the melody Faith is the victory (T.B. 128) and throughout the solo we follow a person's journey of faith. In the first movement, the bold and confident opening depicts a seemingly strong and certain faith, although perhaps a little naive and immature. The music suggests that if we are certain enough, then we will see our prayers immediately answered and will witness miracles. But what happens when we don't see those miracles happen, or our prayers seem unanswered? Doubt creeps in and the music quickly becomes a full struggle continuing through to the end of the moment.What do you do when you faith amounts to something other than what you thought it to be? The beginning of the second movement reflects this questions and starts hesitantly and full of doubt. Soon, a new melody is introduced, Trusting as the moments fly (T.B. 263). The words of the chorus remind us that true faith should bot be affected by fears or disappointments, that our trust in God should remain. Realising that a faith that holds firm, though being tested over time, becoming deeper and stronger, is a liberating truth. We no longer need to struggle in our strength alone, but can lean on God instead.When we lean on God, reset in his care, and feel. safe in his hands, then faith has really become our victory. We will then become strong disciples who can meet life's various challenges without wavering or being afraid. This is depicted in the final movement of the solo when both melodies, whose messages complement each other, are woven together in an explosive finale.

    Estimated dispatch 7-14 working days
  • £24.95