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  • £60.99

    The Longest Day - Paul Anka - Steven Verhaert

    This classic 1962 war film about the landing of the Allied troops at the end of the Second World War is a historic link to the recent D-Day memorial. This upbeat march is a kind of cynical reference to the horror and madness of World War II at the time of the fall of the Third Reich.

    Estimated dispatch 5-14 working days

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  • £105.20

    Marche pour la ceremonie des Turcs - Jean-Baptiste Lully - Haakon Esplo

    Jean-Baptiste Lully (1632-1687) moved from Italy to Paris and started as a kitchen boy. Alongside he also composed music and was a dancer and actor. He soon became leader of the court orchestra, and wrote music for the parties at the court. At aconcert in 1687 he hit his foot with his conductor pole, got gangrene in the wound and died three months later. Lully is the first known composer of French baroque operas and had great influence on the development of the European musictowards the end of the 1600s.Turkish march is used in the 1991 movie "All the mornings of the world" (Tous les matins du monde) starring Gerard Depardieu. The action takes place in France in seventeenthcentury where we follow the relationshipbetween the viol player Marin Marais and his mentor Sainte Colombe.

    Estimated dispatch 5-14 working days
  • £59.99

    Veni Immanuel - Philip Sparke

    The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries. The words are based on a 9th century antiphon and the tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo Cornet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.

    Estimated dispatch 5-14 working days

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  • £49.99

    Grant Us Peace - Etienne Crausaz

    Composer Etienne Crausaz has created an attractive brass band orchestration of his own work Grant Us Peace, which was originally written for mixed choir. It offers various readings of a single phrase that is found at the end of the Agnus Dei: "Dona nobis pacem" (Grant Us Peace). This request is musically expressed in a manner which is by turns soft, naive, powerful, imploring and trustful. Two soloists (cornet and flugel horn) are highlighted in a short duet at the beginning of the piece. This music is conducive to contemplation and meditation, while also seeking to arouse emotions.

    Estimated dispatch 5-14 working days

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  • £154.99

    Sketches from Nowhere - Thomas Doss

    Sketches from Nowhere is the second composition that Thomas Doss has written for brass band. The title was inspired by various images the composer saw in his mind's eye while working on this piece: pictures of foreign places; pictures of the creation of our world. The main motif that weaves its way from the beginning to the end of the work is meant to parallel humanity's great evolution: from its humble beginnings as mere stardust to the present day.

    Estimated dispatch 5-14 working days

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  • £59.99

    Prelude on an Irish Folk Tune - Philip Sparke

    The Irish folk tune, which appears towards the end of the piece, is Slane, a hymn tune version of the much older folk melody The Banks of the Bann. In Prelude on an Irish Folk Tune, fragments of the folk tune hint at what is to come later in the piece, but another folk-like tune is predominant. This later acts as a descant to Slane when it finally appears. Add a little Sparke sparkle to any concert with this lovely interlude.

    Estimated dispatch 5-14 working days

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  • £89.99

    Festive Impressions - Oliver Waespi

    This brilliant opening work with the sub-heading Cinematographic Overture" is guaranteed to make a great impression on your audience. The piece starts with solemn brass-band motifs, followed by melodic movements in the quiet middle part that leads to a rich climax. At the end of this refreshing work, there is a reprise of the brass bands which reflects the spirit of this music very well. After all, this is the intention of this work which was written specially for the Musikverein Henggart" to celebrate their 75th anniversary.

    Estimated dispatch 5-14 working days

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  • £127.30

    Do Dat Thing - Harry Connick Jr. - Reid Gilje

    Harry Connick Jr. is an American pianist, singer, composer and actor from New Orleans. He has released many albums and perform frequently with his own big band. "Do Dat Thing" is a real "feel-good" song composed in New Orleans style. The tempo must not be too fast. A kind of rough, heavy groove is preferred. When staccato is notated, the 8th notes have to be straight. The notations in the Drums-part is optional. From 35, the rhythm in the bass-line is meant as information for the musician. Be aware of the dynamics from the beginning (not too loud) to give it a "lift" at the end of the piece.

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  • £47.50

    Fusion Factory - James L. Hosay

    At the end of the Sixties and the beginning of the Seventies, slowly but surely, a new exciting music style arose in pop music. Pop groups enlarged the musical spectrum by combining jazz harmonies with rock 'n' roll rhythms. These experiments are now known as 'fusion'. Fusion Factory combines elements of early fusion with modern fusion sounds. Listen to the excellent result!

    Estimated dispatch 5-14 working days
  • £54.99

    Sumba Samba - Ron Gilmore

    The Samba is a Latin American dance, which is mostly associated with parties, as a result of the fast tempo in which it is usually played. 'Sumba Samba' forms an exception to this rule. In order to get this samba to swing it is important to stick to the tempo prescribed. 'Sumba Samba' starts with a motif which will play an important role throughout the piece. This motif can be heard in the first notes of the 'refrain' and, as said before, has been used in the introduction, as well as in the transition after the middle part (letter G). Furthermore, it plays an important role in the middle part itself (letter E), in which the samba has momentarily disappeared and acompletely different atmosphere has been created. At letter H we pick up where we left off with the samba and swing to the end of this composition.

    Estimated dispatch 5-14 working days

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