Results
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£14.00Fanfare for a New Era (Brass Band - Score only) - Gregson, Edward
Fanfare for a New Era is the most substantial of Edward Gregson's fanfares and was the result of a private commission by Lady Sheila Stoller to celebrate the opening in April 2017 of the Stoller Hall at Chetham's School of Music, Manchester. Gregson dedicated it to Sir Norman Stoller, who donated the funding for the new concert hall. The Fanfare was designed to fill the whole space, with separate brass choirs - trumpets, horns, trombones and tuba - playing their own music. A solo trumpeter playing 'on high' announces first the four horns and timpani, who enter with a stately measure. Next the herald trumpeter ushers in trombones, tuba and drums, with a faster dance. Finally, the remaining three trumpets amplify the peeling of bells. All four elements then come together, surrounding the audience with a 'joyful noise' of festive brass and percussion.Duration: 3.00
Estimated dispatch 7-14 working days
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£44.99Firefly (Brass Band - Score and Parts) - Dobson, Simon
Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempo concert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, "Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to." It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland. Duration: 5-6 minutes.
Estimated dispatch 7-14 working days
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£59.99A Klezmer Karnival (Brass Band - Score and Parts) - Sparke, Philip
Klezmer music originated in the 'shtetl' (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as 'klezmorim', had performed at celebrations, particularly weddings, since the early Middle Ages. Since the 16th century, lyrics had been added to klezmer music, due to the 'badkhn' (the master of ceremony at weddings), to the 'Purimshpil' (the play of Esther at Purim) and to traditions of the Yiddish theatre, but the term gradually became synonymous with instrumental music, particularly featuring the violin and clarinet. In recent years it has again become very popular and in A Klezmer Karnival Philip Sparke has used three contrasting traditional tunes to form a suite that will bring a true karnival atmosphere to any concert.Duration: 4:30
Estimated dispatch 7-14 working days
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£72.99Lilo & Stitch (Music featured in the Film) (Brass Band - Score and Parts) - Schaars, Peter Kleine
In this great Disney musical a little girl, Lilo, adopts what she believes is a puppy but is what turns out to be an alien that has landed on earth by mistake. Their friendship is sealed by their mutual love of the music of the king - Elvis Presley. This arrangement contains a selection of Elvis classics that were featured in the film and is sure leave your audience humming Elvis songs long after they have left the concert.Duration: 6.15
Estimated dispatch 7-14 working days
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£76.99Free World Fantasy (Brass Band - Score and Parts) - De Haan, Jacob
This piece was commissioned by the Dutch province of Groningen for the celebrations commemorating the liberation festivities in 1987. In the composition, the dream of a world without war is symbolized. It is the first composition in a series in which Jacob de Haan combines concert music with pop music in a style, which reminds one of film music. Later compositions in which he has reaped much success with the same formula in style are Oregon, La Storia and Utopia.Duration: 8.00
Estimated dispatch 7-14 working days
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£154.99Bulgarian Dances (Part II) (Brass Band - Score and Parts)
Bulgarian folk music has a long tradition and numerous typical characteristics, such as particular dissonances and complex, irregular rhythms. In Bulgarian Dances (Part II) (which can be performed together with the previously published title Bulgarian Dances) Franco Cesarini has preserved the original spirit of Bulgarian folk music, yet has imbued it with a symphonic character and brought it into the concert hall. The three different movements give us a meditative, moving folksong and a lively dance, before a distinctly symphonic part leads to a glittering finale.
Estimated dispatch 7-14 working days
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£45.00Cuban Overture (Brass Band - Score and Parts) - Gershwin, George - Littlemore, Phillip
Originally entitled Rumba, the?Cuban Overture?was a was written some time following a two-week holiday which Gershwin took in Havana in February 1932. The overture is dominated by Caribbean rhythms and Cuban native percussion, with a wide spectrum of instrumental colour and technique. It is a rich and exciting work with complexity and sophistication, illustrating the influence of Cuban music and dance. Although it received it's premi?re under the title Rumba, it was renamed Cuban Overture three months later at a benefit concert conducted by Gershwin at the Metropolitan Opera to avoid giving audience the idea that it was simply a novelty item. The new title provided, as the composer stated, "a more just idea of the character and intent of the music". Duration: 6:20
Estimated dispatch 7-14 working days
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£28.00
IT'S A LONG WAY TO TIPPERARY (Brass Band) - Kerwin, Simon
A great concert piece. "It's a Long Way to Tipperary" is a British music hall song written by Jack Judge and co-credited to, but not co-written by, Henry James "Harry" Williams. It was allegedly written for a 5 shilling bet in Stalybridge on 30 January 1912 and performed the next night at the local music hall. Judge's parents were Irish, and his grandparents came from Tipperary. It became popular among soldiers in the First World War and is remembered as a song of that war.
Estimated dispatch 7-14 working days
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£45.00March Slav (Brass Band - Score and Parts) - Littlemore, Phillip
March Slav?was composed in 1876 at the request of Nicolai Rubenstein (who had recently spurned Tchaikovsky's first piano concerto, and might have wanted to return to favour with the composer). Tchaikovsky loved Russian folk music--looking to it for inspiration throughout his career--and he makes considerable use of it here. From the opening theme to the final glorious statement of the Czarist national anthem, the march draws on the music of his motherland. It was first performed in a charity concert to support a war effort in the Balkans. He composed and fully scored the march in the short time of just 5 days. At the first performance its impact was such that it had to be encored in full, receiving a tumultuous reception - twice! Duration: 7:20
Estimated dispatch 7-14 working days
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£45.00Mars, The Bringer of War (from The Planets) (Brass Band - Score and Parts) - Holst, Gustav - Littlemore, Phillip
Holst's suite The Planets was written between 1914 and 1916 and with the exception of Mercury, which was written last, Holst wrote the music in the sequence we hear them. So, in 1914, came the insistent rhythmic tread of Mars, The Bringer of War. It is widely known that the sketches were completed prior to the outbreak of the First World War, so the music is less a reaction to the declaration of war itself, but more an impending sense of inevitability of a war to unfold. An ideal concert opener, especially in this current year as it is not only the 100th anniversary of the piece itself, but of The Great War. Duration: 7:20
Estimated dispatch 7-14 working days
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