Results
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£137.99Klezmer Discovery - Sjaak van der Reijden
The Yiddish word 'Klezmer' has been derived from the Old Hebrew words 'Kley' (tool, instrument) and 'Zemer' (song, singing, making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music, Klezmer music has succeeded in preserving its distinctive Jewish character. 'Klezmer Discovery' is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of a number of motives from differenttraditional melodies (a Mitzve Tenzel and L'cha Dodi), followed by a melody in 3/8th time (Kandel's Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently, 'Der Terk in Amerika', a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast, cheerful dance melodies (bulgars) form the finale of 'Klezmer Discovery' (Lebedyk un Freylekh, Lomir sich iberbetn and Sherele).
Estimated dispatch 5-14 working days
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£69.99Czardas (Xylophone solo) - Monti - Gert Bomhof
Vittorio Monti was born on January 6, 1868 in Naples (Italy). His musical education (Violin and composition), he enjoyed at the conservatory there. Around his 30's Monti went to Paris. He earned a living as a conductor and wrote several ballets and operettas. In his last years, before his death in 1922, Monti devoted himself to teaching and composing. His famous 'Czardas' has made his name known even today.Initially the Czardas was a Hungarian folk dance, but after the mid-nineteenth century it was even a dance for the upper-class. Czardas begins with a slow introduction, the Lassan (slow and sad), and then the fast part,Friska, follows. Czardas is not, as so many people think, typical gypsy music.
Estimated dispatch 5-14 working days
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£76.99Mixed Bag - Peter Martin
'Mixed Bag' stands midway between a collection and a hotchpotch. It is a colourful compilation of four completely different pieces, each with its own specific character. The first part is called 'Tanguillo' : as its name suggests, this Spanish dance is related to the Tango. In the next part, 'Maybe next time ....' a repeated bass line (Passacaglia) can be heard, first solo, but thereafter gradually the other instruments join in. The third part forms a huge contrast did the former part have a Baroque atmosphere, 'Rock Hard' seems to have come directly from the Rock 'n Roll era, reminding us of stars such as Bill Haley and Elvis Presley. The finale is acheerful, inciting movement called 'Gypsy Dance'.
Estimated dispatch 5-14 working days
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£69.99Tribute to Whitney Houston (Brass Band - Score and Parts) - Bond & Brown
It has been too many years since the American pop singer Whitney Houston passed away, but the world has not forgotten her beautiful voice. Her timeless hits, from ballads to wonderful dance tracks, are still heard on the radio. This attractive medley includes some of her greatest successes:How Will I KnowSaving All My Love for YouI Wanna Dance with SomebodyI Will Always Love YouDuration: 5.45
Estimated dispatch 7-14 working days
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£59.95Sinfonietta - Saints and Devils (Brass Band - Score and Parts) - Wiffin, Rob
Saints and Devils is a challenging three movement work:Dance with the Devil (4.30)A Glimpse of Paradise (4.45)Reyes Magos (3.45)I wrote it when I was living in Spain where the Catholic culture is still much more prevalent than in the UK. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene.The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight - 'Oh I have slipped the surly bonds of Earth ............ Put out my hand, and touched the face of God'- with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. In Spain, January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity. Saints and Devils is technically and expressively demanding but is written within the realms of tonal language.- Rob WiffinDuration: 13.00
Estimated dispatch 7-14 working days
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£29.95The Dashing White Sergeant (Brass Band - Score and Parts) - Wiffin, Rob
This light programme piece is a creative and lateral tilt at the popular Scottish folk tune The Dashing White Sergeant. No composer is credited with the tune although, as early as 1884, it was thought to have been written by Henry Bishop, and there is a theory that there was a certain unwillingness to acknowledge that such a popular Scottish tune was written by an Englishman. The lyrics were written by Sir Hugh Roberton and include the line Dance away the hours together. There are many allusions to different types of dance in this piece, some traditional and others popular, and we travel around from Scotland to Siam and Spain.Duration: 3.00
Estimated dispatch 7-14 working days
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£43.00La Perla Negra (Brass Band - Score and Parts) - Skinner, Colin
For this brooding piece the composer has used the following storyline. "A sad elderly man sits alone in a bar whilst an accordionist plays a slow tango. A beautiful woman walks in wearing a single black pearl necklace and proceeds to dance with the old man. Gradually the music becomes more and more spirited and the dance faster as the old man becomes youthful again. With a passionate kiss he passes out in the girls arms and when he awakens he is back in the bar alone save for the accordionist. As he contemplates his dream he notices a single black pearl left behind on the bar. The sombre mood is lightened in the middle section by a deliberately trite and vibrato fuelled section, but we soon return to the opening material for a slow fade-out" Composer Colin Skinner wrote this piece especially for Superbrass' debut CD, Under the Spell of Spain. Duration: 6.30. Suitable for 2nd Section Bands and above.
Estimated dispatch 7-14 working days
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£80.00The Unfortunate Traveller (Brass Band - Score and Parts) - Holst, Imogen - Hindmarsh, Paul
Imogen Holst (1907-1984) submitted The Unfortunate Traveller (1929) as her final work as a student portfolio at the Royal College of Music, where her composition teacher was Gordon Jacob. The title was taken from Thomas Nashe's famous 1594 picaresque novel of the same title. The Suite was first performed on 12 February 1933 at her Majesty's Theatre, Carlisle, by the St. Stephen's Band, with the composer conducting. Te concert was given in memory of Holst's uncle, Dr. H.A. Lediard. Holst had been impressed with the band's performance of his A Moorside Suite at the 1928 National Brass Band Championships (The Crystal Palace, South London) and was keen to work with them. Writing in Imogen Holst, a life in music, Christopher Grogan indicates that it was Gustav Holst's suggestion to include his daughter's work in the programme, quoting Imogen Holst's remarks made in interview to The Daily Mail as follows: "....it is the first time, so far as I know, that a woman has conducted a brass band at a public concert....It has been a delight to rehearse the St. Stephen's Band. It was their performance at the Crystal Palace Festival that inspired me to write this Suite, which I have dedicated to them."Imogen Holst accompanied her father to the Crystal Palace in 1928 to hear the performances of A Moorside Suite, and was so excited by the played and, audibly, by her father's music that she decided to write a brass band piece for her final examination. Te result was The Unfortunate Traveller (1929). However, it was not possible for her to present a brass band work for examination. She arranged it for string orchestra so that it could be played before she left the RCM in July 1930. Following the premiere of the original in 1933, the manuscripts did not resurface until 1969 Imogen found them among her late mother's effects. Although she requested score and parts be destroyed, they ended up in the possession of Manchester composer John Golland, who marked up the score presumably with the intention of creating a new performing edition. The original scoring reveals a lack of experience with what can be a tricky medium.With the agreement of the Holst Foundation, a revised edition, with additional percussion, was prepared in 2011 since when the work has been fortunate to travel round the world as a concert and contest piece. The original includes drums in the March only. The title was taken from Tomas Nashe's famous 1594 picaresque novel of the same title. Several Morris Dance tunes are introduced during the course of the four short movements, including Bonnie Green Garters, Shepherd's Hey, The Rose and The Wind Blaws Cauld. Quirky twists and turns of harmony and spirited rhythms that remind us how much Imogen Holst loved tradition English dance music.In September 2025, I made a performing edition of the composer's arrangement for string orchestra. The manuscript lacks the final movement, which I arranged in a similar style, ie. without extending the upper ranges. Making this edition raised some issues regarding the accuracy of my band version and some of the solutions I used to smooth out the voicing. I have used the composer's second thoughts to refine my performing edition and to correct a textual errors.- Paul HindmarshDuration: 10.00
Estimated dispatch 7-14 working days
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£40.00
The Unfortunate Traveller (Brass Band - Score only) - Holst, Imogen - Hindmarsh, Paul
Imogen Holst (1907-1984) submitted The Unfortunate Traveller (1929) as her final work as a student portfolio at the Royal College of Music, where her composition teacher was Gordon Jacob. The title was taken from Thomas Nashe's famous 1594 picaresque novel of the same title. The Suite was first performed on 12 February 1933 at her Majesty's Theatre, Carlisle, by the St. Stephen's Band, with the composer conducting. Te concert was given in memory of Holst's uncle, Dr. H.A. Lediard. Holst had been impressed with the band's performance of his A Moorside Suite at the 1928 National Brass Band Championships (The Crystal Palace, South London) and was keen to work with them. Writing in Imogen Holst, a life in music, Christopher Grogan indicates that it was Gustav Holst's suggestion to include his daughter's work in the programme, quoting Imogen Holst's remarks made in interview to The Daily Mail as follows: "....it is the first time, so far as I know, that a woman has conducted a brass band at a public concert....It has been a delight to rehearse the St. Stephen's Band. It was their performance at the Crystal Palace Festival that inspired me to write this Suite, which I have dedicated to them."Imogen Holst accompanied her father to the Crystal Palace in 1928 to hear the performances of A Moorside Suite, and was so excited by the played and, audibly, by her father's music that she decided to write a brass band piece for her final examination. Te result was The Unfortunate Traveller (1929). However, it was not possible for her to present a brass band work for examination. She arranged it for string orchestra so that it could be played before she left the RCM in July 1930. Following the premiere of the original in 1933, the manuscripts did not resurface until 1969 Imogen found them among her late mother's effects. Although she requested score and parts be destroyed, they ended up in the possession of Manchester composer John Golland, who marked up the score presumably with the intention of creating a new performing edition. The original scoring reveals a lack of experience with what can be a tricky medium.With the agreement of the Holst Foundation, a revised edition, with additional percussion, was prepared in 2011 since when the work has been fortunate to travel round the world as a concert and contest piece. The original includes drums in the March only. The title was taken from Tomas Nashe's famous 1594 picaresque novel of the same title. Several Morris Dance tunes are introduced during the course of the four short movements, including Bonnie Green Garters, Shepherd's Hey, The Rose and The Wind Blaws Cauld. Quirky twists and turns of harmony and spirited rhythms that remind us how much Imogen Holst loved tradition English dance music.In September 2025, I made a performing edition of the composer's arrangement for string orchestra. The manuscript lacks the final movement, which I arranged in a similar style, ie. without extending the upper ranges. Making this edition raised some issues regarding the accuracy of my band version and some of the solutions I used to smooth out the voicing. I have used the composer's second thoughts to refine my performing edition and to correct a textual errors.- Paul HindmarshDuration: 10.00
Estimated dispatch 7-14 working days
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£64.95A Day in the Life of a Knight (Brass Band - Score and Parts) - Lawrence, Phil
Here we have a most descriptive piece of writing - a story through music. A fantastic 1st section test piece and championship concert work:The opening scene would depict standing on the battlements of a castle hearing the thundering hoofs of our brave Knight's horse miles in the distance. His arrival is expected, and his reputation is known across many lands. Today, he is to joust amongst mere mortal knights and compete for the hand of the fair (and local) Princess.He vanquishes all competitors and wins the day. The scene moves to evening and court where reception and dance is to be held for our winning knight. Both Knight and Princess become centre of attention during the dance. Their eyes only for each other.At last, the Knight has a chance to be a lone with his Princess as they steal away from the celebrations to a star lit rampart above the castle gardens, where the Knight declares his ever-lasting love and pledges his life and of honour to her. He asks her hand, meanwhile monks pray in the below chapel hoping for union. She say's yes. It is announced in court, then blown from the battlements.Day breaks; he is brought word of evil doings back in his own land. He leaves word to the Princess that he will be back soon to take her hand. The trouble back home was a rouse to get him away from the Princes so one of the vanquished, a dark knight in yesterdays joust, has summoned a dragon to kidnap the princess for his own.As the truth of the deception reaches our Knight he quickly returns to face the varlet that has taken his Lady. This time tis no joust, but a fight to the death with the dark knight and dragon. Our champion proves his best once again and wins the day and the hand of his Princess forever!- Phil LawrenceSuitable for 1st Section Bands and aboveDuration: 11.15
Estimated dispatch 7-14 working days
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