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  • £137.99

    Metamorphosis - Jan de Haan

    The opening of this three-movement work features an initial appearance of the thematic material that returns in various guises later on in the work. The leitmotiv centres on a minor second.A range of thematic variations is heard in the lively and energetic Metamorphosis One. This movement is interrupted by an atmospheric meno mosso, containing melodic passages that return to the opening theme. Metamorhosis Two is characterised by various changes in tempo and musical character. Seven different soloists transform the thematic material each in their own way. This eventually culminates in a passionate tutti passage.The source of inspiration for Metamorphosis Three isthe so-called BACH-motif, a musical autograph consisting of the notes B flat, A, C and B. This distinctive motif arises from the leitmotiv (here a descending minor second), which continues to evolve through various transpositions and transformations. For the composer, this spectacular last movement is an homage to one of the greatest and most influential composers in the history of music: Johann Sebastian Bach.

    Estimated dispatch 5-14 working days

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  • £51.30

    Blue Night - de Ceuninck

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  • £105.80

    Ritual Fire Dance - Manuel de Falla - Jirka Kadlec

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  • £105.80

    Hard Headed Woman - Claude de Metruis - Jirka Kadlec

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  • £105.80
  • £105.80
  • £78.20

    Spanish Dance - Manuel de Falla - Jan Valta

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  • £81.90

    S.W.A.T Theme - Barry de Vorzon - Jirka Kadlec

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  • £74.60

    Torna a Surriento - Ernesto de Curtis - Jirka Kadlec

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  • £59.99

    Old Hundredth - Louis Bourgeois - Philip Sparke

    The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter "Pseaumes Octante Trois de David", where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins' Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell, which is still the most familiar hymn sung to this noble tune. When Tate and Brady's "New Version of the Psalms" was published in 1696, the melody became know as the 'old' version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.

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