Results
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£34.95Behold the Power of God - Christopher Bond
Behold the Power of God (2010) was written for and premiered by the Cornwall Youth Brass Band in dedication to their Musical Advisor at the time; the late Cornish composer Goff Richards who later described the work as 'a remarkable piece of writing'. The work's title, while implying a religious meaning, actually references Goff's name, with his full name Godfrey translating as 'God-peace' and Richards meaning 'Power'. Two energetic outer sections fall either side of a more lyrical middle section featuring the solo cornet. The perfect opening item at any concert.
Estimated dispatch 10-14 working days
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£79.95Grieg Variations - Jonathan Bates
DURATION: 12'30". DIFFICULTY: 2nd+. . 'Grieg Variations' is a through-composed work in the traditional style of a 'theme & variations'. The work opens with the main melodic fragment featured throughout Grieg Variations which comes from Grieg's Peer Gynt Suite No.2; the final movement - 'Solveig's Song'. . This theme is followed by a set of 9 variations, each taking inspiration from various melodies and styles found within the Peer Gynt Suite. The first variation, a light-footed scherzo based upon the tonal line of Solveig's Song is followed by an 'Alla marcia' variation - in which the music is inspired by the 2nd movement - 'Arab Dance' - of the original suite. The 3rd variation takes a far darker and more aggressive turn in a variation set around the music of the 1st movement of the Peer Gynt Suite before a relaxation into a solemne revisiting of the original theme. Opening with a sombre and longing solo for Flugel horn, the focal point of this 4th variation is an extended solo for the Solo Euphonium, marked 'molto espressivo'. The new material here is used as a theme throughout this variation, being reprised by the full band immediately after as the music builds to a climax point at the top of the musical line. . Following this, there are 2 cadenzas for the Solo Horn and Solo Cornet respectively; the former inspired by the thematic material of Solveig's Song, and the latter from the Oboe cadenza at the beginning of Grieg's '2 Lyric Pieces, Op.68'. These cadenzas lead swiftly into the 7th variation, a bustling rhyhm-driven movement set in complex time. The 3rd movement of the Peer Gynt Suite No.2 - 'Peer Gynt's Homecoming' - makes it's first appearance in variation 8 in a triumphant battle-like setting before a combination of both this material and the Solveig's Song combine to bring Grieg Variations to it's close -not without a little nod to potentially Grieg's most famous work - In The Hall of the Mountain King. . .
In Stock: Estimated dispatch 1-3 working days
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£60.00
Manchester Concertino - Peter Meechan
Manchester Concertino is a concertino in three movements for trumpet or cornet. It was written in late summer/early autumn in, as the title suggests, Manchester, UK.The first movement, Fanfare, was written for Belgian cornetist Harmen Vanhoorne, and explores the main musical idea behind the piece, a minor third. The loud fanfare gives way to a cadenza over a timpani roll, before a reprise of the opening fanfare.The second movement, Dream, was commissioned by Keith Johnson and is dedicated to Jess Tredrea. It is a slow, lilting, movement - almost as if the listener was hearing the piece through a summer haze.The final movement is simply titled Finale and is dedicated to Roger Webster. New material is fused with the fanfare from the opening movement leading to a climatic finish to the work.
Estimated dispatch 12-14 working days
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£70.00
Milestone - Peter Meechan
Milestone is a concerto commissioned by Mark Wilkinson (with funds provided by the Arts Council England) to celebrate 21 years as Principal Cornet with Fodens Band. In three movements, the work is intended to not only demonstrate the soloistas virtuosic skills, but also his ability to communicate to the audience.The first movement, titled Milestone, combines sections of driving rhythms (intended to represent Markas years of continuing hard work), in the accompaniment with long legato phrases from the soloist interspersed with dexterous, virtuosic, passages.The second movement, Song, features a simple chord sequence, over which the soloist asingsa a melody, each time varying and each time becoming more expressive, leading to an emotional climax.The final movement, Twenty One, is a quasi-celebratory dance. Opening with the band clapping, the soloist weaves their way through the various textures in the band. Occasionally making both a musical and metaphorical nod to the industrious nature of the first movement, the chord sequence of the second movement also re-appears, before a brief coda takes us to the conclusion of the work.
Estimated dispatch 12-14 working days
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£27.50Sand and Stars (Brass Band - Score only) - Deleruyelle, Thierry
Sand and Stars illustrates the journey of the aviator-writer Antoine de Saint-Exupery when he attempted to break the record for a Paris-Saigon flight. Having started as planned, the journey ended prematurely in the heart of the Sahara with a broken plane and the rescue, just in time, of the pilot and his navigator. Written in six parts, this highly colourful piece varies between a mysterious atmosphere, the deafening noise of a plane hitting the ground and the vivacity of an Arabic dance, punctuated with cornet and euphonium solos, before concluding with spectacular musical fireworks.Duration: 17.45
Estimated dispatch 7-14 working days
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£134.99
Sand and Stars (Brass Band - Score and Parts) - Deleruyelle, Thierry
Sand and Stars illustrates the journey of the aviator-writer Antoine de Saint-Exupery when he attempted to break the record for a Paris-Saigon flight. Having started as planned, the journey ended prematurely in the heart of the Sahara with a broken plane and the rescue, just in time, of the pilot and his navigator. Written in six parts, this highly colourful piece varies between a mysterious atmosphere, the deafening noise of a plane hitting the ground and the vivacity of an Arabic dance, punctuated with cornet and euphonium solos, before concluding with spectacular musical fireworks.Duration: 17.45
Estimated dispatch 7-14 working days
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£64.99Banana Island (Brass Band - Score and Parts) - Crausaz, Etienne
Banana Island is an extraordinary fictional place: coconut palms, date palms, mango trees, banana trees and mangroves grow in abundance. Animals live there in heavenly harmony. On a Caribbean danse rhythm, the Soca, several themes develop and create a dialogue between the various registers. A central section offers the cornet and trombone the chance to display their soloist skills. This work is full of energy and brimming over with enthusiasm! This music forms part of the musical tale La Malediction d'Aragne (Aragne's Curse), written by Dominique Schweizer and commissioned by the Lyre de Courtion (dir. Dominique Morel) on the occasion of its 100th anniversary.Duration: 4.15
Estimated dispatch 7-14 working days
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£95.00Variations on a Theme of Michael Tippett (Brass Band - Score and Parts) - Hindmarsh, Paul
A Centenary Tribute by Michael Ball, Edward Gregson, Elgar Howarth, Bramwell Tovey and Philip WilbyThis unique 'pice d'occasion' arose out of a telephone conversation in 2004 with Alan Wycherley, who was the soprano cornet player of the Foden's Richardson Band at the time. He indicated that the band would like to include an original birthday tribute for Edward Gregson (60) and Elgar Howarth (70) in its concert at the 2005 RNCM Festival of Brass in Manchester. I have been Artistic Director of Manchester's Festival of Brass since it was established in 1990 as a BBC Radio 3 series, As the centenary of the birth of Sir Michael Tippett fell on 5 January 2005, I devised this collective work as a way of embracing all three anniversaries in a novel way.The idea of joint compositions is not a new one in the classical music world. In the 1860s, Verdi was joined by a number of his contemporaries in a Requiem Mass for Rossini. In this country there have been a number of orchestral examples over the past fifty years, but never before for the brass band. Although Tippett composed only one work for brass band, Festal Brass with Blues, his orchestral works and operas are full of idiomatic brass writing. The theme I chose for this celebration is one of Tippet's most memorable miniatures featuring wind and brass. In the opera Midsummer Marriage it marks the entry of the Ancients. It is also included in the orchestral Suite in D (1948), for the Birthday of Prince Charles.I invited five of the leading contemporary voices in brass band music to add their own creative perspectives to the little Tippett theme, with it's characteristic rhythms, embellishments and modality - the Lydian mode. Each contribution was designed to fit into a tonal and formal template to give the whole work a flow and continuity. In Danse des Amis, Bramwell Tovey has composed a jazzy, humorous variation. Inspiration came from Tippett's love of jazz and, more personally, from the characteristically syncopated gait of the distinguished music critic John Amis, who Tovey once observed leaving a performance of Tippett's opera King Priam before the end. Incidentally, that performance was conducted by Elgar Howarth.We hear Edward Gregson in lyrical mode. His Midsummer Song is redolent of the sound world of Tippett's opera A Midsummer Marriage and it ends with a brief reference to a favourite of Gregson's, Tippett's Concerto for Orchestra. Michael Ball provides a brief moment of light, airy activity bringing to mind perhaps Tippett's love of Shakespearian fantasy, especially The Tempest. Elgar Howarth juxtaposes a slowed down version of the processional theme with distant recollections of fanfares from King Priam. Philip Wilby has rounded the tribute off with a spectacular fugue. During its inexorable progress Wilby ingeniously introduces the two other birthday references - the three-note musical signature that Elgar Howarth includes in much of his music and the characteristic theme which begins Edward Gregson's substantial work for brass an organ The Trumpets of the Angels. An elaborated reprise of Tippett's little theme is followed by a dynamic coda.- Paul HindmarshDuration: 13.00
Estimated dispatch 7-14 working days
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£40.00
Variations on a Theme of Michael Tippett (Brass Band - Score only) - Hindmarsh, Paul
A Centenary Tribute by Michael Ball, Edward Gregson, Elgar Howarth, Bramwell Tovey and Philip WilbyThis unique 'pice d'occasion' arose out of a telephone conversation in 2004 with Alan Wycherley, who was the soprano cornet player of the Foden's Richardson Band at the time. He indicated that the band would like to include an original birthday tribute for Edward Gregson (60) and Elgar Howarth (70) in its concert at the 2005 RNCM Festival of Brass in Manchester. I have been Artistic Director of Manchester's Festival of Brass since it was established in 1990 as a BBC Radio 3 series, As the centenary of the birth of Sir Michael Tippett fell on 5 January 2005, I devised this collective work as a way of embracing all three anniversaries in a novel way.The idea of joint compositions is not a new one in the classical music world. In the 1860s, Verdi was joined by a number of his contemporaries in a Requiem Mass for Rossini. In this country there have been a number of orchestral examples over the past fifty years, but never before for the brass band. Although Tippett composed only one work for brass band, Festal Brass with Blues, his orchestral works and operas are full of idiomatic brass writing. The theme I chose for this celebration is one of Tippet's most memorable miniatures featuring wind and brass. In the opera Midsummer Marriage it marks the entry of the Ancients. It is also included in the orchestral Suite in D (1948), for the Birthday of Prince Charles.I invited five of the leading contemporary voices in brass band music to add their own creative perspectives to the little Tippett theme, with it's characteristic rhythms, embellishments and modality - the Lydian mode. Each contribution was designed to fit into a tonal and formal template to give the whole work a flow and continuity. In Danse des Amis, Bramwell Tovey has composed a jazzy, humorous variation. Inspiration came from Tippett's love of jazz and, more personally, from the characteristically syncopated gait of the distinguished music critic John Amis, who Tovey once observed leaving a performance of Tippett's opera King Priam before the end. Incidentally, that performance was conducted by Elgar Howarth.We hear Edward Gregson in lyrical mode. His Midsummer Song is redolent of the sound world of Tippett's opera A Midsummer Marriage and it ends with a brief reference to a favourite of Gregson's, Tippett's Concerto for Orchestra. Michael Ball provides a brief moment of light, airy activity bringing to mind perhaps Tippett's love of Shakespearian fantasy, especially The Tempest. Elgar Howarth juxtaposes a slowed down version of the processional theme with distant recollections of fanfares from King Priam. Philip Wilby has rounded the tribute off with a spectacular fugue. During its inexorable progress Wilby ingeniously introduces the two other birthday references - the three-note musical signature that Elgar Howarth includes in much of his music and the characteristic theme which begins Edward Gregson's substantial work for brass an organ The Trumpets of the Angels. An elaborated reprise of Tippett's little theme is followed by a dynamic coda.- Paul HindmarshDuration: 13.00
Estimated dispatch 7-14 working days
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£82.95VIVAT! (Brass Band - Score and Parts) - Davoren, Tom
2012 National Championships Finals - First Section.Commissioned for the 2012 Section 1 Finals as a celebration of the Queen's Diamond Jubilee, the work is in three contrasting continuous sections that run continuously and the music is derived from Parry's coronation anthem, I Was Glad. The sections are:In Memorium, evoking the noble but gentle personality of the Queen's father, George VI. Opening with an atmospheric baritone solo (and later featuring solo horn, flugel horn, euphonium and solo cornet), the music explores themes of grief, sentimentality and hope.Coronation, a fanfare and subsequent theme which is grandiose in style, capturing the spirit and excitement of British pomp and ceremony.The closing, Jubilate is a celebration of life and family values, Vivat being Latin for life, or long life. The music passes through moments of tension, virtuosity, humour and jubilance before a finale constructed from connected musical fragments, drawn from throughout the work, form (for the first time) Parry's majestic I Was Glad theme.Duration: 10.45
Estimated dispatch 7-14 working days
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