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£33.62King Lily of the Valley (Euphonium & Baritone Feature w/Brass Band) Espen Haukas
Based on a poem by Gustaf Froding, King Lily of the Valley is a poetic and regal musical tribute to the delicate flower that, in Froding's verse, appears as a young king surrounded by both sorrow and beauty. Originally composed by David Wikander and arranged for male choir (TTBB) by Rasmus Krigstrom, this evocative work has been masterfully reimagined for brass band by Norwegian arranger and composer Espen Wallacher Haukas and created for Bjorsvik Brass's performance at Siddis Brass 2025. The brass band version retains the choral character and emotional depth of the original, weaving lush harmonies and lyrical phrasing into a rich soundscape. A deeply expressive addition to any brass band repertoire - blending Nordic choral tradition with the grandeur and warmth of the brass band sound. Scoring: Standard brass band instrumentation.(Note: Solo Cornets are marked TACET, providing a welcome opportunity for rest in longer programmes.) To view a rolling score video of the work please visit https://www.youtube.com/watch?v=AK5YPW4t3Oo Duration: Approx. 3.30 minutes Difficulty Level: 3rd Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA) Instrumentation: 1st Baritone Bb 1st Euphonium Bb 2nd Baritone Bb 2nd Euphonium Bb Soprano Cornet Eb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£15.00Dynamite! - Helen Douthwaite
The piece was written by Helen Douthwaite for The Gorbals Youth Brass Band and premiered at The Scottish Youth Brass Band Championships in Perth, 2012.It was inspired by a chant written and sung by the band members on their walk from school to the rehearsal space, and soon became the official GYBB song - words of advice to the audience ...don't mess with Dynamite!A fun piece for training band, opening with chanting about the dangers of dynamite and developing into scored playing to get the participants engaged. A perfect piece to break the ice for young learners!Set includes score and parts for:Cornet 1Cornet 2Eb Tenor HornTromboneBaritone/EuphoniumEb BassPercussionLook and Listen (an extract of a performance of Dynamite by The Gorbals Youth Brass Band from 2012):https://www.themusiccompanyshop.com/wp-content/uploads/2015/12/Dynamite-Gorbals-Youth-BB-2012.mp4
In Stock: Estimated dispatch 3-5 working days
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£150.00Brass Quintet Collection - Various - Lawrence Killian
20 Titles for Brass Quintet with Optional AugmentationFeaturing stylish arrangements using a flexible format for a minimum of five brass players, this set of music for small ensemble covers a wide range of composers and styles. The collection includes music by Purcell, Bach, Verdi, Gounod, Sousa, Joplin, Botsford, Elgar, Gershwin, and others.Using a unique approach to the scoring, the basic setup is for five players: two cornets/ trumpets, one horn, one trombone, and one bass tuba. Two optional "augment" players can be added using the "flugelhorn", and/ or the "Euphonium" parts. Further expansion of the ensemble is possible by adding multiple players to each part.Twelve parts are provided in total: 1st Bb Cornet, 2nd Bb Cornet, Eb Tenor Horn, French Horn in F, Bb Trombone or Baritone in treble clef, C Trombone in bass clef, EEb Bass, BBb Bass, C Tuba in bass clef, Bb Flugelhorn or Cornet (augment part 1), Bb Euphonium or Baritone (augment part 2), C Euphonium or Trombone in bass clef (augment part 2).A Full score is available seperately at a cost of �35.00. Please contact [email protected] to order. NOTE: Individual books are priced at �20.00 each. Please email [email protected] to order individual books. Videos of these works being performed are available below:- Asturias (Leyenda) from Suite Espanola No.1, Isaac AlbenizBerceuse from "Jocelyn", Benjamin Godard TITLES INCLUDED:- 1. Asturias (Leyenda) from Suite Espanola No.1, Isaac Albeniz 2. Bist du bei mir (Be Thou with Me), J. S. Bach3. Chatterbox Rag, George Botsford4. Grizzly Bear Rag, George Botsford5. Jubilee Fantasy on God Save the King, Bernhard Brahmig 6. Chanson de Matin, Sir Edward Elgar 7. Pomp and Circumstance March No. 4, Sir Edward Elgar 8. But Not For Me, George Gershwin 9. By Strauss, George Gershwin10. They All Laughed, George Gershwin11. Berceuse from "Jocelyn", Benjamin Godard12. JUDEX - from "Mors et Vita", Charles Gounod 13. The Entertainer (Rag), Scott Joplin14. Intermezzo No.2, Vasily Sergeyevich Kalinnikov 15. Berliner Luft, Paul Lincke 16. Sound the Trumpet, from "Come Ye Sons of Art", Henry Purcell 17. Gymnopedie No.1, Erik Satie 18. The Liberty Bell March, John Philip Sousa 19. Tritsch-Tratsch Polka, Johann Strauss II 20. Grand March from the opera Aida, Giuseppe Verdi
In Stock: Estimated dispatch 1-3 working days
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£44.50The Covid Collection - Gavin Somerset
This exciting new 22-minute concert suite for Brass Sextet has been composed during the months of lockdown charting the feelings of a nation, with seven movements playable by 6 (or more) players. The music was composed with the intention for players to perform either together live in a small group, in isolation by way of a virtual performance (downloadable backing tracks are available to play along to) and ultimately, to give players something to enjoy as we all miss our brass band families. This concert suite is the perfect addition to all bands' libraries at a time when rehearsals are limited. Several of the movements are already in preparation for a full band edition to be released at a later date: (also available as a digital download worldwide - purchase now & print to play). Bands purchasing this sextet edition will be eligible for a discount on the upcoming full brass band edition of the concert suite. ------------------------------------------------------------------------------------- Movement 1: FANFARE: The Call of the Band - CLICK HERE TO DOWNLOAD PLAYBACK TRACK This opening fanfare gives way to a full of life and energy. With catchy melodies and harmonies, it is an effective opening to any concert programme and the perfect way to begin the Suite. Movement 2: March of the Antibodies - CLICK HERE TO DOWNLOAD PLAYBACK TRACK A cheeky little number that keeps on fighting though. Whilst not a March in the traditional brass band sense, players should aim to give a 'happy' performance of this movement ensuring smiles all around for both performers and the audience.Movement 3: Solidarity - CLICK HERE TO DOWNLOAD PLAYBACK TRACK The first slow movement of the concert suite aims to reflect on the isolation many of us felt during the time of lockdown. However, during these times, walks out with loved ones allowed many to connect and enjoy downtime, not often afforded to many. Movement 4: Lazy Days - CLICK HERE TO DOWNLOAD PLAYBACK TRACK A movement whose title really does say it all. A laid back swing number that should be played in an as relaxed manner, as possible!Movement 5: Hymn for Carers (Dedicated to the NHS & Care Workers) - CLICK HERE TO DOWNLOAD PLAYBACK TRACK Dedicated to the NHS & Care Workers, this hymn tune is filled with emotional highs and lows, felt by many of the hospital and care staff who worked tirelessly to keep our people safe, with a timely nod at the end to Vera Lynn & our missed VE day commemorations. Movement 6: Army of the Keyworkers - CLICK HERE TO DOWNLOAD PLAYBACK TRACK A stirring work in 12/8 which rightfully, depicts our heroes who kept the country moving through the most difficult of times. An heroic number for players to enjoy.Movement 7: CELEBRATION: Return of the Band - CLICK HERE TO DOWNLOAD PLAYBACK TRACK Little needs to be said about this movement, as at this time of release, we cannot yet celebrate the return of all players to the band rooms across the country. However, when that time comes, this movement is to be played with the joy of normality we shall all feel. CLICK HERE TO DOWNLOAD THE FULL SUITE BACKING TRACK ------------------------------------------------------------------------------------- Each movement can be performed as a standalone item, or form part of the full 22-minute concert suite. Sextet scored for: x1 Cornet I in Bbx1 Cornet 2 in Bb1x Flugelhorn1x Tenor Horn in Eb1x Euphonium/Baritone in Bb1x Eb Bass*extra parts included are, Cornet parts in Eb & C, Horn in F, Euphonium/Baritone in BC, Trombone (TC and BC), BBb Bass in TC & Tuba in BC.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Whiskey In A Jar - Traditional - Wilfried Weiland
The Irish folksong appears as a arrangement for 7 piece brass ensemble. The parts are 1st and 2nd Cornet, Horn Eb (F), 1st and 2nd Trombone or Baritone, Euphonium, Basses Eb, Bb and Tuba, Percussion and Drumset. Flugel and Bass-Trombone are optional.The arrangement begins with a rock-style introduction as used by Thin Lizzy or Metallica. Verses and chorus offer variety through changing melodic voices and versatile dynamics.
In Stock: Estimated dispatch 1-3 working days
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£199.95Tunes and Toasts for all Times (Brass Band Value Set) - Barsotti, Roger
Brass Band set includes:Eb Soprano Cornet x1Solo Bb Cornet x4Repiano Bb Cornet x12nd Bb Cornet x23rd Bb cornet x2Bb Flugel Horn x1Solo Eb Horn x11st Eb Horn x12nd Eb Horn x11st Bb Baritone x12nd Bb Baritone x11st Bb Trombone (TC) x12nd Bb Trombone (TC) x1Bass Trombone x1Bb Euphonium (TC) x2Eb Bass x2Bb Bass x2The Piano Conductor Score and Drums are available separately.Titles:ENGLISH AIRSA fine old English GentlemanA-hunting we will goBritish GrenadiersCherry ripeClementineCome, lassies and ladsDrink to me onlyDulce DomumDrunken sailor (The)For he's a jolly good fellowFarmer's boy (The)Floral DanceFrothblowers' AnthemGirl I left behind me (The)Here's a health to all good ladiesHere's a health unto her MajestyHere's to the maidenJohn PeelKeel row (The)Love's old sweet songMarch of the Fire BrigadesMistletoe bough (The)On Ilkla MoorPrincess Royal's Red Cross marchRoast beef of old EnglandSir Roger de CoverleySee the conquering hero comesSoldiers of the QueenThere is a tavern in the townNAUTICALHeart of oakHornpipeLife on the ocean waveShenandoahRed, white and blue (The)Rule, BritanniaSCOTTISH AIRSAnnie LaurieAuld lang syneBonnie banks of LochBonnie DundeeBlue-bells of ScotlandCampbells are coming (The)Charlie is my darlingFlowers of the forestHundred pipers (The)Highland LaddieRobin AdairScotch ReelScots wha haeWill ye no come back againYe banks and braesIRISH AIRSCome back to ErinDanny boy (Londonderry air)Harp that once through Tara's hallIrish Washerwoman (The)KillarneyMinstrel boy (The)Oft in the stilly nightOff to PhiladelphiaSt. Patrick's DayWELSH AIRSAll through the nightAsh grove (The)Bells of AberdoveyDavid of the white rockLand of my fathersMen of HarlechAMERICAN AIRSCarry me back to old VirginnyDixieGood-night (shine, shine, moon)John Brown's bodyMarching thro' GeorgiaOld folks at home (The)Star Spangled BannerTramp, tramp, tramp, the boys are marchingWhen Johnny comes marching homeYankee doodleCANADA AlouetteMaple leaf (The)O CanadaAUSTRALIAWaltzing MatildaSACRED AIRS & CAROLS Abide with meEternal Father strong to saveO God our help in ages pastFirst Nowell (The)Good King WenceslasO come all ya faithfulWhile shepherds watchedJerusalemSupreme sacrifice (The)Dead march in SaulPARADES (All organisations)General saluteSlow march or troop "Scipio"Troop "May-blossom"FANFARES, etcDeclamatory No. 1Occasoinal Fanfare No. 2"Reveille""Retrear""Last Post"Galop from "Orpheus in the Underworld"God save the Queen (in B flat)God save the Queen (in F)
Estimated dispatch 7-14 working days
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£50.00Overture for Brass - Franzetti
Carlos Franzetti was born in 1948, in Buenos Aires, Argentina. He worked along with Paquito D'Rivera, Joe Farrell, and among other talented artists, composing the soundtracks for Beat Street, Misunderstood, and theMambo Kings and arranging for the Boston Pops Orchestra, Carnegie Hall Jazz Band, and the American Symphony Orchestra. This sheet music, arranged by Mark Freeh, includes a full instrumentation: Full score Soprano Cornet in Eb Solo Cornets in Bb Repiano Cornet in Bb 2nd and 3rd Cornets in Bb Flugelhorn Solo Horn 1st and 2nd Horn inEb1st and 2nd Baritone in Bb 1st and 2nd Trombone in Bb Bass Trombone Euphoniums in Bb Bass in Eb and Bb Timpani Percussion World Parts Includes : Horn in F 1st and 2nd Baritone 1st and 2nd Trombone Bass Trombone Euphoniums Bass in Eb and Bb
Estimated dispatch 5-14 working days
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£45.00Rhapsody in Blue - George Gershwin
Arranged by Steve Sykes : Soprano Cornet Eb, Solo Cornet Bb, Repiano Cornet Bb, 2nd Cornet Bb, 3rd Cornet Bb, Flugelhorn, Solo Horn Eb, 1st Horn Eb, 2nd Horn Eb, 1st Baritone Bb, 2nd Baritone Bb, 1st Trombone Bb, 2nd TromboneBb, Bass trombone, Euphonium Bb, Bass Eb, Bass Bb, Drums, Timpani, Glockenspiel.
Estimated dispatch 5-14 working days
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£80.00St. Magnus - Kenneth Downie
Dedicated to Alastair Massey, an inspirational music teacher. Commissioned by the Scottish Brass Band Association for the 2004 European Brass Band Championships in Glasgow. This music is a set of variations on the tune known as St Magnus, which is attributed to Jeremiah Clarke. Most people will associate it with Thomas Kelly's hymn which begins: "The Head that once was crowned with thorns is crowned with glory now". The tune is very simple, consisting of just two, four-bar phrases. Neither is there much in the way of rhythmic variety, every note being a crotchet with the exception of two quavers, and the last note in each phrase. Within such a simple structure, however, lies considerable strength. THEME The listener is given the opportunity of hearing it twice, in full, at the beginning, starting with one player but soon taken up by the full ensemble. It returns in the middle of the music and is stated again near the end. This has been done quite deliberately in the hope that there will be an appreciation of what material is being developed, by the listener as well as by those with access to the score, who are able to see the visual connections. VARIATION 1 This takes the rhythm of the last part of the theme and also uses the shape of the opening as a recurring figure. The mood is whimsical and skittish, with short, teasing rhythmic figures tossed around the band, and quick interplay with percussion, at a fast tempo. An energetic flourish finishes this variation before the Andante espress. VARIATION 2 This commences with chords related to the opening of Variation 1. The cantabile on solo comets establishes a new, lyrical mood and there is scope for expressive playing in a series of short solo passages. The theme works its way unobtrusively into the texture before a reprise of the solo cornet melody and some more lyrical interchanges between Eb bass, euphonium, flugel horn and comets. The variation ends serenely with clear references to the last phrase of the theme. VARIATION 3 The first idea to dominate is clearly linked to the shape of the theme's first phrase. There is a frenetic feel to much of this variation, with considerable energy and instability created by extensive use of cross-rhythms. A thinning-out of the score marks a clear change to development of the start of the second phrase of the theme. This proves to be short-lived however, and the opening material returns leading to a restatement of the theme, "Maestoso," after which a euphonium cadenza links to Variation 4. VARIATION 4 Here we have some solos for euphonium, cornet, trombone and Eb bass set against a background of horns and baritones presenting a pensive statement of the theme's opening. VARIATION 5 This commences Allegro, with lively work for cornet and euphonium spreading to the whole band before attention focuses on the beginning of the second phrase of the theme which is initially presented in diminution, then in regular rhythm, then in inversion. An increase in tempo coupled with a decrease in volume, requires dexterity and control, with several metrical challenges thrown in for good measure. The same fragment of phrase becomes an ostinato which generates a frenzied climax, punctuated by short, dramatic silence, before the opening figure returns and the music gradually winds down. The tubular bells herald the final return of the theme, in augmentation, marking the start of the Finale. FINALE This features the running semiquavers of the previous variation sounding in counterpoint. A fast, furious coda speeds the work to a conclusion while references to the opening of the theme are still trying to break into the texture of the music. Kenneth Downie
Estimated dispatch 5-14 working days
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£91.40
Ticket To Ride - John Lennon - Bill Geldard
The Beatles' Ticket To Ride arranged for Brass Quintet by Alan Fernie.This piece is arranged for two Trumpets, Horn in Eb, Trombone & Tuba.
Estimated dispatch 5-14 working days
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